Nanpakal Nerathu Mayakkam

Each and every movies of LJP stands different from one and another here the film moves at a slow pace but still kept me hooked till the end and all the frames of the movie were a wide and static similarly the sound design was really so good and it was a different expirience. The movie interprets into a way in which the audience can decide what happened to James or whatever happened really did happen !. The movie starts from a conflict while sleeping and finds a solution after a sleep. I really enjoyed the movie it's pace, sound design, performances, frames and i think everyone should watch it.

Nanpakal Nerathu Mayakkam is made in a super abstract way with a truly unique atmosphere. A more audience friendly approach could would have worked better. I did not love it. Also, most of it is in Tamil. I might have to rewatch a subtitled version.

It was definitely an interesting and entertaining story. Mammoty was quite good. But I do not know why people are praising the performance to the skies. I did not care much for the treatment either. Static frames that people are raving about took away a lot of the tension from the scenes. Cacophonic songs and conversations from old Tamil movies constantly playing in the village as a part of everyday life was annoying. As expected, S Hareesh fails to turn up as dialog writer. The same was the case with Jallikattu and Churuli. Hareesh simply cannot come up with interesting dialog.

Nanpakal Nerathu Mayakkam is worth a watch. But wayyy overrated. I might watch it again. It is not a bad film. The problem is that Lijo fails to milk interesting characters, locales and situations to their full potential because he is too busy being arty farty. As I said early in the review, a more commercial approach could have done wonders to the film. Lijo says he has evolved in an interview. Well, he has evolved into a total phoney. Hahahahaha! I long for the Lijo of the Angamaly Diaries and Ee Maa Yau days.

The movie is visual poetry, from cinematography to acting to the beautiful tamil songs woven into the narrative, this movie is a wondrous delight for any aesthete.

Its a pleasure to see Mammootty sir at full throttle accompanied by a stellar supporting cast.

LJP is an auteur par excellence who is trying to engage the audience with an exploration into society, identity and its fickleness. This odyssey into the human mind is brilliantly supported by Theni Eswar who has clearly upped his game here, the unsymmetrical static shots with multiple activities in a single frame give this movie an ethereal feel.

Personally it still doesn't make sense to me why this movie was not given the Golden Pheasant at IFFK. This was more brilliant than the exploration of climate change and cultural identity done within Utama.

Overall a brilliant cinematic experience.

What more to tell about this man. Running out of superlatives to describe what he is upto in NNM. Just makes us go awww while he switched between James & Sundaram

Watch out for that bit where he behaves as Sundaram to Jame's relatives. Out of the world🙏 #NanpakalNerathuMayakkam

#NanpakalNerathuMayakkam What happens when James dozes off & wakes up as Sundaram & travels through his life for a day before he goes back to the world of James.

Something only Lijo can pull off & boy hasn't he done just that. Nothing complex this time. Absolute mastery by LJP🙏

Mammootty , LEGENDARY ACTING 🔥⭐⭐⭐ State Awards - It's not even a question or a discussion

National Awards - Only looking forward to that.

Director Lijo Jose Pellissery is always searching for a variety of plots and themes for his next ventures. All of his films differ from each other in that path. His latest one, Nanpakal Nerathu Mayakkam was screened in the 2022 IFFK and receives wonderful acclamations. Now the film is out in theatres and is wrapped with positive responses. Veteran actor Mammootty's production banner's first production venture was Nanpakal Nerathu Mayakkam. But the film that came out for the first time through Mammootty Kampany in theaters was Rorschach. Likewise, the title of the film talks about the nap. The nap of a theatre artist named James and the routine of a local Tamilian named Sundaram was the element in the film. The structure of the script lies in the category of Magical realism. We had seen that kind of writing pattern in his previous film, Churuli. We can tie this film into the perspective of a character dimension contrast. While James taking a nap and awake as Sundaram and Sundaram taking a nap and awake back to James was the exact idea behind the film. The period between those two naps was the subject of the film. When we examine the film in detail we find that kind of confusing and somehow ambiguous underlying plot which is like a dream or a thing that is going to happen. There lies the open-end description of the film. The frames are like wallpaper because the shots are static which smoothly allows James to incarnate Sundaram. The ambient sounds like old film dialogues, devotional songs from the temple, radio songs, etc played a wonderful job to enhance the movie. All actors justified their characters the most. Lijo spends a lot of effort to find new faces for his characters and here also we can find strange faces. But it's quite unbelievable that a familiar face doing strange things throughout the film and that was Mammootty, who portrays both James and Sundaram. Yet another Lijo magic that feels like a nap done by James and others which fell us into a deep sleep encircled with a beautiful dream. And that dream is Nanpakal Nerathu Mayakkam.