Les enfants des autres

To whoever that thinks the movie is a romcom it only means one thing, is that you did not get the movie.

I studied cinema, and the movie is more dramatic than romcom!

The movie is quite simple but with deep meanings. It's main focus is parenting. Is it a need to be a parent? Should we all become parents? Where does the need and/ or the feeling comes from?

Virginie Efira (Rachel) performance is great. Rochdy Zem (Ali) performance is just fine. The kid (Leila) performance is outstanding.

I being a pansexuel cis-man, only daily basis I feel like Rachel. I worked with kids and I loved it. When I met the child of a friends of mine and we get along, it makes me happy.

I know I want kids, I want them. Why? I can't answer to this question. But could we all have kids?

It might be easier for a woman to get a child without having a partner, not the case for men. And adoption is a very complicated procedure in most of the countries discriminating those who desire to be single parents.

A rom-com à la française is still a rom-com, and this is a particularly poor one. Why it's currently being shown with the imprimatur of Film at Lincoln Center I cannot fathom. The film involves some talented performers, particulalrly Roschdy Zem. I'm even willing to believe that Virginie Efira, the protagonist, is in fact talented. But director Rebecca Zlotowski's obsession with her is carried to such a a discomforting extreme that 80% of the film (I may be exaggerating just a little) is made up of tight shots of her face striking different attitudes, without a lot of the kind of background or build-up that would justify most of them. And one of the more interesting plot lines - she's Jewish, he's named Ali and is thus presumptively Muslim - goes totally unexplored. You get a lot of performative Jewish observance, but nothing about his heritage, whatever it may be (the niceties of French republicanism allow this to pass without comment). Like his excessively cute daughter, Ali isn't a full- blown charcter, he's just a plot device. All the attention is on Efira'a character, her concern over what may be premature menopause, and her poorly backgrounded neuroses. None of which is developed to the point where this viewer, at least, was particularly interested. More romantic views of Paris are inserted than are justified, other than for marketing purposes - compare and contrast with the current and far better, more substantive Everything Went Fine, a film set in Paris in which there is not a single shot of the Eiffel Tower or any other hint of Paris la romantique, but that is rigorously set in the Paris that people actually live in.

To go one would be cruel, and pointless, like the film itself, which is a real dud. Good music score, though.

For a lot of people, women not being able to get pregnant falls into the category of first world problems. And I'll admit that I haven't given much thought to that scenario, having the luxury of 1.) being a man and 2.) having a wife who was able to easily conceive exactly when we decided to have children. So for someone like me, "Other People's Children" does a pretty good job of personalizing what it feels like for women who feel the child-bearing window of opportunity closing. It also explores how callous the world can feel to those women, and how much the world of parenthood is taken for granted by those who didn't struggle to enter it.

That said, this movie is missing something that would have made it really memorable. There's nothing wrong with it, but I see it fading into the background quickly, and I doubt I'll give it a second thought when I'm looking back at the movies I've seen this year. Virginie Efira gives a lovely performance (and reminded me at times so much of Stockard Channing), but her performance would be more memorable if the movie around her was stronger.

Grade: B.

From time to time, I love watching such typical French dramas, so close to reality, actual human behaviours, involving situation in which you easily could recognize yourselves. This is not a pure drama however, not gritty, tough, just compelling enough to grab you, a very good study of a special relationship between a young woman and her new lover's daughter. Some situations are though a bit too much, but there are here only to bring some spice in a story without which it would be too flat for the audiences. Good overall atmosphere, very agreeable without being cheesy nor run of the mill. Excellent, flawless acting too.

... this is a film should you not feel much for what her character goes through, you'll miss the point of lots of really good acting skills and very good movies in addition

... she has such range, they both do... matched together they give one of the really great film productions of 2022... lots going on onscreen, and all of it you feel so directly, even though you might never have been a part of any of it... as said, they're always good, this is one film that must be watched again, and it will loose nothing in more viewings.. a timeless work by great actors of today... still having many years-works remaining in their careers.