Deux soeurs découvrent que leur relation déjà tendue est mise au défi alors qu'une nouvelle planète mystérieuse menace de se heurter avec la Terre.Deux soeurs découvrent que leur relation déjà tendue est mise au défi alors qu'une nouvelle planète mystérieuse menace de se heurter avec la Terre.Deux soeurs découvrent que leur relation déjà tendue est mise au défi alors qu'une nouvelle planète mystérieuse menace de se heurter avec la Terre.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 36 victoires et 95 nominations au total
Katrine A. Sahlstrøm
- Girl with Guitar
- (as Katrine Acheche Sahlstrøm)
7,1205.6K
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Avis en vedette
Melancholia
Melancholia is a 2011 film written and directed by the controversial Lars Von Trier and follows two sisters as the end of the world draws near. The film is actually more about the current lives of the two sisters than it is the end of the world; yet the impending doom does heavily influence a series of events. Presently, the film has received mostly positive reviews and was praised for the imagery used throughout the film.
To truly appreciate all that Melancholia has to offer the film must be analyzed by taking a look at its two separate acts. The feel of the first act is much different than the feel and plot of the second act. The first act is titled "Justine", as it focuses on the character Justine (Kirsten Dunst) and her severe depression on her wedding day. The first act doesn't have much to do with the fact that all life on Earth is going to be wiped out. In fact, it doesn't really focus on the impending planet collision at all; it is simply about Justine as a character and all those around her at the time of the wedding. It is clear the Justine suffers from some type of mental illness but it is not made clear exactly what is wrong with her. She does very odd things throughout her entire wedding day including cheating on her husband. She spends a majority of the time away from her party, hiding out either on the golf course located outside or with her nephew, which seems to be the only things she derives joy from. Justine can be a very annoying character to watch as she seems to want to do nothing but ruin her own party, yet the camera shots of her off on her own either on the golf course or in the backyard are some of the best in the film.
The second act of the film titled "Claire" focuses mainly on Justine's sister Claire (Charlotte Gainsbourg), and the impending impact of the planets. The first act can be slightly more interesting because as a viewer it is not really explained why Justine is doing all of the things she does, a lot of mystery surrounds her character. The second act picks up slightly after the events of the first, but follows Claire this time. She is worried about the collision yet her husband assures her it will miss Earth and they will be able to gaze upon it with their telescope. Throughout the second act Claire must deal with her Justine's depression as well as her own husband and child, all while constantly worrying about the collision. The second half of the film is much more intense than the first, and the editing reflects that, especially towards the climax. The use of shaky shots gives the viewer a sense of uneasiness and uncertainty as to how it will end.
Perhaps Melancholia's greatest achievement is its cinematography and beautiful sequence of unique shots, most notably in the opening sequence. The first opening sequence takes place entirely in slow- motion, showing many of the main characters, and is one of the highlights of the entire film. The camera work and settings used in this film are really something to talk about. The setting of a mansion is both isolating and elegant, and these two things are reflected within the carefully planned camera work.
My biggest gripe with the film would definitely be its pacing. It will be really engaging one minute and then slow down to a dead halt the next. However, when the film does have its shining moments, they are extremely memorable.
To truly appreciate all that Melancholia has to offer the film must be analyzed by taking a look at its two separate acts. The feel of the first act is much different than the feel and plot of the second act. The first act is titled "Justine", as it focuses on the character Justine (Kirsten Dunst) and her severe depression on her wedding day. The first act doesn't have much to do with the fact that all life on Earth is going to be wiped out. In fact, it doesn't really focus on the impending planet collision at all; it is simply about Justine as a character and all those around her at the time of the wedding. It is clear the Justine suffers from some type of mental illness but it is not made clear exactly what is wrong with her. She does very odd things throughout her entire wedding day including cheating on her husband. She spends a majority of the time away from her party, hiding out either on the golf course located outside or with her nephew, which seems to be the only things she derives joy from. Justine can be a very annoying character to watch as she seems to want to do nothing but ruin her own party, yet the camera shots of her off on her own either on the golf course or in the backyard are some of the best in the film.
The second act of the film titled "Claire" focuses mainly on Justine's sister Claire (Charlotte Gainsbourg), and the impending impact of the planets. The first act can be slightly more interesting because as a viewer it is not really explained why Justine is doing all of the things she does, a lot of mystery surrounds her character. The second act picks up slightly after the events of the first, but follows Claire this time. She is worried about the collision yet her husband assures her it will miss Earth and they will be able to gaze upon it with their telescope. Throughout the second act Claire must deal with her Justine's depression as well as her own husband and child, all while constantly worrying about the collision. The second half of the film is much more intense than the first, and the editing reflects that, especially towards the climax. The use of shaky shots gives the viewer a sense of uneasiness and uncertainty as to how it will end.
Perhaps Melancholia's greatest achievement is its cinematography and beautiful sequence of unique shots, most notably in the opening sequence. The first opening sequence takes place entirely in slow- motion, showing many of the main characters, and is one of the highlights of the entire film. The camera work and settings used in this film are really something to talk about. The setting of a mansion is both isolating and elegant, and these two things are reflected within the carefully planned camera work.
My biggest gripe with the film would definitely be its pacing. It will be really engaging one minute and then slow down to a dead halt the next. However, when the film does have its shining moments, they are extremely memorable.
A serious, hard-to-watch, worthwhile movie
This is not an easy movie to watch. It's tough from the very beginning - a prologue prequel with music by Wagner and an apocalyptic perspective. Any movie in which dead birds fall from the sky in the first three minutes is not going to be light and fluffy.
But this movie, about deep melancholia experienced by Justine (Kirstin Dunst), the principal character, and the melancholia of the potential end of life itself, is an artistic triumph. Great acting, great cinematography, great music. Even the sometimes puzzling plot - the post-prologue movie comes in two halves - is engrossing and pregnant with underlying meaning. The three principal characters all represent a point on the compass of human feelings: Depression, anxiety, and something resembling nice normalcy. How each deals with the apocalypse is a well-threaded effort.
While the movie is dark, it is by no means humorless. The wedding that occupies the first half of the movie has a great deal of fun alongside the depression.
Not a movie for everyone, and a bit too long, but if you watch it, stick with it. You may not want to see it twice but you could be glad you saw it once.
But this movie, about deep melancholia experienced by Justine (Kirstin Dunst), the principal character, and the melancholia of the potential end of life itself, is an artistic triumph. Great acting, great cinematography, great music. Even the sometimes puzzling plot - the post-prologue movie comes in two halves - is engrossing and pregnant with underlying meaning. The three principal characters all represent a point on the compass of human feelings: Depression, anxiety, and something resembling nice normalcy. How each deals with the apocalypse is a well-threaded effort.
While the movie is dark, it is by no means humorless. The wedding that occupies the first half of the movie has a great deal of fun alongside the depression.
Not a movie for everyone, and a bit too long, but if you watch it, stick with it. You may not want to see it twice but you could be glad you saw it once.
10misty_77
Powerful and meaningful if you've been there
There's a serious polarity in the reviews for this film,and I'm not surprised. If you've ever suffered depression this bleak movie will hit hard, and you'll pick up on all of the subtle messages it sends out. It's done so well it can't be anything other than achingly familiar. The despondency, and the frustration the sufferer feels at their own despondency, in particular, is well conveyed.
Unfortunately I think a large chunk of the people who've seen this film (and there aren't many who have, sadly) went to it expecting a slightly arty apocalypse movie. It's not a smarter Deep Impact. The (blue) planet Melancholia is just a metaphor for depression. Unrelenting and irresistible, Melancholia has the main character in its thrall.
For those who don't "get" this movie, no it's not a pretentious, pseudo intellectual flick. Rather it's a well crafted take on the fine detail of a subject matter that you have been fortunate enough to not have had to understand. Long may that be the case.
Unfortunately I think a large chunk of the people who've seen this film (and there aren't many who have, sadly) went to it expecting a slightly arty apocalypse movie. It's not a smarter Deep Impact. The (blue) planet Melancholia is just a metaphor for depression. Unrelenting and irresistible, Melancholia has the main character in its thrall.
For those who don't "get" this movie, no it's not a pretentious, pseudo intellectual flick. Rather it's a well crafted take on the fine detail of a subject matter that you have been fortunate enough to not have had to understand. Long may that be the case.
Depression Deconstructed
This movie completely freaked me out. It was SO well done, but if you've ever suffered from serious depression it really gets under your skin.
People I know who watched this movie thought it was boring and didn't understand it. I understood it very well. I have never seen a better metaphor for depression, and the seductiveness of "giving in."
If you're very depressed, don't watch this movie alone.
People I know who watched this movie thought it was boring and didn't understand it. I understood it very well. I have never seen a better metaphor for depression, and the seductiveness of "giving in."
If you're very depressed, don't watch this movie alone.
I went to the ballet once
I didn't really want to go but I did. I got dressed up, went to a nice dinner, sat nicely for a couple hours, clapped when others clapped, and in the end, I felt nothing.
Don't get me wrong, I had an appreciation for what I witnessed. The skill to execute what they did and the years of practice to achieve those skills is amazing. But still nothing.
That is how I felt after watching this movie. I was appreciative of what it took to accomplish the movie but I felt nothing towards it. I guess I should reiterate my point because IMDb wants 600 characters but I thought my review was quite good with 112 to spare.
Don't get me wrong, I had an appreciation for what I witnessed. The skill to execute what they did and the years of practice to achieve those skills is amazing. But still nothing.
That is how I felt after watching this movie. I was appreciative of what it took to accomplish the movie but I felt nothing towards it. I guess I should reiterate my point because IMDb wants 600 characters but I thought my review was quite good with 112 to spare.
Le saviez-vous
- AnecdotesThe image of Justine floating down the stream with her bouquet was inspired by John Everett Millais' 1852 painting "Ophelia."
- GaffesDuring the fly-by, Melancholia is shown to become apparently smaller by more than 5% (diameter) in 5 minutes, when traveling at a known speed. Calculation shows that it is roughly 5 earth radii away. It should have taken up large portions of the sky at this distance (more like what is shown at the end of the movie) and would have had catastrophic effects on the earth, even if only flying by.
- Autres versionsThere are two versions available: the theatrical cut, with a runtime of "2h 15m (135 min)" and a slightly edited one, with a runtime of "2h 10m (130 min)".
- ConnexionsEdited from Journey in Classic Era (2021)
- Bandes originalesExcerpts from Tristan und Isolde
Music by Richard Wagner
Orchestra by The City of Prague Philharmonic Orchestra (as The City of Prague Philharmonic Orchestra)
Conducted by Richard Hein
Recorded by Jan Holzner
Cello solo by Henrik Dam Thomsen
Arrangements by Kristian Eidnes Andersen
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Melancholia
- Lieux de tournage
- Tjolöholm Castle, Fjärås, Suède(Castle exteriors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 400 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 030 848 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 257 174 $ US
- 13 nov. 2011
- Brut – à l'échelle mondiale
- 17 436 097 $ US
- Durée
- 2h 15m(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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