Toi, lui, elle et nous

I loved this movie. It has some very funny scenes and every character has their own charm. It's a very engaging comedy and I sincerely hope that Netflix keeps producing German movies like this.

Oh, and Jonas Nay is amazing as always.

Not ideal but quite interesting German dramedy about swapping partners. Florian Gottschick brought philosophical approach into troublesome relationships. Four leads had more exchanges than sex and held our own opinion towards 'em till its flimsy plot twist.

I thought this film was worthy of 7 stars. It had sex, romance, drama and comedy. Though the story was a bit skewed, I enjoyed the movie. Highly recommend this film.

Promising beginning and middle, but a very disappointing ending. Just riddle me this - why or, rather, how, was she throwing up, if you watched the film to the end?.. Does not make sense.

Ditto with the sleeping pills. How is this review too short? Ok, here are more letters. And more. Still not enough letters?.. Good acting, good premise, disappointing ending as, a the result, a disappointing movie.

Promising beginning and middle, but a very disappointing ending. Just riddle me this - why or, rather, how, was she throwing up, if you watched the film to the end?.. Does not make sense.

Ditto with the sleeping pills. How is this review too short? Ok, here are more letters. And more. Still not enough letters?.. Good acting, good premise, disappointing ending as, a the result, a disappointing movie.

The premise of _Du Sie Er & Wir_ (The Four of Us) starts off promising: four friends, two couples, a partner-swapping experiment lasting four weeks, all governed by the rules of an "adult experiment." The stage is perfectly set for a biting, provocative, and daring social critique.

The problem is that as the film unfolds, it becomes increasingly clear that someone forgot to hire a real screenwriter. The script relies on superficial dialogue, predictable situations, and characters who-despite the actors' efforts-fail to rise above the surface.

There's a lack of dramatic depth. The film seems lost between its desire to be provocative and its reluctance to truly dig deep, resulting in a flimsy development with no narrative pulse and no real evolution of conflict. The "big idea" is there-yes, the critique of traditional relationship models, the exploration of desire, insecurity, envy, and jealousy-but everything remains at the level of intention.

The writing is apathetic, unable to truly provoke the viewer or deliver any genuine discomfort. The characters are underdeveloped, and this is a basic error: there's no emotional evolution, no impact. The script merely skims the surface of its major themes without the courage to dive in, as if it's afraid to get its hands dirty. The result is a film that promises revolution and delivers little more than empty talk disguised as "contemporary drama."

In the end, _Du Sie Er & Wir_ is a beautiful display window with no product. It has style, it has aesthetic, it has that pretentious "look how modern and free we are" attitude, but it lacks substance, courage, and structure. I give it a 6, and I might be being generous. The film lacked a script, but had plenty of attitude.