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4,7/10
2,7 k
MA NOTE
Ajouter une intrigue dans votre langueA group of old college friends reunite on a Caribbean scuba diving trip exploring the wreckage of a WWII battleship and find themselves trapped inside the underwater labyrinth of rusted meta... Tout lireA group of old college friends reunite on a Caribbean scuba diving trip exploring the wreckage of a WWII battleship and find themselves trapped inside the underwater labyrinth of rusted metal surrounded by great white sharks.A group of old college friends reunite on a Caribbean scuba diving trip exploring the wreckage of a WWII battleship and find themselves trapped inside the underwater labyrinth of rusted metal surrounded by great white sharks.
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- Writers
- Stars
Avis en vedette
In the British Virgin Islands, Noah (Jack Parr) and Levi (Julian Sands) discover the wreck of USS Charlotte which sank during WWII. The wreck is pristine after being buried all those years. Noah's college friends, Sam (Kim Spearman), Brett (Alexander Arnold), Riley (Erin Mullen), and Logan (Arlo Carter), have come for a reunion. Arrogant Brett insists on diving the unexplored wreck despite cash-strapped Noah's warning.
This is an average B-movie for the first half, maybe even the first two thirds. It's nothing special. The dive suits restrict the performances. There is the standard annoying character and people being stupid. Then the movie starts piling on some bad writing. When they go back to the surface, the sharks look worst and worst. Finally, there are a couple of really stupid shark scenes. It tries for awhile but it can't escape its bad shark movie genes.
This is an average B-movie for the first half, maybe even the first two thirds. It's nothing special. The dive suits restrict the performances. There is the standard annoying character and people being stupid. Then the movie starts piling on some bad writing. When they go back to the surface, the sharks look worst and worst. Finally, there are a couple of really stupid shark scenes. It tries for awhile but it can't escape its bad shark movie genes.
I honestly don't understand the low rating for this movie, of course it will not win any oscars but the movie does not deserve a 4.6 rating.
There is no bad CG in this movie, the shark is really well made and does not look fake like what one hundred percent asylum movies do.
Not sure what the budget for this movie was but its very well made. Of course most of the actors are unknown but they do a great job.
You get the spoiled rich kid, and female doctor student, a bit of drama but not too much and a great design for terror.
The old military ship is perfect with the shark moving around and they are all trapped.
All in all this movie deserves a higher rating and is well worth a rental at least its a very enjoyable shark movie.
There is no bad CG in this movie, the shark is really well made and does not look fake like what one hundred percent asylum movies do.
Not sure what the budget for this movie was but its very well made. Of course most of the actors are unknown but they do a great job.
You get the spoiled rich kid, and female doctor student, a bit of drama but not too much and a great design for terror.
The old military ship is perfect with the shark moving around and they are all trapped.
All in all this movie deserves a higher rating and is well worth a rental at least its a very enjoyable shark movie.
Another movie about dumb, smart people. At every turn, I turn into that black guy in the theater that's yelling "oh, come on!" Or "Get the f**k outta here!". Because one of these "geniuses" does something so stupid that it makes absolutely no sense. There's a couple people in this movie that from the beginning. I just kept thinking oh I hope they get eaten. Now. It's up to three. But, one down.
Personally, I think it's bad writing when somebody does absolutely everything right. Just as I believe it's bad writing when everybody does everything absolutely wrong. It's not realistic. I understand panicking under stressful situations but these characters did stupid stuff before they got into the situation. Which only complicated the situation it was just so predictively dumb.
Personally, I think it's bad writing when somebody does absolutely everything right. Just as I believe it's bad writing when everybody does everything absolutely wrong. It's not realistic. I understand panicking under stressful situations but these characters did stupid stuff before they got into the situation. Which only complicated the situation it was just so predictively dumb.
My dad got me hooked on shark movies. I've seen them all, low budget, high budget no budget. Jaws will never be beat. Well My daddy is gone now but i still watch them. So it always amazes me that people are so surprised to see a shark in the ocean. They do live in the ocean correct? Cant stand the one guy, or the idiot, point of fact no one is tolerable. I watched this for Julian. I will say this shark movie took a new turn and headed to a sunken battleship. That was a nice new story. But yeah these people were so surprised about the sharks well we all know sharks don't live in the ocean right? What happened to men being men? Do people think nothing will go wrong? Movie is slow. Long time to see a shark. I'm not the type to quit or lay down and die and think people should be more like that. Been better to twist this around to a shockwaves theme. I am happy to say I think Julian went up on that mountain to die. I fully believe this. I do like the movie was dedicated to him.
A group of college friends reunite for a Caribbean scuba diving adventure, exploring a sunken WWII battleship. However, they become trapped in the rusted underwater maze, with great white sharks at every turn.
Joachim Heden delivers a watchable shark tale, but don't expect the likes of The Shallows, 47 Meters Down, The Reef, Open Water, or even Shark Bait, to name a few.
Andrew Prendergast and Nick Saltrese's script is talky for the first half hour, with the usual setup tropes: friends having a good time, water-shark-kill. It's drawn out, but Heden offers some tense moments in the third act, where the digital sharks look on form. The CGI is a mixed bag, at times very convincing. While not as well executed, the underwater settings are at times reminiscent of Mako (2021) and Deep Fear (2023).
There's a lot of reflection with the characters, and the melancholiness matches the odd whimsical soundtrack. Actress Kim Spearman is notable and does a great job with what she's given. Jack Parr has screen presence and is likable and memorable. The film is dedicated to the late Julian Sands, and it's a pity this is one of his posthumous films. Still, in his brief role, he acts the chops off it.
Overall, it's better than The Requin (2022) and countless other low-budget shark films out there.
Joachim Heden delivers a watchable shark tale, but don't expect the likes of The Shallows, 47 Meters Down, The Reef, Open Water, or even Shark Bait, to name a few.
Andrew Prendergast and Nick Saltrese's script is talky for the first half hour, with the usual setup tropes: friends having a good time, water-shark-kill. It's drawn out, but Heden offers some tense moments in the third act, where the digital sharks look on form. The CGI is a mixed bag, at times very convincing. While not as well executed, the underwater settings are at times reminiscent of Mako (2021) and Deep Fear (2023).
There's a lot of reflection with the characters, and the melancholiness matches the odd whimsical soundtrack. Actress Kim Spearman is notable and does a great job with what she's given. Jack Parr has screen presence and is likable and memorable. The film is dedicated to the late Julian Sands, and it's a pity this is one of his posthumous films. Still, in his brief role, he acts the chops off it.
Overall, it's better than The Requin (2022) and countless other low-budget shark films out there.
Le saviez-vous
- AnecdotesJulian Sands last movie, released almost a year and a half after his death.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Son Nefes
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 3 214 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 600 $ US
- 28 juill. 2024
- Brut – à l'échelle mondiale
- 564 905 $ US
- Durée
- 1h 36m(96 min)
- Couleur
- Rapport de forme
- 2.39:1
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