Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.
- Director
- Writers
- Stars
- A remporté 7 oscars
- 363 victoires et 366 nominations au total
Sommaire
Reviewers say 'Oppenheimer' by Christopher Nolan is a complex biopic delving into J. Robert Oppenheimer's role in atomic bomb development. Themes of moral dilemmas, scientific responsibility, and nuclear impact are prominent. Cillian Murphy's performance, technical aspects, and historical accuracy receive praise. However, some find the pacing slow, narrative disjointed, and runtime excessive. Critics also note a lack of emotional depth and underdeveloped characters. Despite these issues, Nolan's direction, visual style, and thought-provoking nature are widely appreciated.
Avis en vedette
As VFX and special effects take over the traditional filmmaking methods, Nolan is among the remaining few directors who still builds grandiose true-to-life sets and reflects cinematic setpieces by filming them instead of digitising them. Oppenheimer is thus a culmination of Nolan's cinematic genius combined with an incredible story that changed the world in more ways than one. It's incredibly intimate and divisive, with the onus of it's justification being put on the audience instead of the narrator.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.
Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service.
Because this isn't a film or a flick, this is Cinema.
Is it just me or did anyone else find this movie... I hate to say it... boring?. I know I know it's a piece of history and don't get me wrong it was a good movie but idk, going in the theater expecting something "Nolanesque" and it never came so I was kind of a disappointed. I was super excited going in the theater and leaving I was like ,yeah it was good buuuuttt. I guess I was expecting something like inception and or interstellar but those are fictional and I get that this is based off of a true story . I think everyone should watch this movie once and it was very eye opening but I won't ever endure the painful 3 hour movie experience again . It's a one and done movie and I do respect Oppenheimer. Extremely good acting with a boatload of good actors . I also do want to say that there was nothing very IMAX about the movie so you could go to a regular theater and be just fine . Also Emily Blunts ending scene was amazing . All in all I would go as far as to say it's the most boring Christopher Nolan movie but it is a very good movie let's leave it at that . I still give the movie an 8.
I align with other reviewers here who have found this. Despite the hype surrounding it, Oppenheimer fell short of expectations. The film proved to be tedious and at many times draining to watch.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
I'm still collecting my thoughts after experiencing this film, Cillian Murphy might as well start clearing a space on his mantle for the Best Actor Oscar.
This film is a masterclass in weaving narratives and different time periods while exploring the profound depths of a man whose actions altered the world's trajectory forever, for better or worse. Nolan brings us into the complexities of Oppenheimer, and all the moral conflicts stirring within him.
Murphy's portrayal is so riveting that the long run-time became an afterthought. Robert Downey Jr also offers a great performance and Nolan's push and pull with how he uses sound design throughout is the cherry on top.
Some viewers might need a brief refresher on WWII and Cold War history, but any film lover should be happy to willingly lose themselves in this film for hours on end.
This film is a masterclass in weaving narratives and different time periods while exploring the profound depths of a man whose actions altered the world's trajectory forever, for better or worse. Nolan brings us into the complexities of Oppenheimer, and all the moral conflicts stirring within him.
Murphy's portrayal is so riveting that the long run-time became an afterthought. Robert Downey Jr also offers a great performance and Nolan's push and pull with how he uses sound design throughout is the cherry on top.
Some viewers might need a brief refresher on WWII and Cold War history, but any film lover should be happy to willingly lose themselves in this film for hours on end.
The film looks great is brilliantly acted but there's virtually no actual plot, it's constantly jump back and forward and evey couple of minutes there's unfeasibly loud music trying to build up the tension. This is more a jazzed up documentary than a film and at a painful three hours long it does not hold your attention the entre way. It could easily be forty minutes to an hour less in playtime.
There were good bits, some great but but on the whole the film is dull and drags. I've seen it once now and have absolutely no desire to ever see it again. I'm baffled by everyone saying what a masterpiece it is. I suppose if you like long panoramic shots with overbearing music it's great but if you want a decent story give it a miss.
There were good bits, some great but but on the whole the film is dull and drags. I've seen it once now and have absolutely no desire to ever see it again. I'm baffled by everyone saying what a masterpiece it is. I suppose if you like long panoramic shots with overbearing music it's great but if you want a decent story give it a miss.
Engineering 'Oppenheimer'
Engineering 'Oppenheimer'
Cillian Murphy and the cast of Oppenheimer discuss what it's like to work with a singular director like Christopher Nolan.
Le saviez-vous
- AnecdotesIn order for the black and white sections of the movie to be shot in the same quality as the rest of the film, Kodak produced a limited supply of its Double-X black and white film stock in 70mm. This film stock was chosen specifically for its heritage - it was originally sold to photographers as Super-XX during World War II and was very popular with photojournalists of the era.
- GaffesThe stop signs are yellow in the film, which is accurate. The United States used yellow stop signs until 1954.
- Citations
J. Robert Oppenheimer: Albert? When I came to you with those calculations, we thought we might start a chain reaction that would destroy the entire world...
Albert Einstein: I remember it well. What of it?
J. Robert Oppenheimer: I believe we did.
- Autres versionsTo get a U/A rating certification in India, the movie was edited to remove or censor all nudity using CGI. For example, the scene where Tatlock and Oppenheimer have a conversation and the former character was topless, the nudity was censored with a CGI black dress. Many Middle Eastern countries use this exact same censored version for release.
- ConnexionsFeatured in Louder with Crowder: Going Out with a Bang! (2022)
- Bandes originalesHoliday in Big Band Land
(uncredited)
Written by Gerhard Narholz
Performed by Les Brown and His Band of Renown
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Oppengeymer
- Lieux de tournage
- Los Alamos, New Mexico, ÉTATS-UNIS(only interiors, Los Alamos facilities interiors, including Oppenheimer's house, Fuller Lodge Interior and Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 330 078 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 82 455 420 $ US
- 23 juill. 2023
- Brut – à l'échelle mondiale
- 975 811 333 $ US
- Durée
- 3h(180 min)
- Couleur
- Mixage
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