ÉVALUATION IMDb
6,8/10
8,7 k
MA NOTE
Alejandro est un concepteur de jouets salvadorien qui s'efforce de réaliser ses idées inhabituelles à New York. Un emploi consistant à aider un marginal du monde de l'art devient son seul es... Tout lireAlejandro est un concepteur de jouets salvadorien qui s'efforce de réaliser ses idées inhabituelles à New York. Un emploi consistant à aider un marginal du monde de l'art devient son seul espoir de rester dans le pays.Alejandro est un concepteur de jouets salvadorien qui s'efforce de réaliser ses idées inhabituelles à New York. Un emploi consistant à aider un marginal du monde de l'art devient son seul espoir de rester dans le pays.
- Prix
- 2 victoires et 16 nominations au total
Isabella Rossellini
- Narrator
- (voice)
Avis en vedette
I'm not sure how this film hooked me but it did in the first 15 minutes. It has the wackiness of a "Joe vs the Volcano" (a film I adored) and the slight emotional tug of maybe "Harold and Maude". It feels like something bad could happen, like in real life, but still I'm rooting for the protagonist Alejandro's wild toy dreams to come true as well as rooting for him to (successfully) find his way through the immigration paperwork process.
And Tilda Swinton's character is swirling through life like a Tasmanian devil but I still liked her and, for some reason, wanted her to succeed as well.
It's not the kind of film that will make a top ten list but it is definitely one you'll want to watch more than once!
And Tilda Swinton's character is swirling through life like a Tasmanian devil but I still liked her and, for some reason, wanted her to succeed as well.
It's not the kind of film that will make a top ten list but it is definitely one you'll want to watch more than once!
The problem with a comedy is that you will never please everybody as we all have a different sense of humour. I read that some other reviewers found it very funny whilst I found Problemista an entertaining movie that I enjoyed watching but not really funny. It has an ironic tone but it's not a tearjerker. Writer/director Julio Torres also played the main character, a weird looking nerd that tries to get sponsored by Tilda Swinton who plays an annoying "Karen". They both did a good job with their performances. The rest of the cast was good as well, but it was more about the two main characters than anyone else. It's worth watching.
This quirky surrealist comedy starring the inimitable Tilda Swinton appeared in the on-board entertainment library on a recent ANA flight to the U. S. I'd heard of it the film, but never saw it on any streaming service so it slipped my mind. Even though I didn't take full advantage of the lie-flat bed for more than a few hours, I'm happy I watched this movie. It was totally enjoyable and wonderfully odd, about a toy designer and his struggle with U. S. visa issues. The creator and star, Julio Torres, is droll and funny and pairs perfectly with Tilda. Definitely add this to your list; it would make a fun Sunday matinee in your home theatre (which I'm certain is much better than a 12-hour flight across the globe).
Have you ever had to deal with the red tape involved in immigrating to another country? Was that other country the US? It clearly was for writer/director Julio Torres who details in fantastical fashion the bonkers policies we have in place for immigrants who, quote, follow the rules, unquote and try and make it in America.
But as a I say, this is a fantastical depiction so the narrative is not a straight forward story and really, why would you want that? Let's leave the hard hitting news piece with jokes stuff to John Oliver.
Problemista is the most creative and funny movie I've seen so far this year and I hope folks check it out. It's really good.
But as a I say, this is a fantastical depiction so the narrative is not a straight forward story and really, why would you want that? Let's leave the hard hitting news piece with jokes stuff to John Oliver.
Problemista is the most creative and funny movie I've seen so far this year and I hope folks check it out. It's really good.
Isn't it amazing how failures can often lead to unexpected successes? Those missteps frequently have a way of opening meaningful doors, even if it doesn't seem that way at the time they occur. But how readily are we aware that such developments can occur? Such is the whirlwind experience of Alejandro Martinez (Julio Torres), a young, idealistic, inventive Salvadoran toy designer who emigrates to New York in search of a job in an incubator program at a major American toy manufacturer. But, to apply for the position, he must be present stateside, which means he needs a work visa to reside here long enough to make his pitch. That possibility seems to evaporate, though, when he loses his job as a client curator at a cryogenics company. Fortunately, however, as he's making his exit from the workplace, he meets and befriends a flamboyant art critic (Tilda Swinton) upset with the way the cryogenics company is handling the care of her late partner (RZA), an eccentric artist known for specializing in paintings of eggs. To raise funds for the painter's curation, she wants to stage an exhibition of his work but needs help to pull it off, which is where Alejandro enters the picture. He volunteers to assist with staging the show in exchange for her sponsorship so that he can obtain a new work visa to stay in the US. It sounds like a simple, straightforward arrangement, but, as he soon finds out, that's far from the case, as he launches into a wild and crazy odyssey filled with any number of outlandish personal and professional incidents, many of them ludicrous and comical yet surprisingly beneficial. This debut feature from actor-writer-director Torres tells an unconventional yet hilarious and insightful story of commitment, empowerment and imagination filled with colorful characters and enigmatic situations. Its clever production design, imaginative cinematography, and inclusion of surreal and symbolic sequences makes for an edgy yet entertaining watch, an impressive first offering from the former Saturday Night Live staff writer. While there are some instances where the narrative tends to become a little too outrageously self-satisfied for its own good, the bulk of the film stays on course and features an array of fine performances from Torres, Swinton and a host of supporting players. "Problemista" was originally scheduled for release in summer 2023 but was delayed by the SAG-AFTRA strike. However, as this delightfully quirky offering shows, the wait was indeed worth it, as it often is for those who encounter seemingly endless snafus on the way to achieving their greatness. If you're fond of the irreverent, as I am, you'll get a kick out of this one, an engaging tale that both enlightens and entertains while giving your mind a lot to play with.
Le saviez-vous
- AnecdotesWas originally scheduled for release on August 4, 2023, but was then postponed indefinitely in the wake of the 2023 SAG-AFTRA strike.
- Générique farfeluA disclaimer appearing at the very end of the credits: "Since the filming of this movie, Bank of America has changed its overdraft policy. It's now $10, up to two times a day. We were legally advised to tell you this."
- Bandes originalesHuele a Fraude
Music by Lia Ouyang Rusli (as OHYUNG)
Lyrics by Julio Torres, Stefa Marin Alarcon, and Lia Ouyang Rusli
Performed by STEFA*
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- How long is Problemista?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Problemista
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 2 503 154 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 131 521 $ US
- 3 mars 2024
- Brut – à l'échelle mondiale
- 2 677 522 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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