The Story of Film: A New Generation

The material presented in this marathon documentary is good enough, but it takes herculean effort and patience to endure narrator Cousin's astonishingly and consistently annoying manner of speaking, hour after hour.

Each sentence of narration is delivered the same monotonous way: lifelessly and sleepily, with every last syllable of every sentence ending with an identical upward inflection, giving a sense of questioning uncertainty like a helpless dying whimper.

A charming Irish lilt is one thing, but there is nothing charming about Cousins' style of narration. Any director with any sense at all would have chosen a different narrator to make this a far more compelling documentary.

This is an interesting documentary about modern film from around the world.

There are a lot of films mentioned here that I had not heard of and are now added to my list on IMDb, so it was worth watching just to find some films you may not have discovered otherwise.

However due to the narrator having the most monotone voice I have heard I had to watch this in three parts, I'm sure he knows his stuff but he sounds very uninterested in his on own project which makes it hard to concentrate.

Perhaps this would have been better as a three part series rather then a 165 minute documentary to make it more digestible?

This film is really an essay by Mark Cousins, on the films he has watched in the last 20 years and what he thinks about them. There is little in the way of actual insight. I found it useful to find new films which look interesting, films that either passed me by or I did not hear of. In that way I am grateful to be introduced to The Kidnappers, Cemetery of Splendour, Theorem, November, It Follows, Norte, An Elephant Sitting Still, About Leila and The Pearl Button.

For an analysis of 21st Century films released this essay was very wanting. There was no rhyme or rhythm to the structure. Many times it was a case of Cousins saying "look at this", "look at that", "isn't that smart". That kind of investigation can only go so far until you realise it is just a collage of film snippets that look great.

For a better analysis of film, I recommend the BritBox exclusive Reel Britannia which looks into British films by decade between the 1960s and 1990s. That is a clever concept as the stop gaps are the decade themselves and the TV show elaborately picks a subject or genre and discusses with more depth than this film.

A lot of people have criticised Cousins dry delivery in his narration. Personally, I did not mind it, although it does put into mind it is not so much what he says, which is actually not that interesting, but the way he says it. Some people may confuse slow delivery with deftness. I came away with the impression this film is limited by what Cousins saw and he has not seen.

It is really a love note to himself.

This is a documentary that taught me next to nothing.

I was excited when I discovered the existence of this sequel to "The Story of Film: An Odyssey" at the library. Unfortunately, it comes nowhere near the greatness of the original series, as it's a thinly connected mess of little coherence. I was excited to see the last decade of cinema summed up and have lines and threads I might not have thought about before drawn up for me, but unfortunately there are few big lines to see throughout the film. Cousin's just rambles on from one thing to the next, connecting the films only by his own stream of consciousness. For the most part, he just narrates what's going on onscreen in a single scene he's decided to feature, without telling you why this film is of any interest at all. There are some parts that connect more than others, and after talking about "The Look of Silence" and "The Act of Killing", he keeps his act together for a while, before the film starts rambling again. Unlike the original series, I haven't gotten the urge to watch a lot of the films I hadn't seen before, because the film gives me too little insight into what's good about the films, or why they're important.

An insight into how cinema across the world has changed in recent years and it's impact upon us.

Those who go to the pictures at their local multiplex once a week, may wish to look elsewhere for a documentary about the movies, as this is probably not it. Cousins takes cinema very very seriously and shares with us through probably over 100 clips precisely in his view what are the clever life changing pieces of cinema that the world should be impressed by and why. Ok, it's a point of view like any criticism and he clearly knows his stuff, but overall it's a hard slog unless you're a cineaste or a film critic reliving the films you've reviewed so carefully, that probably few others watching this on Netflix will have seen. Coupled with Cousins' slow, whispering Irish drawl that could easily send you to sleep, I suggest you avoid watching this late at night and have 'Carry on Up the Khyber' on standby.