Pourquoi pas Evans?

I read the book prior to the release of this, and I have to say it isn't a favourite of mine, nor was the awful Marple adaptation some years ago.

Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.

The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.

Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.

If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.

Let's hope we get more quality adaptations soon, this was very good, 8/10.

A partially faithful adaptation of the book, although it rearranges certain lines of dialogue, and changes certain conversations up to include bits of the prose that weren't verbalized by the roles . The opening titles shows characters running through a maze , subsequently the vicar's (Alistair Petrie) son Bobby Jones (Will Poulter) and Dr. Alwyn Thomas play a round of golf, Bobby slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. With his final breath the man opens his eyes and gasps, 'Why didn't they ask Evans?'. Becoming convinced the man's death may have been a murder , Bobby and his socialite friend Lady Frances "Frankie" Derwent (Lucy Boynton) set about solving the mystery.

This TV movie happens to be a murder mystery in three episodes dealing with dying man's enigmatic last words send vicar's son, Bobby Jones, and his socialite friend, Lady Frankie Derwent, on a crime-solving adventure . It is very well-made, actually looking authentic without being too heavy on scenarios including gorgeous photography , as well gowns and sets that are both sumptuous and brilliant . There are some enjoyable elements to this story, Lucy Boynton and Will Poulter drive the film , they literally are pretty good for the material and script they're given . The dialogue is faithful to Agatha Christie and helps to make the mystery interesting throughout, and the story, while paced slowly but adequately, is both suspenseful and intricate , if seemingly implausible on first viewing . This is a fine decision, as it fits better with the TV format than the novel's version of the scene would . As a result this adaptation is quite good, but there are some problems dragging it down. "Why Didn't They Ask Evans ?" is three hours long, and it really doesn't need to be . There are numerous scenes that could have easily been trimmed . There are a lot of scenes where the camera is just aimlessly surveying its surroundings, or characters are taking forever in walking/sneaking around . The acting in ¨Why Didn't They Ask Evans?¨ is all good , the actors are all British giving sympathetic interpretations , such as : Will Poulter, Lucy Boynton , Daniel Ings, Alistair Petrie , Jonathan Jules , Nicholas Asbury , Richard Dixon and director Hugh Laurie himself , among others .

This nice adaptation with some mistakes was professionally written and directed by Hugh Laurie. This notable actor , producer and director is known for playing : House series (2004), Catch-22 (2019) , Tomorrowland (2015) , The Flight of the Phoenix (2004) , Stuart Little (1999) . And he has written produced or directed various films or television movies , such as : Chance ,The Night Manager , Live On The Queen Mary , The Laughing Prisoner , The Crystal Cube and various episodes of House.

There're other versions about this story : ¨Why Didn't They Ask Evans? (1980) with Francesca Annis , John Gielgud , Bernard Miles , Eric Porter , Leigh Lawson. And Why Didn't They Ask Evans? (2009), which was episode 4 of Season 4 of Marple directed by Nicholas Renton with Julia McKenzie , Samantha Bond , Richard Briers , Rik Mayall , Rafe Spall , Natalie Dormer , Warren Clarke , Mark Williams .

Compared to the initial reviews, it appears I'm in the minority. I thoroughly enjoyed the three episodes and binged them in one night. I found the whole thing fun, charming and a hoot. I loved all the performances as well as the lush locales and cinematography and the performances. Hugh Laurie's direction is smooth. Not everything adds up, but this isn't Agatha Christie's best story, and that's okay overall. There are always too many suspects and shoehorning for things to make sense in the plot. As long as you understand who did it and the basic why in the end, you're good. Just go along for the ride. Pay attention to the clues as they come and you can probably solve it before they do. Sure, there are tons of red herrings and subplots to nowhere that distract, but again, it's lesser Agatha Christie. What do people expect? It's only confusing if you let it overwhelm you. And it needn't. Enjoy!

Hugh Laurie has done a fabulous job deftly infusing humour into this script. The cinematography is delightful, with gorgeous costumes, lovely architecture and rugged scenery brought to life. A strong cadre of actors with the wonderful character of Frankie (Lucy Boynton) pulling all the strings, Boynton is in her element with this persona.

It is drawn out at some points, it would have benefited from shorter episodes, also some plot elements are overly contrived.

Having been produced for Britbox last year, Hugh Laurie's adaptation of the Agatha Christie story aired on ITV around Easter of 2023, which is when I saw it. There were aspects of it that I loved but I felt one fairly major failing too.

Bobby Jones (Will Poulter) and Lady Frankie Derwent (Lucy Boynton) investigate the 'accidental' death of a man, who fell from the cliffs of the small Welsh town they live in. Their light-hearted probe turns serious when there is an attempt on Bobby's life. They track a man who was in the village that day, Roger Bassington-ffrench (Daniel Ings) back to his family home and decide to go in undercover.

I liked the presentation of this. There's some lovely 1930's cars and clothes. Laurie calls in a few favours with the cast, including a single but impactful scene from Emma Thompson and a couple of scenes with Jim Broadbent as Lord and Lady Derwent. The rest of the performers are really good, and it feels like a classic ITV Agatha Christie ensemble. Morwenna Banks, Conleth Hill, Miles Jupp, Paul Whitehouse, Amy Nuttall and Alistair Petrie round it out. There's a great chemistry between Poulter and Boynton, and Boynton especially is magnetic throughout, funny, and charming and she's clearly a star.

I think the plot of the story is perhaps a little too complicated for the speed that it's run through though. I think I followed what happened and reading the plot of the story again on Wikipedia I did manage it. I do think that perhaps "show rather than tell" would be the way to go, as there are several scenes of Jones and Derwent putting together what happened that could have done with a bit more video explaining who they were talking about.

Unfortunately, I'd have though that with Marvel stardom coming for Poulter, and for Boynton already having a pretty busy film and TV career, were not likely to see the couple reunite for another adaptation, which is sad. What we have is a good, if not perhaps great time, but one that's worth going with, if only for the performances.