ÉVALUATION IMDb
6,6/10
31 k
MA NOTE
Ajouter une intrigue dans votre langueA middle-class boy in Ahmedabad, Satyaprem falling in one-sided love with Katha, who is coping with her breakup with Tapan. Through the journey, they discover each other's life and complemen... Tout lireA middle-class boy in Ahmedabad, Satyaprem falling in one-sided love with Katha, who is coping with her breakup with Tapan. Through the journey, they discover each other's life and complement in accomplishing what was left halfway.A middle-class boy in Ahmedabad, Satyaprem falling in one-sided love with Katha, who is coping with her breakup with Tapan. Through the journey, they discover each other's life and complement in accomplishing what was left halfway.
- Prix
- 9 victoires et 17 nominations au total
Rajpal Naurang Yadav
- Magan Milkman
- (as Rajpal Yadav)
Nirmiti Sawant
- Christmas Maasi
- (as Nirrmite Saawaant)
Avis en vedette
A love story with the heart in the right place that's Satyaprem Ki Katha. It is engaging, and entertaining performances from all characters..
Kiara & Kartik worked fine.
Satya Prem ki Katha is a genuine love story with some great music, a light screenplay, and an emotional plot, it is not only RomCom.
Kartik and Kiara Advani each has a strong appearance and on-screen connection.
The supporting actors did good jobs with their parts.
Overall, it is a well-made film that is good Infront of Some Bollywood Rom-Com kinda movies.
This Movie showed a well known but rarely talked topic and a message for orthodox society.
Movie Ends fine.
Review of Satyaprem Ki Katha by itsbymayank - Mayank Bharat Bhushan Louteriya.
Kiara & Kartik worked fine.
Satya Prem ki Katha is a genuine love story with some great music, a light screenplay, and an emotional plot, it is not only RomCom.
Kartik and Kiara Advani each has a strong appearance and on-screen connection.
The supporting actors did good jobs with their parts.
Overall, it is a well-made film that is good Infront of Some Bollywood Rom-Com kinda movies.
This Movie showed a well known but rarely talked topic and a message for orthodox society.
Movie Ends fine.
Review of Satyaprem Ki Katha by itsbymayank - Mayank Bharat Bhushan Louteriya.
The cinematography was well done. Nice colours throughout the film.
The story was very basic and full of usual cliche. Nothing new to be remembered.
What bother me in that film was the humour. The joke was so childish. Even the main character acted like a child most of the time. It was painful to watch.
The actress did a good job however ad she didn't have to make jokes.
In the first half of the film, the actress didn't like the main actor and I dont blame her for it.
As I'm from Western Europe, perhaps it's the difference in culture that makes me cringe every time they delivered their lines.
I forget about this movie as soon as I left the screen.
The story was very basic and full of usual cliche. Nothing new to be remembered.
What bother me in that film was the humour. The joke was so childish. Even the main character acted like a child most of the time. It was painful to watch.
The actress did a good job however ad she didn't have to make jokes.
In the first half of the film, the actress didn't like the main actor and I dont blame her for it.
As I'm from Western Europe, perhaps it's the difference in culture that makes me cringe every time they delivered their lines.
I forget about this movie as soon as I left the screen.
I was pleasantly surprised by Satyaprem Ki Katha. A very mature take on love, marriage and relationships underlining a social taboo.
The film starts on a light note but gets serious as it progresses. Performances elevate the film and both the leads shine. This is one of the best performances from Kartik Aaryan. But it is Kiara Advani who steals the show. She not only looks breathtakingly beautiful but delivers a brilliant performance as well. What an actress she has proved to be!
Music is pretty good too with Le Aaunga sung by Arijit Singh being the best of the lot. Amongst the rest Aaj Ke Baad is the one you carry along with you.
Director Sameer Vidwans makes an impressive debut in Hindi cinema. This hatke romantic comedy certainly deserves a watch.
The film starts on a light note but gets serious as it progresses. Performances elevate the film and both the leads shine. This is one of the best performances from Kartik Aaryan. But it is Kiara Advani who steals the show. She not only looks breathtakingly beautiful but delivers a brilliant performance as well. What an actress she has proved to be!
Music is pretty good too with Le Aaunga sung by Arijit Singh being the best of the lot. Amongst the rest Aaj Ke Baad is the one you carry along with you.
Director Sameer Vidwans makes an impressive debut in Hindi cinema. This hatke romantic comedy certainly deserves a watch.
Not a bad movie for a one-time watch, but the ending left much to be desired. It was too abrupt and somewhat anticlimactic. The conclusion could have been executed more effectively and thoughtfully. It almost felt like the movie's creator realized it had been dragged out and decided to wrap it up hastily.
The movie touches upon a significant and pertinent theme - the importance of respecting the word "No." It conveys a powerful message that "No" should always mean "No," irrespective of how open-minded you may be. Trust can be shattered by the person you trust the most.
Unfortunately, Shikha Talsania and Supriya Pathak had very limited roles in the film, with hardly any lines or screen time.
Kartik Aryan delivered a commendable performance, once again proving his ability to shine in every scene he's in.
Kiara Advani portrayed her character boldly and stayed true to the script.
The movie touches upon a significant and pertinent theme - the importance of respecting the word "No." It conveys a powerful message that "No" should always mean "No," irrespective of how open-minded you may be. Trust can be shattered by the person you trust the most.
Unfortunately, Shikha Talsania and Supriya Pathak had very limited roles in the film, with hardly any lines or screen time.
Kartik Aryan delivered a commendable performance, once again proving his ability to shine in every scene he's in.
Kiara Advani portrayed her character boldly and stayed true to the script.
The first half is horrendous, they tried to incorporate comedic elements to incite laughter, but they largely fell flat. Neither the one-liners nor the mannerisms of Kartik Aaryan could salvage anything redeemable.
Speaking of Kartik, I think he is still stuck in his Pyaar Ka Punchnama role, repeating the same set of quirks over and over again. If he really wishes to be called a competent actor, he must come out of his shell and broaden his horizons. The same set of expressions and the same way of delivering his lines (Like he has been doing since his debut) will only cut it short term.
Now coming back to the movie: following a dreadful first half, I began to grow impatient and was losing hope, but then the interval block came as a glimmer of hope, it brought some promises, and luckily, the proceedings got significantly better in the second half, albeit the ending once again came across as being overly preachy and stingingly pretentious.
I'm all up for messaging, especially one that holds importance and is relevant to modern-day society, but that message needs to be communicated in a fitting fashion. Or else, the essence could get lost, and it would not leave the intended impression, and that's exactly what happened here.
And I would like to put the blame not only on the ambitionless direction but also on the writing, which is burdened with incompetence, especially regarding its characterisations. Barring Kartik and Kiara, every other major character, for some odd reason, felt so unsure about themselves, dithering in their actions and how they carry themselves.
The saving grace was Kiara; she once again proved her mettle and played this complex part with utmost sincerity and conviction. I wish we would have seen more of her.
Speaking of Kartik, I think he is still stuck in his Pyaar Ka Punchnama role, repeating the same set of quirks over and over again. If he really wishes to be called a competent actor, he must come out of his shell and broaden his horizons. The same set of expressions and the same way of delivering his lines (Like he has been doing since his debut) will only cut it short term.
Now coming back to the movie: following a dreadful first half, I began to grow impatient and was losing hope, but then the interval block came as a glimmer of hope, it brought some promises, and luckily, the proceedings got significantly better in the second half, albeit the ending once again came across as being overly preachy and stingingly pretentious.
I'm all up for messaging, especially one that holds importance and is relevant to modern-day society, but that message needs to be communicated in a fitting fashion. Or else, the essence could get lost, and it would not leave the intended impression, and that's exactly what happened here.
And I would like to put the blame not only on the ambitionless direction but also on the writing, which is burdened with incompetence, especially regarding its characterisations. Barring Kartik and Kiara, every other major character, for some odd reason, felt so unsure about themselves, dithering in their actions and how they carry themselves.
The saving grace was Kiara; she once again proved her mettle and played this complex part with utmost sincerity and conviction. I wish we would have seen more of her.
Le saviez-vous
- AnecdotesAnuradha Patel and Kiara Advani were cast as mother and daughter in the film. But in her real life they are aunt and niece. Anuradha is the granddaughter of actor Ashok Kumar and Kiara is the great granddaughter of actor Ashok Kumar.
- ConnexionsReferenced in 69th Hyundai Filmfare Awards 2024 with Gujarat Tourism (2024)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Satiya Prem Ki Katha (Hindi)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 3 846 238 $ US
- Durée2 heures 26 minutes
- Couleur
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