La dernière tournée de Jocelyn a été perturbée par une dépression nerveuse. Elle est maintenant déterminée à retrouver son rôle de pop star la plus importante et la plus sexy d'Amérique.La dernière tournée de Jocelyn a été perturbée par une dépression nerveuse. Elle est maintenant déterminée à retrouver son rôle de pop star la plus importante et la plus sexy d'Amérique.La dernière tournée de Jocelyn a été perturbée par une dépression nerveuse. Elle est maintenant déterminée à retrouver son rôle de pop star la plus importante et la plus sexy d'Amérique.
- A remporté 1 prix Primetime Emmy
- 2 victoires et 5 nominations au total
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Sommaire
Reviewers say 'The Idol' delves into themes of fame, exploitation, and the music industry's darker side, often through sexualized and controversial content. Criticisms include excessive nudity, weak dialogue, and unconvincing performances, especially from The Weeknd. Some praise the show for confronting uncomfortable truths, while others find it exploitative and shallow. The series has a polarizing reception, with some viewers finding it compelling and others considering it a failure.
Avis en vedette
What an embarrassment.
This series got into hot water because director Amy Seimetz, who was supposed to direct this series, and tell this story from a feminist point of view of a girl being exploited by men and the music industry, left because of intense hostility from the cast and crew. Then Sam Levinson took over and turned into an exploitative torture porn fest. At least that's what the Rolling Stone magazine article said.
And boy were they correct on this one.
There appears to be a good, interesting story about the sleaziness of the music/movie industry and how it mistreats and exploits pop singers, reaching out to get heard. But it never gets the upper hand, and is more interested in showing its very young-looking female lead nude and performing gratuitous, pointless long sex scenes that add nothing to the story.
I don't think I can listen to the Weeknd's music anymore, as Tesfaye not only plays a horrifically sleazy nasty character in this (his acting is low-par and this is his first acting role) but he's also the producer on this show. And the series also uses his songs during the most extreme sex/sadomasochistic scenes. Like WTF?
Almost nothing is from Joslyn (Lily Rose Depp)'s point of view. Her inner thoughts and feelings and past are mostly told by other characters. The cringy, offensive dialogue is just there to shock, and therefore, it's tedious and vomit-inducing.
I'm sick to death of men in Hollywood doing this to female characters on screen. It was bad enough with Blonde and how they disrespected Marilyn Monroe. Now this?
Enough. You are not special, you are not edgy. You are just wrong and untalented.
This series got into hot water because director Amy Seimetz, who was supposed to direct this series, and tell this story from a feminist point of view of a girl being exploited by men and the music industry, left because of intense hostility from the cast and crew. Then Sam Levinson took over and turned into an exploitative torture porn fest. At least that's what the Rolling Stone magazine article said.
And boy were they correct on this one.
There appears to be a good, interesting story about the sleaziness of the music/movie industry and how it mistreats and exploits pop singers, reaching out to get heard. But it never gets the upper hand, and is more interested in showing its very young-looking female lead nude and performing gratuitous, pointless long sex scenes that add nothing to the story.
I don't think I can listen to the Weeknd's music anymore, as Tesfaye not only plays a horrifically sleazy nasty character in this (his acting is low-par and this is his first acting role) but he's also the producer on this show. And the series also uses his songs during the most extreme sex/sadomasochistic scenes. Like WTF?
Almost nothing is from Joslyn (Lily Rose Depp)'s point of view. Her inner thoughts and feelings and past are mostly told by other characters. The cringy, offensive dialogue is just there to shock, and therefore, it's tedious and vomit-inducing.
I'm sick to death of men in Hollywood doing this to female characters on screen. It was bad enough with Blonde and how they disrespected Marilyn Monroe. Now this?
Enough. You are not special, you are not edgy. You are just wrong and untalented.
I'm shocked at the number of reviewers claiming this show reflects real life. This was like watching a large budget porno. It was so unnecessarily saturated in sex, I found a coherent story hard to tease out of the sleaze. I simply couldn't keep watching it. In retrospect, my final impression of the show reminded me of a line from the old movie, Butterflies Are Free, when Mrs. Baker declaims degeneracy, obscenity and nudity as a part of life, "I know [it's real life], Mr. Santori. So is diarrhea, but I wouldn't classify it as entertainment." If this show is like real life, you can keep it. I need some fresh air.
I love so many actors in this series - but man oh man oh man....it's not good. And I really REALLY wanted to like it. It has heavy inferences that lead you to acknowledge the tragedies that have befallen the likes of Britney Spears, Christina Aguilera, Amanda Bynes, etc etc etc. It gives the viewer a snapshot into why so many of them have suffered mental breakdowns and self-medicated. But there's no depth in this series. I feel like all they wanted to do was continue to glorify the savage treatment of young female artists by those who they should have been able to trust the most. They could have really made this into something - but they squandered the opportunity. If you want to see a lot of scantily clad, seemingly young (minor?) women being taken advantage of by everyone around them - then I guess this is the show for you. Personally, my time is worth more then what this show deserves.
Ok so it looks good and Lily-Rose Depp is fine in her starring role, but other than that you have to wonder what is the point. What could have been an intriguing examination of how the entertainment business gobbles up and exploits young women becomes just another ugly example of creepy exploitation. Read the Rolling Stone expose to understand how it completely pivoted from its initial premise and got Euphoria-ised by Sam Levinson. What a disappointment. A funny review in the UK Telegraph about Idol, said Levison makes Showgirls look like a masterpiece. No wonder it was decried at Cannes as "luxury sleaze." Two thumbs down.
I was in on the first 30 mins of Episode 1 but then this idiot with a rat tail appeared and disbelief was unsuspended. What a buzz kill. I know this is a vanity project and I hope he reads this.
Sam Levinson is a great director and every shot looks great, but he cannot write for women. The female characters are avatars for male fantasy and their dialogue is cringe worthy. But how can he be exploiting women if he is making a show about men in power exploiting women, lol.
Also did we really need a scene where an intimacy coordinator was locked in a bathroom. Is this a drama or a satire?
Free Lily! Free Sidney!
Sam Levinson is a great director and every shot looks great, but he cannot write for women. The female characters are avatars for male fantasy and their dialogue is cringe worthy. But how can he be exploiting women if he is making a show about men in power exploiting women, lol.
Also did we really need a scene where an intimacy coordinator was locked in a bathroom. Is this a drama or a satire?
Free Lily! Free Sidney!
Le saviez-vous
- AnecdotesDirector Amy Seimetz left the project on 25 April 2022 amid a creative overhaul of the series. Co-creator Sam Levinson took over as series director.
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Détails
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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