Asiklar Bayrami

I'm not that much into turkish movies, but when I saw the trailer on Netflix, an old guy holding a Saz in his hands had to watch it, while my father was also Saz teacher. The movie is a nice reflection of anger and love combined, it touches you, while you sometimes feels the same feeling's against your loved ones. Definitely worth watching, the acting is GREAT, the cinematography is great!! Kivanc is really a great actor, it was beyond my expectations. A journey that also shows you the eastern parts of Turkey, the hospitality of the people living there, culture, traditions... the love for the Saz, which is really a big part of the culture, especially in the middle eastern part on turkey...

It is great that story is not in Isranbul but in Anatolia expressing a real cultural thema this timeunlike previous netflix Turkish movies. I find the intention of the movie good and really wanted to enjoy it. However there is a big lack of story telling and it was boring from the beginning to the end. It is kind of a road movie but you hardly get to know places they been to or peaple they met. Characters are all superficial. Kivanç and Settar are both great actors and their skills make the movie watchable, otherwise story was told in a boring way with serious issues on editing. I liked the cinematography though.

In Netflix's coercive universe of puzzling, superficial and fast-paced, mostly duplicate movies and TV shows, this movie stands elsewhere. This cinematic language may seem a bit challenging for someone who is used to today's illusion of speed, but someone who leaves himself to that flow can find the courage to face many emotions he has suppressed. One of the strongest aspects of the film is that it is adapted from Kemal Varol's novel of the same name. In particular, a phrase that became the motto of the film and was constantly shared on social media was quite interesting: "Daddy (papa) is an unfinished word." Indeed, "pa" is one of the first syllables that babies say, when they repeat that syllable repeatedly, "papa" comes out, as if they are trying to say a word that starts with "pa".

A little bit melancolic but speed of the movie was like meditation. Also Congrats for Kivanc Tatlitug to his performance.

A very touching story of a lost son & father relationship. Connecting childhood memories while trying to walk over a broken relationship bridge between the past and today, knowing there is not much time left to re-build. Cinematography and acting is five Stars. For whom have lived in Anatolia for some time, or from this land, or traveled there and are familiar with this culture will undoubtedly enjoy the music, scenery, and story more than many of us. Congratulations on bringing us something that is different, not revealing what was the real story behind why the father left his son behind and leave it to our imagination, Everyone can guess and complete their own story in the blanks.

Brilliant acting, pitch perfect dialogue! Not a film for those who crave action-packed scenes, but rather for those who appreciate an in-depth portrayal of a wounded relationship, in this case between musician father and attorney son. The Turkish music and stunning, stark landscapes provide an amazing backdrop to this novel road film featuring two people in a car for most of it. It's a tour de force, keeping the viewer engaged in a 90-minute or so conversation. Along the way as the car journeys to some small towns, we learn in stunningly economical but evocative scenes about the father's past, with a subtlety that totally eludes even the most serious Hollywood films. That is just part of the magic of Ozcan Alper's directing.