Studio 666

Plot

Legendary rock band Foo Fighters move into an Encino mansion steeped in grisly rock and roll history to record their much anticipated 10th album. Once in the house, Dave Grohl finds himself grappling with supernatural forces that threaten both the completion of the album and the lives of the band.

Cast

The Foo Fighters take the leading roles and are assisted by Jeff Garlin, Leslie "American Horror Story" Grossman, Jenna Ortega, Will Forte, John Carpenter and even features a hilarious cameo from Lionel Richie.

Verdict

I went in with almost no knowledge of the film beyond it being a horror comedy about the Foo Fighters and partially written by Grohl himself. This I find is the best way to be, I hadn't even seen the trailer yet.

The "Foo's" camp it up (More than I could have ever dreamed) in exactly that, a horror comedy with a fairly decent plot and some great deaths (Some of the best I've seen in a while). It was a lot gorier than I expected and plenty of the jokes hit the mark.

Other side of the coin? Plenty of the jokes don't, some of the cgi is really quite naff, the ending was a tired horror trope and the pacing is weird. Because of said pacing in fact the movie is oddly boring at times, like you're watching a Foo Fighters documentary then pow someone gets splattered and suddenly you're reminded this is a horror movie.

When the credits rolled I didn't venture my opinion to the other half as it hadn't formed, I was still a tad confused as to what I'd just watched. When it was bad it was dull, when it was good it was really quite entertaining.

It's an odd little film, perfectly watchable but I'd say if you're not a fan of the Foo Fighters it may not appeal.

Rants

Have Dave Grohl and Jack Black spent too much time together? I swear you could close your eyes and think Black was the lead of the film as their voices are so remarkably similar! And appearance? Is it just me or is Grohl turning into Tom Savini? Especially with a certain appearance change later in the film, I thought I was watching Dusk Till Dawn again.

Breakdown.

Some decent effects Many jokes are fantastic Awesome deaths and gore A Foo Fighters wet dream Some poor effects Many jokes fall flat Oddly boring due to the weird pacing.

Will Forte, funny as a dead baby joke.

Came into it expecting exactly what it was - a goofy B-movie with plenty of comical gore, horror tropes, and amusing jokes made at the expense of each band mate. I got all of these, however these moments were far too sporadically spaced throughout the movie, with idle chit-chatting that took the plot nowhere and scenes of the band rehearsing and chilling out, eating etc that were much too leisurely employed and dragged out for what felt like eternities at times.

It's a shame because there were enough quality moments in this to make it a great 70-80 minute movie, but space these out over the course of nearly 2 hours and it's a totally different prospect. The latter part of the film contained at least 3 places where the movie could have ended satisfactorily, only for another rather pointless event or 'twist' to take place to stretch it out another ten minutes.

Overall a slightly missed opportunity, as with tighter editing it could have been a cult classic.

Once again we come to a movie where I'm uncertain if 2 or 15 stars is what I'd give it, so I'll settle on 7, this despite the fact that stars don't really matter with something like... this. I mean, what other film in the year of our lord two thousand twenty two will you see former Germs guitarist (and touring guitar for Nirvana as my wife pointed out) Pat Smear screaming his head off as CGI demons try to rip his head off? This is maybe the most baffling comedy-horror film I've seen in a theater since Tusk - and that isn't a put down, persay, it's just... what is this?! And why is Pat Smear sometimes not good at all and other times is very funny?

Studio 666 is written like it was by 14 year olds who just discovered heavy metal and/or the Evil Dead from their older brother's cabinet, while still coming from seasoned veterans (the director of Hatchet III no less), and who cares if like 3/4ths of the Foo Fighters aren't from the Stella Adler school? It hasn't stopped rock stars from appearing in stuff and for material like a story where a band has to record an album in a house that is a portal to hell they can meet the bare minimum.

You know as soon as you see the trailer if you'll go see it, in a theater, as I did with Scream 5 and had no idea it was coming and once I saw it my thought was "HELLS YEAH... HUH... SURE! Wait is that Lionel Richie? Yes!" It's bloody, dorky, chunky, stupid, awkward, puzzling, as funny as it sometimes is pretty unfunny (some of the timing of the sorta jokes fall flat), and if I were stoned I might put a monument to it in its honor.

I gotta get an Oral History of how this came to be some day soon. Other highlights: Will Forte's wig, John Capenter (who scored the opening with his son) appearing for a cameo and probably being paid with the whiskey he drank on set, and how hard it goes in act three. I haven't listened to Foo Fighters regularly since before I had my undergrad degree, and it made me semi curious.... nah, this movie is enough. One real downside: it's a little too long.

You can tell the Foos love a good laugh. This wasn't so much a horror movie but instead was a series of inside jokes and double entendre. I found myself laughing at the jokes and then ultimately at the silliness. Thanks Dave and the rest of the guys!

I found out this morning that Taylor Hawkins passed away yesterday, the same day that I watched this film, so I wanted to open this review with a quick "rest in peace". I'm not sure how to segue from that, so I suppose I'll just start a new paragraph.

The greatest strength of 'Studio 666 (2022)' is arguably also its greatest weakness: the Foo Fighters and their wonderfully wonky acting. If there's any joy to be found here, it's purely because of the focal band and how much fun each member seems to be having. In fact, their energy is actually rather infectious and it makes for a rather sweet retrospective experience. In the moment, though, the movie isn't anywhere near as fun as it ought to be. It's goofy, gory and suitably self-aware, but it's also tonally inconsistent and far too long (it has about three different endings and ultimately settles on what's easily the worst one). It isn't particularly funny and it isn't particularly scary, either. It's a bit of a slog, to be honest. Pat Smear's almost permanent grin sort of encapsulates the picture's primary problem: it's always just one small step away from feeling fully credible. Every time it almost convinces you that it's a 'real' movie and you start to feel yourself getting lost in its B-movie pastiche, an unintentionally hokey or otherwise uncanny element will rear its head and set things right back to square one. Despite all this, it's never offensively bad. It's actually oddly endearing, even though it's undeniably subpar. It's never boring and its practical effects are surprisingly excellent. It has a couple of enjoyable moments, too. It's good enough for what it is, but not much more. 5/10.