The Trouble with Jessica

For a film that is more in line with a stage play 'Jessica' manages to keep the action reasonably fast. Having said that, as its rather claustrophobic setting and premise gets deeper into its darker territory it can be felt to drag somewhat - think 'Who's Afraid of Virginia Wolf'. While Virginia had the good sense to keep its heavy dialogue in a measured place 'Jessica' goes all out to be trendy and only wants to appeal to the modern cocktail generation, those who feel it's 'smart' to change the meaning of words in an effort to appear hip. Those who have tailored themselves to fit into these circles won't even notice the wall-to-wall swear fest.

Production values are polished enough, and performances are convincing, but the endless efforts to outswear each other may just leave some of the audience wanting to part with their company. Overall it's a revisitation of several Hitchcock themes involving what to do with the body of a guest who 'departs' during a dinner party involving a small group of old friends. Now sit back and watch the uncomfortable truths that leach out of each other's (secret) toxic personas and pasts.

Strictly for those that can take this type of approach.

The cast were fabulous, I found Rufus Sewell particularly funny and although moments of the story seemed bonkers, it somehow became plausible. I laughed throughout and enjoyed the nuance of dialogue between friends and partners. I enjoyed the unraveling of what starts out as a perfectly normal setting into unexpected chaos, disappointment, jealously, entitlement and self satisfaction, always fabulous themes of the human condition to which this film delivers. Each scene is crafted in a such a way that I became the voyeur, relishing the discomfort of the characters, and pending predicament! Wondering if judgement would prevail. I thoroughly enjoyed this film and highly recommend.

A dinner party from hell or what? We quickly learn that hosts "Sarah" (Shirley Henderson) and husband "Tom" (Alan Tudyk) are having to sell their luxury home else face repossession. For some reason that seemed like a good reason to invite long-term friends "Richard" (Rufus Sewell) and wife "Beth" (Olivia Williams) round for food. It's the latter who throws a real spanner in the works by inviting the eponymous "Jessica" (Indira Varma). Let's just say that the hostess and this guest get on like a house that's already burnt down, and as the vino flows (tiny measures in huge great glasses) things come to an head that leaves the four with quite an headache. What now ensues might well have worked on stage, indeed the entire film has a theatrical style to it, but I found it all just a bit to hysteria-prone, contrived and over-dramatic. None of the actors are on especially good form, especially the lacklustre Tudyk and the script seems more determined to make sure each character gets their moment in the spotlight rather than designed to offer us something to laugh - or even smile at. On that front, there are the odd lines to make you titter, but just not enough of them to pass this feature-length more miss than hit sit-com. It will pass ninety minutes easily enough at Christmas on the telly, but nothing much more than that, sorry.

I am not sure this works as well or funny as I intended this to be or it sounded in my head. That said, I am going to stick with it and tell anyone who wants to hear it: no pun intended. When I started watching this, I did think this was another remake of the perfect dinner (or whatever the movie is called - quite a few countries have remade the premise) ... but it turns out that this is a different beast.

Still a lot of people sitting around the table and talking ... but the inciting incident is quite ... well it won't let you just hang in there, that is for sure (sorry, but I had to) ... this will either get you! The tension, the script and the actors ... all together are able to do a great movie. Yes some character decisions are weak ... but hey a bit of suspension of disbelief never hurt nobody (yes I know what I did - I can has some fun too from time to time - yes?) ... this was way better than I thought, especially because of some of the twists ... and the script/acting, well you know the drill (sort of)

Greetings again from the darkness. For most of us, the worst thing that happens at a dinner party is the pork loin is a bit dry or the wine selection is a bit lacking. Among the worst occurrences are the friction and hurt feelings caused by a joke-gone-wrong, or God forbid, someone brings up politics. It's just such a dinner party that kicks off this film from writer-director Matt Winn and his co-writer and frequent collaborator, James Handel.

Husband and wife Richard (Rufus Sewell) and Beth (Olivia Williams) arrive at the lovely London home of Sarah (the always fabulous Shirley Henderson) and Tom (Alan Tudyk). Hitching a ride is uninvited mutual 'friend' Jessica (Indira Varma), whose recent book has just hit the bestseller list. Jessica is one who sometimes over-imbibes and is a notorious flirt, rarely taking much precaution in either activity.

Two things happen that drastically impact the evening's proceedings ... and neither has to do with the Clafoutis dish Tom prepared (and takes enormous pride in). The friends are stunned when they learn Sarah and Tom must sell the house quickly or face financial ruin - something unthinkable to those who have lived this life. Secondly, and infinitely more shocking, is the realization that Jessica has committed suicide in the garden. On top of those biggies, secrets are later revealed that feel like a gut punch after the crisis.

With the home sale pending, Tom and Sarah believe a dead body will turn off the buyer, resulting in the bankruptcy they so fear. Their plan is to convince long-time friends Richard and Beth to go along with a scheme that will prevent further disaster. Arguing, debating, and 'what about' discussions, some quite animated, take center stage with the group. The drama is elevated by a nosy neighbor (Anne Reid) and an unexpected visit from the potential buyer (a terrific Sylvester Groth who played Goebbels in INGLOURIOUS BASTERDS, 2009).

Winn cleverly uses chapter subtitles, each beginning with "The Trouble with ...", to reinforce the live theater feel of the story. Some of the chapters work better than others, but it's the veteran and talented cast that diligently pull off the dark humor at a time no one should be laughing. Shirley Henderson especially shines as she spews her lines with that unique and distinctive voice of hers.

The soft jazz score, credited to director Matt Winn and Matt Cooper, provides a nice touch, and mostly we just look at these folks and wonder how far they will go to keep themselves out of trouble. If not for the comedic touches, it would be quite disturbing ... well, even with the comedy, it's quite disturbing. However, a new twist on the dinner table setting is welcome, and despite everything, the film maintains a level of entertainment.

Opens in theaters on April 25, 2025.