ÉVALUATION IMDb
7,2/10
583
MA NOTE
Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.
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I thought this was supposed to be the history of sitcom. Instead it is a sloppy, quick run through some popular and lesser known sitcoms. It's basically a short interview, less than a minute, then footage from the show. The retrospective on the show are brief and poorly explained.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
Each episode starts in the 50s and ends in present day. Each episode also complains about minorities, women, and homosexuals not being on TV or if they were it was shown in a very stereotypical form. I do agree with this idea, literally every episode devolves into this. They should have make one episode in the shunning of aforementioned groups. I would guess 60-70% of this series is complaints about how minorities were treated.
It's amazing that they had such an enormous body of work to comment on and they come up with this. Its not the worst documentary I have seen but given the production value and money behind the documentary It's amazing they go for such boring low hanging fruit.
If you are looking for any kind.
I would love to see a really good history of the sitcom without all the same players. Of course they were vital , but this series brushes over the 50's and naturally spends most of its time on I Love Lucy. So many other shows that could be explored. They drag Norman Lear, Suzanne Somers, Eric McCormick out to expound and naturally we once again visit, Maude, Good Times, Modern Family ad nauseam.
The sitcom is a special art, a half hour format whose style comes from that 2/ minutes of entertainment.
Sex and the City, Fleabag, and others mentioned are not sitcoms. This ruined the whole premise of the show. So far, very bored.
The sitcom is a special art, a half hour format whose style comes from that 2/ minutes of entertainment.
Sex and the City, Fleabag, and others mentioned are not sitcoms. This ruined the whole premise of the show. So far, very bored.
With a series like this they could have done a marvelous job talking about society, the business, the actors, the networks, etc. Instead they do a half-based job on everything. Why do it?
This series follows the formula that most History Channel docs follow: Snippet, actor/critic comment, repeat, commercial. It's nice to see some of the old shows represented, as well as the grown up actors comment. We watched these shows because they were funny, that's it. Never gave two sh#ts if the actors were white or black. Those were the good times!!!!
The content of this show is interesting, which is why I rated it as highly as I did. Unfortunately, from the first 5 minutes of episode 1, the series is decidedly hard left, which is so unnecessary. Who wants to hear smug talking heads pontificate on how bad sitcoms were in the 50's, 60's, and 70's, because all the shows were about White people?
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
The hard left focus was a bit of a surprise to me, as I had seen CNN documentary series in the past, like the ones of the decades (e.g., 60's, 70's, 80's, 90's) as well as their History of Comedy series, and they were all pretty much down-the-middle without an overt political agenda. Why they chose to have such a strong progressive point of view for this series is sad, and shows how much CNN has drank the Kool-Aid.
Episode 2, ostensibly about the evolution of showing sex on sitcoms was instead about 75% about the plight of LGBTQ. In episode 3, "Friends" co-creator Marta Kauffman had to apologize on camera for all the main characters being White.
Normally, I would wait until I had seen the entire series, but now that I've seen six of the eight episodes, my opinion is already baked in. I look forward to watching the final two episodes and learning more about how straight White men are the bane of human existence...and the TV sitcom.
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- ConnexionsReferenced in Late Night with Seth Meyers: Amy Poehler/Joseph Gordon-Levitt/Kevin Smith (2021)
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