Café de Flore

Cafe de Flore proposes two somewhat strange parallel story lines, that of a single mother of a Down's Syndrome boy in 1960's Paris, alongside that of a narcissistic professional DJ living in modern day Montreal, Canada. Throughout the film I expected these two disparate stories to somehow meet in some tangible form, but this part of the film remains a bit of a mystery... perhaps staying in some kind of spiritual realm. That aspect of the film is somewhat confusing, and may be a bit off-putting to many viewers. I thought it a bit strange, but overall I think this is a great film. Even though this parallel story line is pretty bizarre, the filming, especially the Paris scenes, are superb, the acting is great, and the connection between mother and son is incredible. I thought the character of the young Down's syndrome girl could have been fleshed out a bit more, but apart from that its a very watchable film with great music and well crafted performances. Nice work.

I'm a sap, I hold my hands up, Something like The American Tail sets me off whenever it's on TV. I found myself nearly wiping my snotty nose on the back of the cinema seat in front of me but was saved by a flash of on-screen comedy (not to give anything away).

I went to watch this today not knowing anything about it apart that it was directed by Jean-Marc Vallée and that it was sold to me as a supernatural/romance story. Great! i'll give it a go... I was glued to my seat after 5 minutes by it's beautiful cinematography/editing and subject matter.

Two stories from different eras. One man, with everything in his life but feels a sense of underlying conflict about his relationship with his ex wife. One woman, caring for her son who has Down's syndrome. The stories are inter-cut (non linear) and unrelated but as we progress we begin to see similarities. You don't want to know the whole story, it really is a hammer to the heart.

You feel emotionally involved with what's unfolding (and a whole lot of stuff unfolds) that will leave you either rushing out to declare your true love to someone or, you'll end up walking on your own through a city with an icy heart (I haven't decided which yet).

There will be themes that you will be familiar with, broken relationships, jealousy, Maternal obligations/ or not. A brilliant cast and script, important subject matter and a 'diluted Lynchian' ending serves this up to be an essential watch.

My advice is don't read too much about the story. Leap of faith ;)

Oh and it features some amazing music... but there's a point to that too.

If you can make the leap of faith required in the final portion of the movie, this is a beautiful, haunting work that will stay with you long after you have left the theater. There is no question that this movie asks a lot of one's suspension of disbelief. But I think that movie goers should give it the benefit of a doubt. This is a very unconventional love story, and it may be the most thoughtful movie every made about the idea that one person can be another person's soul mate. The tension of course arises when what does one do when one finds a deeper, more meaningful soul mate. This is a complex work with a totally different way of investigating its romantic themes. It uses music beautifully as a thread that joins elements of the film together, binding emotional themes together and providing transitions between the two stories that it tells. I can't think of another movie that finds such an unique approach to telling its tale.It is also the best Canadian film that I have seen in years. One of the very best movies of the year.

The first story is set in present-day Montreal and centers on a recently divorced father of two girls, Antoine Godin (Kevin Parent), who leads a successful life as a professional DJ. Despite having found true happiness in his relationship with his girlfriend Rose (Evelyne Brochu), he feels a little remorseful for having left his ex-wife Carole (Hélène Florent), for whom he still cares deeply. Antoine understands that she continues struggling to move on with her life, heartbroken. And to make the situation in which they find themselves even more difficult, their eldest daughter persistently plays their nostalgic love song with hopes of reuniting her parents.

The second story is set in Paris in 1969 and focuses on Jacqueline (Vanessa Paradis), a self-sufficient, loving single mother who becomes the embodiment of perseverance and selflessness as she promises to devote herself both physically and spiritually to her son Laurent, who has been diagnosed with Down syndrome. She spends every minute of spare time with her beloved young boy with the goal to elongate his limited life expectancy. One day, when Laurent begins to be infatuated by Véronique, a new girl in his class-- who, incidentally, also has Down syndrome-- Jacqueline is struck by an overwhelming feeling as she fears that her inseparable bond with the only person she loves will be be lost with time.

Up until the very end of the film, it seems like the only link between both stories is the music the characters listen to (the jazz album "Café de flore" appears in the second story while a certain remix is featured in the first one), but as we progress further into this mystical mystery, we learn that there is something much deeper tying together the characters and their stories of love and loss.

Knowing that "Café de flore" would be composed of intertwined stories, I was initially a little reluctant to seeing it and very worried that its structure would collapse within the first few minutes of the film. To my pleasant surprise, this modern approach to storytelling proved to be ultimately rewarding. I believe credit is due to the film editor, who is-- believe it or not-- Jean-Marc Vallée, again. It's nice to hear that he had control of almost every visual aspect of his own work of art. With Vallée's perfectly orchestrated editing, the audience is able to follow the story without ever sensing an abrupt switch between story lines. In the film's entirety, not once did I feel that some scenes were fragmented or disjointed from others. Vallée always progresses deeper into his creation by carefully and seamlessly shifting between narratives just at the right time, creating a smooth, fluid tempo. Briefly, everything flows like a river.

IMHO there are two categories of movies: the ones that impress me when I see it, like Hollywood blockbusters which shock me with stunning visual effects, or action scenes, or dramas. There is another category, that don't produce much of an impression when I see it, I get even bored wondering myself why did I pay the ticket for it. But.. suddenly after a couple of hours, or days, they become alive inside me and haunt me after. "Cafe De Flore" is one of those! It doesn't have a story to tell, it is pure art. The authors plant a seed that is intended to grow inside the viewer. It doesn't try to convince you of anything, doesn't draw a conclusion in the end, just places frame after frame and leave the interpretation to you. I would rate it 8 out of 10. regards, Andrei