Enlightened

So here we have Mike White doing what he does best: spearheading a project that's one part subversive, one part cynical, one part hopeful and one part lethally and blackly comic.

Enlightened works on many levels because of this but it's also this uber-quirky quality that turns a lot of people who don't have the patience or the understanding of what they're watching off.

Dern's Amy Jellicoe character is not likable, which is a huge gamble from the get-go,especially for a female character; men on TV shows - as in real life - tend to be given far more leeway, to say the least. All the characters on the show are deeply flawed, of course, but these people are not caricatures, they're all three-dimensional and doing the best they can at their respective levels of consciousness.

It's interesting how Amy, beginning in season one, had been trying to find some sort of inner peace but soon as she returns to work at her vile company, that intention flies out the window.Rather than quitting her job, as anyone who genuinely was seeking peace would most likely do, she stays and takes on a new, seemingly better, more 'important' ego identity: agent of change. This is hilarious to me, because in substituting one ego identity for another she is still as lost and as fragmented as she was in the very beginning, if not more so. I'm hoping that White understands this, because I'm not sure how enlightened he actually is(because the actual subject of the title has not been dealt with in anything but superficial terms), but either way it plays as good television.

My favorite episode was the one in season two called The Ghost Is Seen, where White's basically sadsack character Tyler narrates instead of Amy, sharing with the audience about how he feels invisible, how he's lonely, how his life has been empty, until he meets Eileen, played beautifully by the always wonderful Molly Shannon. Ironically, of course - this is a Mike White show, remember - he's in the process of betraying her as they speak, breaking into her computer to get lethally damaging evidence against the company. This episode was brilliantly written and enacted, with White's voice-over narration being profoundly moving.

I only hope he gets a chance for a third season; in light of all the garbage that gets renewed - like Girls, for instance - I think this show warrants another shot, at the very least. UPDATED 3/20/13: Cancelled. Too subversive for HBO, apparently. Not surprised.

I started Enlightened around a week ago, mostly because the Golden Globes put it on the spot. As far as first seasons go, this was an excellent one. It balances comedy and drama extremely well. Some episodes are more dramatic, some more comedic, but it always remains top notch.

Laura Dern in the character of Amy is completely fantastic. She owns this character, which is perhaps one of TV's most fascinating and confusing. Amy has our sympathy, we still want her to succeed, and she always pretty much wants to look at things in a positive way. The problem is though, she isn't the person she wishes. She makes you feel her problems, yet also cringe and shake your head at the way she approaches aspects in her life. She's a good person who wants to do good things, but she can also be extremely selfish and lacks any sort of self-awareness. Even in her most sticky situations, you want to root for her but you see her like many of her co-workers do... in a negative light. Dern sells it all. Diane Ladd is also pretty fantastic as her distant, yet also sympathetic and sometimes infuriating mother. But even she gets her own episode, which is perhaps the show's most touching and dramatic episode.

Overall, this is an excellent mix of drama with both dark and light comedy. I feel it's sort of underrated and has gotten lost among other big-name shows.

The A.V. Club named this the best series of 2013, beating out popular favorite Breaking Bad and angering many readers who had never even heard of this obscure HBO series. It aired its first, 10 episode season in late 2011. Its second, 8 episode season aired at the beginning of 2013. A third season was planned, but HBO canceled it. Watching the first season, I was a little perplexed at where the praise had come from. Laura Dern is good in the lead, playing Amy Jellicoe, a woman working at a high position at a pharmaceutical company who gets fired after having an emotional breakdown. She goes to a New Age-y treatment facility in Hawaii and, six months later, returns to the company in a much lower position. She is a bit of a hippie, harping on her company's lack of ethics, which immediately gets her in trouble. I must say, the first season seems all like set-up with no pay off. If I were watching it on TV, especially if I had to wait the whole year for it to air its second season, I probably wouldn't have continued with it. But I bought both seasons at once, so eight more episodes weren't much of a commitment. And, man, that second season. It goes from a series that was decent but fairly unnotable to something truly special, something remarkably potent. Here is the pay-off in spades. The second season is so emotionally involving, so insightful into the human condition. Amy Jellicoe is a bit of a pill, but you really understand her and I really appreciated a character like her, one who is far less than perfect. The two best episodes of the series have at their center a secondary character. "Higher Power" focuses on Amy's ex-husband, Luke Wilson, as he himself goes to Amy's treatment facility and tries to get clean. Wilson has always been an undervalued actor who is often misused, and he's never been better than in this television episode. In "The Ghost Is Seen," series creator and head writer Mike White (whose directorial debut, Year of the Dog, explored similar themes to this series), who co-stars as Amy's lonely best friend at work, falls in love with Molly Shannon (who starred in Year of the Dog), while he simultaneously betrays her trust. Diane Ladd also co-stars as Amy's mother, and I loved her relationship with her daughter. It was unique in that she's severely disappointed with her daughter and kind of distrusts her.

I read somewhere that this show was one of the best new shows of the year, so I started watching it on demand. I find it to be a very interesting mix of humor, drama, and intrigue. Laura Dern is great as an almost completely unpredictable person. It's almost scary to say that her character is like more than a few people I've met in my life.

This show covers work, home, friends, and life matters in a pretty realistic way. As in life, sometimes it's the verbal and sometimes it's the nonverbal communication that conveys the best message. The actors are doing a great job with the material, and I'm now on episode 7 and the show feels like it's getting even more interesting. I have to say, I'm pretty addicted to wanting to get to know these people more...and seeing where it all goes.

I watched this way before White Lotus and it has stuck with me for a very long time. I don't know why I felt compelled to write a review now, perhaps just to elevate this show. The acting is perfection (as always for Dern) but if it's not obvious it's the imperfection of the characters that is so, so compelling and so, so heartbreaking. You can identify with all characters in a way, but not all ways, and also feel disappointed and at times disgusted by them. Ultimately Dern's character is a legit narcissist but you root for her and cringe at her at the same time over and over again. Underlying it all I think is a sense of humanity that gives its flawed characters substantial dignity beneath a veneer of distaste, and asks us what we see of ourselves in them.