Tom Jones

Fiction is not history! If you want history read a freaking history book! Art is subjective and can change and differ and transform. Have you heard of speculative fiction? Alternative history?

I'm so sick and tired of boneheads voicing their boneheaded opinions. They are not trying to make a documentary on British history it's entertaining material designed to engage viewers in a fun time!

With that said I've appreciated the counters and the effort to bring this world to life but there are definite shortcomings that need to be addressed. First, the writing needed to be fighter and the acting sharper. This is mid.

Not having seen the 1963 film, I didn't tune in to this version with any comparisons in mind. So it's just what this production offered-or rather, didn't offer-that led me to bail after the first episode. On the whole, the performances were reasonable, but hardly great. One exception would be that of Tom Jones himself, Solly McLeod, who was clearly cast on the basis of looks, acting ability be damned. It's hardly a formula for success when the supporting cast has to carry the show.

One thing that this production shares with many other recent period pieces is the almost certain appearance of characters of color, which other reviewers have noted and criticized. Given that there actually were Africans and Afro-Caribbean people living in Britain at that time, it wouldn't have been impossible to find them. But since the majority were former slaves, the chance of so many making their way into the gentry (and even the aristocracy) really stretches believability. But there is no central casting authority that makes these choices for every historical production being made these days. Rather, I believe it's more of a marketing strategy, not aimed so much at the underserved potential Black viewership of these "bonnet dramas", but as a tacit sign to younger audiences that what they are about to see is a production with fully modern values; values that their parents and grandparents would find shocking. It's not clear to me that this is an effective strategy, since older demographics are the more likely consumer of these period pieces than younger ones.

I can't say I'm familiar with the original or the book, but certainly heard of it. I have to say the characters were pretty unlikeable... Maybe that's what the book portrays. Males and females alike were snippy, immature, unrealistic ... Far too modern for the story. I would have to say it felt like watching a Disney adaptation, and not a good one.

I'm sad. Time of year to go hunting a good little series to fill network voids. Uh-uh, give this a miss. And 600 character mandatory responses here just make us inane and stupid at times. I didn't like it much. I didn't like it much. Not my cup of tea, so they say, definitely not worthy of my time. There ya go.

I've looked forward to this one for a while as I'm a big fan of the original novel by Henry Fielding. Unfortunately this new adaptation was a dull version of a rip-roaring and very funny book.

For me the two leads were both underwhelming and didn't really have any great chemistry between them. The supporting cast with such great character actors as Alan Armstrong and Felicity Montague frequently outshone them.

Direction and script were both a bit below par, the scenes felt curiously disjointed, it lacked dynamism and to be honest it was a bit dull.

I liked the cheery score by Mathew Slater but nothing else about it grabbed me. It falls far short of the late 90's TV Series and the wonderful Albert Finney film version. A miss.

If you are a fan of Masterpiece Classic series just be warned that this one pushes the envelope of what we're familiar with and feels comparable to other historical dramas (?) romances (?) on other platforms. I wanted something warm and fuzzy and I feel that's how this show was marketed, but isn't making me feel this way.

Episode 3 made me write this review (and you can find a similar one in that episode review). It's my least favorite episode of the series so far. Going into watching this show I did not know the source material and have been learning about it while watching this series. I feel the tone of the book and the tone of the show are two different things, which I understand happens when adapting a novel. However, the show has two different tones going on. A comedic, rompy one with Tom's storyline and a tragic, and dramatic love story with Sophia (So-phi-a). I really felt that in the third episode it made it difficult for me to understand Tom's lackadaisical actions and I felt like I fast forwarded in time from the last episode and yet there was no indication that was the case.

I do like what they're exploring with Sophia's story and race. I just wish that tone was carried through to Tom's plot so it didn't feel so unbalanced.