Pretty Red Dress

Alexandra Burke is just brilliant in this. I am often sceptical when someone that isn't naturally an actor dips their toes into trying to act but I really think Alexandra has a future in films and I hope this serves as an introduction to her talents. However the film itself possibly lets her down in places. I thought it was a little predictable and therefore disappointing at times. That is not to say that I didn't enjoy it and I would recommend seeing it. I suppose it helps if you're a Londoner and would maybe find it a little more relatable. Very sweary throughout, which has its place in some films yet seems gratuitous in others. I was really curious about this one but overall a good experience.

I went into this movie with little knowledge about the premise and that only served me well. Without diving into spoilers, this movie paints a very stark picture of the complexity of human desire and nature. Alexander Burke was a pleasant surprise! Her talent remains highly underrated. This is my first introduction to Natey Jones. He is definitely one to watch! I will definitely be looking out for more things from him!

Most of the low reviews here seem fixated on the slang used in the movie. I find that akin to watching a french movie and complaining about french words!

Go in with an open mind and wait to have your mind blown away by this movie!

This is not the sort of film I would choose to see but I ended up in the cinema watching and enjoying it. The location and Jamacian culture are unfamiliar to me, an Indiginous Rustic, so it was quite an insight into different lives and I understood some of the challenges others face.

Alexandra Burke was brilliant in her acting and her performances. Natey Jones played a weak and wretched character and I had little sympathy for him-I wasn't totally convinced by his performance and wanted to slap him- maybe that is good acting. The others interacted well and were a good background to the story.

A simple story of complicated relationships but very enjoyable to watch.

Here's a sensitive and contemporary take on love, identity, sexuality, expectations, kindness and the human condition. It doesn't need labels or explanations and can cope with and hold ambiguity. It likes and respects all of its main protagonists and does not feel the need to fall victim to simplicity. All the more, you identify with the characters, and it feels encouraging that there is room for emotion amidst all those somewhat 2-dimensional contemporary labelling efforts. Be feminine whilst being masculine, be real, be vulnerable, take a risk, take a stand for your feelings but don't hurt others in the process - in fact, don't just me me me, bur really let them matter (to you) too. Recommended.

I was really disappointed in this film. The trails suggested a cutting edge drama about a man challenging the norms of his community but what we actually get is an over-scripted, not very well acted, family melodrama. "Travis" (Natey Jones) returns home after a spell in prison to his wife "Candice" (Alexandra Burke) and teenage daughter "Kenisha" (Temilola Olatunbosun). "Candice" has an audition to play in a Tina Turner musical and has her eyes on a spangly red dress. It's expensive, but "Travis" manages to find a job with his brother and manages to buy it for her. She loves it, but, well... so does he. At this stage we begin to sense that he has some identity fluidity issues, but that is best kept under wraps for fear it will not be well received by his family, nor by their friends. It's only when "Candice" comes home unexpectedly one evening that the relationship dynamic suddenly changes for all of them. The premiss is bold - it does aim fairly and squarely at bigotry and homophobia, but the execution is slow and ponderous. Alexandra Burke is a great singer but she is not a great actress and as the ever more contrived family shenanigans mount up - including some issues for the young "Kenisha" - the thrust that made the film interesting in the first place gets rather lost. Jones is adequate, but again his character is largely undeveloped with little of a backstory to give us a sense of just how this relationship evolved, and ultimately I just think Dionne Edwards relied a little too much on the shock value of the thread and of audience assumptions rather than develop this into something more powerful. It's watchable, bit misses the goal I'd say.