Ajouter une intrigue dans votre langueA reformed teenage getaway driver is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.A reformed teenage getaway driver is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.A reformed teenage getaway driver is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.
Jon Elliott
- Stilts
- (as Jon Elliott Solomon)
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Criminal at the age of 15, Edie has had a turbulent life.. but she got out. In a lapse of judgment, she visits her ex and becomes tangled into doing one more of those "do or die" kind of jobs.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
This move is "Meh". It suffered from poor writing and not knowing what it was trying to be. Samara Weaving saved this movie from being tossed in the trash. They had Andy Garcia, & Steve Zahn, & failed to use them. The John (Her Blindspot) character was horrible.
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
Well acted, witty, fast-paced. Exactly what we needed for a Saturday night in. I was actually quite impressed considering hopes were low based on the ratings and it had my preconceived notions to overcome. Now I wonder if I would've scored it higher had I not let keyboard warriors into my head. I need five more characters for this review to be complete. Done.
Eenie Meanie is a Hulu heist comedy-thriller that aims high but lands somewhere in the middle of the road.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
Le saviez-vous
- AnecdotesSamara learned to drive for the role
- GaffesIn the opening scene with her parents, Edie is 14 years old. The movie flashes forward to 14 years later, making Edie 28. Later in the movie, there is a reference to when Edie was 15 and a comment that it was 15 years ago, making Edie 30. Later in the movie where she's sitting the car talking to her dad again, she says, "18 years is a long time not to go get your daughter."
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Détails
- Durée
- 1h 46m(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.39:1
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