Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.
- Director
- Writers
- Stars
- A remporté 7 oscars
- 363 victoires et 366 nominations au total
Sommaire
Reviewers say 'Oppenheimer' by Christopher Nolan is a complex biopic delving into J. Robert Oppenheimer's role in atomic bomb development. Themes of moral dilemmas, scientific responsibility, and nuclear impact are prominent. Cillian Murphy's performance, technical aspects, and historical accuracy receive praise. However, some find the pacing slow, narrative disjointed, and runtime excessive. Critics also note a lack of emotional depth and underdeveloped characters. Despite these issues, Nolan's direction, visual style, and thought-provoking nature are widely appreciated.
Avis en vedette
This movie is just... wow! I don't think I have ever felt like this watching a movie! Its like a blend of being sad but also scared! I read that Christopher Nolan said it kind of had themes of horror, and watching the movie i think I knew what he meant! Very few movies can make you feel quite like this one can!
Nolan once again shows he is an expertly craftsman in filmmaking! This stands as perhaps one of his more humble movies but also one of his greatest! Reminds me of his earlier movies!
The cast is also AMAZING with Cillian Murphy delivering the performance of his carrer as Oppenheimer, esentially becoming him, and pretty much securing himself an Oscar nomination for best lead actor! Robert Downey Junior also gives one of his best performances, reminding us all that despite 10 years as Iron man, he can still act!
The soundtrack, sound and editing is also masterfull and further creates a cinematic experience like no other!
Overall an esential viewing experience about historic events that still remains very relevant to this day! One of my favorite Nolan movies!
Nolan once again shows he is an expertly craftsman in filmmaking! This stands as perhaps one of his more humble movies but also one of his greatest! Reminds me of his earlier movies!
The cast is also AMAZING with Cillian Murphy delivering the performance of his carrer as Oppenheimer, esentially becoming him, and pretty much securing himself an Oscar nomination for best lead actor! Robert Downey Junior also gives one of his best performances, reminding us all that despite 10 years as Iron man, he can still act!
The soundtrack, sound and editing is also masterfull and further creates a cinematic experience like no other!
Overall an esential viewing experience about historic events that still remains very relevant to this day! One of my favorite Nolan movies!
I'm a big fan of Nolan's work so was really looking forward to this. I understood there would be some flipping in timelines and I'd need to concentrate. I didn't find this to be a problem at all and the storytelling was beautifully done. The acting was universally excellent. I saw a review saying Emily Blunt was rather OTT but I didn't find that at all.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
I'm amazed how great storytelling this was. This inhuman thing to do, making a bomb that maker doesn't even know the limits of destruction, director showed this in a human way. This was a simple story. But curiosities were maintained well with flashbacks and sudden reminders. I think the director's intention to show us how Oppenheimer saw this discovery was successful. Oppenheimer was proud of it and first then he regrets as soon as he found out how bombs were used. Cillan did very beautiful job playing this smart yet troubled personal life man. Robert Downey and Florence Pugh were best as supporting actors. Their involvement with main character added so much emotion to this film. Music in this movie is another appreciated thing. I know people who don't like classical music might call it boring but to me this was a true gem. Soundtrack kept us hoooked in to the flow of story.
As VFX and special effects take over the traditional filmmaking methods, Nolan is among the remaining few directors who still builds grandiose true-to-life sets and reflects cinematic setpieces by filming them instead of digitising them. Oppenheimer is thus a culmination of Nolan's cinematic genius combined with an incredible story that changed the world in more ways than one. It's incredibly intimate and divisive, with the onus of it's justification being put on the audience instead of the narrator.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
10Dvir971
After a busy career filled with masterpieces, Christopher Nolan finally succeeded in creating a perfect film. In fact, Oppenheimer might be the best film I watched in a long, long time.
Very different than Nolan's recent films, especially the Sci-Fi ones, but shows that Nolan can master the Biopic/Drama genre just as well as he can any other genre he tried to tackle yet. Personally, I must admit that unlike most of Nolan's previous films, I didn't go into this one with overly high expectations. Based on the genre and material the film is based on, I couldn't see how Christopher Nolan could give it his unique touch, and how it could stand alongside films like "The Dark Knight" trilogy, "Inception," and "Interstellar" in his filmography. The film proved me wrong. While it's not my personal top pick in Nolan's filmography, it's undoubtedly his best film so far.
Anyone who has read the book "American Prometheus" on which the film is based, can attest to the incredible editing work Nolan did to turn it from a long and detail-packed narrative into a compact film that captivated such a wide audience. While the direction of the film is no less than masterful and is considered the strongest aspect of the film by critics and award bodies in the US and worldwide, in my opinion, the writing is actually the strongest aspect of the film - whether or not you consider the complex material it's based on.
Legendary Irish actor Cillian Murphy leads the film with one of the best performances seen on the big screen, with his presence dominating the screen time throughout the film's 3 hours, allowing him to leave a long-lasting mark on the history of cinema. Robert Downey Jr. Also gives an impressive performance, capping off a career of over a decade of roles that didn't demand too much acting prowess from him.
The film is 3-hours long yet goes by very quickly and enjoyably. Without spoiling anything, the film presents important and very relevant subjects, and doing so while being non-stop entertainment and a comprehensive character study and a study of our society on a very high pace.
The way Nolan chose to compose the film, and Jennifer Lame's amazing editing (which unusually resembles more of an action film's editing than that of a drama), make the film very dynamic, with its extended length almost unnoticeable. The other technical aspects also strive for perfection - whether it's the costumes, set design, or cinematography.
Ludwig Göransson's work in the musical aspect of the film in particular is masterful, on par with Nolan's previous works. I'm actually visiting the score on a daily basis. The cinematography is stunning and the editing is cutting edge. As I mentioned, this movie is a masterpiece in pretty much all technical fronts as well.
When watching the film, you can't help but feel it's a collaborative effort of a highly talented ensemble - from the actors to every single person responsible for every small detail in the film's production, all under the guidance of an experienced artist who has honed his craft over a career of more than 20 years. It feels like all of Nolan's previous films and the various genres he attempted to tackle improved his filmmaking abilities in different and diverse aspects, so that ultimately everything converged into this film, in which every aspect strives for absolute perfection, delivering everything we've come to expect from a Christopher Nolan film.
Without mentioning anything specific, there was one scene that caused almost every single person in the theatre to move nervously in the seats, non-stop for a long period of time, being one of the most intense scenes I ever watched in a movie and reminding me of the true power of the cinematic experience like no other movie did in recent years.
After a career filled with masterpieces and amazing films, Christopher Nolan finally managed to craft a perfect film - and to my great delight, he finally received the recognition he deserves. Despite all odds, the film managed to captivate audiences in disproportionate amounts for its genre, proving to studios and audience opinion alike that true cinema will always prevail. The year is only half-way through but right now this is my top pick for the upcoming awards season. Picture, Writing, Directing, Acting, Score-- Oppenheimer is a winner on all fronts. A rare feat for filmmaking and a salient reminder that cinema is not dead.
I highly recommend this film to everyone. Watched it once already, and going back to the theatre for at least a few more times soon.
Very different than Nolan's recent films, especially the Sci-Fi ones, but shows that Nolan can master the Biopic/Drama genre just as well as he can any other genre he tried to tackle yet. Personally, I must admit that unlike most of Nolan's previous films, I didn't go into this one with overly high expectations. Based on the genre and material the film is based on, I couldn't see how Christopher Nolan could give it his unique touch, and how it could stand alongside films like "The Dark Knight" trilogy, "Inception," and "Interstellar" in his filmography. The film proved me wrong. While it's not my personal top pick in Nolan's filmography, it's undoubtedly his best film so far.
Anyone who has read the book "American Prometheus" on which the film is based, can attest to the incredible editing work Nolan did to turn it from a long and detail-packed narrative into a compact film that captivated such a wide audience. While the direction of the film is no less than masterful and is considered the strongest aspect of the film by critics and award bodies in the US and worldwide, in my opinion, the writing is actually the strongest aspect of the film - whether or not you consider the complex material it's based on.
Legendary Irish actor Cillian Murphy leads the film with one of the best performances seen on the big screen, with his presence dominating the screen time throughout the film's 3 hours, allowing him to leave a long-lasting mark on the history of cinema. Robert Downey Jr. Also gives an impressive performance, capping off a career of over a decade of roles that didn't demand too much acting prowess from him.
The film is 3-hours long yet goes by very quickly and enjoyably. Without spoiling anything, the film presents important and very relevant subjects, and doing so while being non-stop entertainment and a comprehensive character study and a study of our society on a very high pace.
The way Nolan chose to compose the film, and Jennifer Lame's amazing editing (which unusually resembles more of an action film's editing than that of a drama), make the film very dynamic, with its extended length almost unnoticeable. The other technical aspects also strive for perfection - whether it's the costumes, set design, or cinematography.
Ludwig Göransson's work in the musical aspect of the film in particular is masterful, on par with Nolan's previous works. I'm actually visiting the score on a daily basis. The cinematography is stunning and the editing is cutting edge. As I mentioned, this movie is a masterpiece in pretty much all technical fronts as well.
When watching the film, you can't help but feel it's a collaborative effort of a highly talented ensemble - from the actors to every single person responsible for every small detail in the film's production, all under the guidance of an experienced artist who has honed his craft over a career of more than 20 years. It feels like all of Nolan's previous films and the various genres he attempted to tackle improved his filmmaking abilities in different and diverse aspects, so that ultimately everything converged into this film, in which every aspect strives for absolute perfection, delivering everything we've come to expect from a Christopher Nolan film.
Without mentioning anything specific, there was one scene that caused almost every single person in the theatre to move nervously in the seats, non-stop for a long period of time, being one of the most intense scenes I ever watched in a movie and reminding me of the true power of the cinematic experience like no other movie did in recent years.
After a career filled with masterpieces and amazing films, Christopher Nolan finally managed to craft a perfect film - and to my great delight, he finally received the recognition he deserves. Despite all odds, the film managed to captivate audiences in disproportionate amounts for its genre, proving to studios and audience opinion alike that true cinema will always prevail. The year is only half-way through but right now this is my top pick for the upcoming awards season. Picture, Writing, Directing, Acting, Score-- Oppenheimer is a winner on all fronts. A rare feat for filmmaking and a salient reminder that cinema is not dead.
I highly recommend this film to everyone. Watched it once already, and going back to the theatre for at least a few more times soon.
Engineering 'Oppenheimer'
Engineering 'Oppenheimer'
Cillian Murphy and the cast of Oppenheimer discuss what it's like to work with a singular director like Christopher Nolan.
Le saviez-vous
- AnecdotesIn order for the black and white sections of the movie to be shot in the same quality as the rest of the film, Kodak produced a limited supply of its Double-X black and white film stock in 70mm. This film stock was chosen specifically for its heritage - it was originally sold to photographers as Super-XX during World War II and was very popular with photojournalists of the era.
- GaffesThe stop signs are yellow in the film, which is accurate. The United States used yellow stop signs until 1954.
- Citations
J. Robert Oppenheimer: Albert? When I came to you with those calculations, we thought we might start a chain reaction that would destroy the entire world...
Albert Einstein: I remember it well. What of it?
J. Robert Oppenheimer: I believe we did.
- Autres versionsTo get a U/A rating certification in India, the movie was edited to remove or censor all nudity using CGI. For example, the scene where Tatlock and Oppenheimer have a conversation and the former character was topless, the nudity was censored with a CGI black dress. Many Middle Eastern countries use this exact same censored version for release.
- ConnexionsFeatured in Louder with Crowder: Going Out with a Bang! (2022)
- Bandes originalesHoliday in Big Band Land
(uncredited)
Written by Gerhard Narholz
Performed by Les Brown and His Band of Renown
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Oppengeymer
- Lieux de tournage
- Los Alamos, New Mexico, ÉTATS-UNIS(only interiors, Los Alamos facilities interiors, including Oppenheimer's house, Fuller Lodge Interior and Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 330 078 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 82 455 420 $ US
- 23 juill. 2023
- Brut – à l'échelle mondiale
- 975 811 333 $ US
- Durée3 heures
- Couleur
- Mixage
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