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Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.
Photos
Keith Lucas
- Self - Screenwriter, Judas and the Black Messiah
- (as The Lucas Brothers)
Kenneth Lucas
- Self - Screenwriter, Judas and the Black Messiah
- (as The Lucas Brothers)
Avis en vedette
If you're a hardcore fan of films you probably already know all these clichés exist. Sure, I learned a bit of history, but I lost interest after about half an hour.
A lot of the talking heads also were irritating as they try to convince the audience that all of the problems in society, from racism to gay rights to women's fight for equality is all the fault of the film industry.
A lot of the talking heads also were irritating as they try to convince the audience that all of the problems in society, from racism to gay rights to women's fight for equality is all the fault of the film industry.
The White Savior trope was discussed as a trope where a white person acts as a savior to black people. This is simply shameless and offensive appropriation, as that trope is strongly associated with native americans and other real or fictional cultures in movies such as Dances with Wolves, Last Samurai, Dune, Pocahontas and Avatar.
They ignore all the premiere examples to focus on a movie like The Green Book, where the trope is so weak that it might not even be worth discussing, but they just had to make it all about black people, of course. Cringe and tone deaf.
Bland and uninspired show, that doesn't even discuss the BWAAARP sound Nolan uses in every trailer.
They ignore all the premiere examples to focus on a movie like The Green Book, where the trope is so weak that it might not even be worth discussing, but they just had to make it all about black people, of course. Cringe and tone deaf.
Bland and uninspired show, that doesn't even discuss the BWAAARP sound Nolan uses in every trailer.
Switched it off before it ended. An unnecessary, uninspired and unfunny list of clichés that despite some (semi-)stars showing up is not better than random lists one can find on Youtube, trying to get your views with the lowest investment.
As clichéd as the tropes it wants to highlight, sprinkled with obvious woke remarks that frustrate rather than inspire or give insight.
As clichéd as the tropes it wants to highlight, sprinkled with obvious woke remarks that frustrate rather than inspire or give insight.
...That love whining about how unoriginal Hollywood, they can whine about this. It's short and I enjoyed it. It's definitely tongue in cheek.
I was really looking forward to this as being a lover of film I know a cliché or two.
Sadly at a running time of less than an hour it was never going to go full pelt into the rich and varied history of the Holly cliché. I felt that the examples used were far too fleeting, and the whole thing felt rushed. They could've spun it out to at least a three-part series. Nothing is ever really explained ('here is a trope... haha. Now here is another one...'). It would have been interesting if some of these were analysed a bit more than merely glossing over them quickly.
Considering the richness of many industry professionals on display here they were criminally underused simply to provide a cheat and quick gag. Is this really what Netflix's supposed demographic wants? This is nothing more than televisual fast food.
However the most disappointing aspect of this is that it has Charlie Brooker attached to it. Not to say I'm not a fan of his, far from it. Up until this show he was a one-man seal of quality.
Sadly at a running time of less than an hour it was never going to go full pelt into the rich and varied history of the Holly cliché. I felt that the examples used were far too fleeting, and the whole thing felt rushed. They could've spun it out to at least a three-part series. Nothing is ever really explained ('here is a trope... haha. Now here is another one...'). It would have been interesting if some of these were analysed a bit more than merely glossing over them quickly.
Considering the richness of many industry professionals on display here they were criminally underused simply to provide a cheat and quick gag. Is this really what Netflix's supposed demographic wants? This is nothing more than televisual fast food.
However the most disappointing aspect of this is that it has Charlie Brooker attached to it. Not to say I'm not a fan of his, far from it. Up until this show he was a one-man seal of quality.
Le saviez-vous
- GaffesIn the segment about actors eating apples, there was a scene of Chris Pine as Captain Kirk in "Star Trek (2009)" biting in to an apple. Mr. Lowe says something like "here is Captain Kirk eating an apple while saving the Enterprise." The scene shown is actually Captain Kirk attending the Starfleet Academy and once again taking the Kobayashi Maru test--this time sure he will "pass" the test and save the (mock) day.
- ConnexionsFeatures The Great Train Robbery (1903)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Attack of the Hollywood Cliches!
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée58 minutes
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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