Toute la lumière que nous ne pouvons voir

Netflix took a Pulitzer-Prize winning novel and arrogantly thought they could somehow make it better by changing the story line and fates of the characters in so many ways. They absolutely did not make it better, or even do it justice. I absolutely loved the book and was so excited to watch this. I am so beyond disappointed in this adaptation. Why couldn't they have at least found actors who could pull off a French accent instead of sounding like some odd British-American combination? Did the script writers and casting agents ever even read the book all the way through? Please stop doing this to great books!

Loved Louis Hofmann in DARK so I have to watch it. It's a warm tale of courage and hope that's been told via a French blind girl & a German soldier in World War II days. It was surprising to see Nazi radio enthusiast, Werner talking in a non German accent & Ruffalo being British while in Paris.

The story gets tangled with flashbacks, cinematography was more focused than the emotional connect of protagonists. It could have been better, maybe it's just the timing when the world is at war again.

"Darkness lasts not even for one second when you turn on the light". The crux of the show perhaps...

Brilliant acting by the 2 teenagers. I rooted for them throughout the story. The set design made it look like they were really in those places, and not sets. Or, were they even sets? I think Mark Ruffalo is a great actor. He should have not even tried using an accent. Often the accent would come and go, kinda spoiling his performance a little bit. Same with Hugh Laurie. But Louis Hoffman was spot on with his dialog. Does he really have a German accent? The scenes of destruction were spectacular, how did they create those scenes so realistically? No spoilers here but I felt the ending was perfect. Nothing was left hanging for me to wonder what happened.

"Shawn Levy's Epic Series 'All the Light We Cannot See' premiered on Netflix on Nov. 2, 2023.

Based on Anthony Doerr's Pulitzer Prize-winning novel, the four-episode limited series unfolds in a besieged city, immersing viewers in the lives of Marie-Laure, a blind French teenager, and Werner, a German soldier. Their paths cross in occupied France as they navigate the challenges of World War II.

Marie-Laure's story begins in Paris, where her father works at the Museum of Natural History. With the Nazi occupation, they seek refuge in the fortress city of Saint-Malo, accompanied by a precious and perilous museum artifact.

Meanwhile, in a German mining town, orphan Werner and his sister find solace in a radio that brings them tales from distant lands. Werner's talent for building and repairing these radios leads him into the resistance.

While the narrative flirts with romantic and fairy tale elements, it occasionally grounds itself in realism, offering a unique blend of myth and reality.

The casting of visually impaired actors, such as Loberti and Nell Sutton, who portrays young Marie, adds authenticity to the characters, story. This casting choice enhances the representation and genuine portrayal of the story's protagonists.

'All the Light We Cannot See' may not be a typical comfort watch, it offers a glimpse into a simpler time, contrasting with its wartime setting."

Engaging and watchable 4 part series telling the tale of a blind French girl, a German soldier/radio operator and, somewhat loosely, the French resistance during WW2 in occupied St Malo in France. Good cast, Hugh Laurie as ever excellent but not convinced Mark Ruffalo was right for his part, some slightly odd accents going on there! Along with the great cast, good cinematography, pacing and dialogue make the whole thing work well if not exactly standout. Just think maybe it could/should have had more of a European feel about it considering the subject matter. Still, it's far from the worst thing Netflix has put out...