Ajouter une intrigue dans votre langueFollows two police officers at a small wireless police station on the hilltop as they work to resolve the mystery about a woman's body parts that have been scattered all over Elaveezhapoonch... Tout lireFollows two police officers at a small wireless police station on the hilltop as they work to resolve the mystery about a woman's body parts that have been scattered all over Elaveezhapoonchira.Follows two police officers at a small wireless police station on the hilltop as they work to resolve the mystery about a woman's body parts that have been scattered all over Elaveezhapoonchira.
- Prix
- 4 victoires au total
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Soubin Shahir has been on one of the leanest patches in his short career off-late. From the highs of "Bheeshma Parvam", he nose-dived into shambolic, ill-conceived roles in 2022 with ventures like "Bro Daddy", "Kallan D'Souza, "CBI 5" until finally hit rock bottom in the absolute dumpster fire that was "Jack N'Jill". But right from the teaser and trailer release of Shahi Kabir's "Ela Veezha Poonchira" there were signs that the very capable actor was on track to make a comeback and boy, does he deliver!
We follow the journey of "Madhu" (Soubin) a seemingly disenchanted, frustrated policeman serving at a police wireless station in the picturesque but treacherous hilltop of "Ela Veezha Poonchira". Located at about 3,200 ft above sea level, this real-life location is prone to lightning strikes and the filmmakers bring that to screen with chilling effect, sending shivers down your spine with the sound design. How the lives of the policemen at this desolate outpost change when the body parts of a murder victim start popping up in their vicinity forms the rest of the story.
Shahi Kabir has proved himself to be the master of the police drama sub-genre, first with his affecting, realistic writing in modern classics like the groundbreaking "Joseph (2018)" and the internationally acclaimed "Nayattu (2021)". In "Ela Veezha Poonchira", he abandons the writer's chair to direct for the first time and translates the nuance, grit and passion we have seen in his screenplays to his direction style, focusing on the trials and tribulations of his protagonists and painting a vivid canvas of realistic police work amongst harsh conditions.
The disquieting surroundings and the enchanting environment suck you in from the word go, with Soubin leading from the front with an assured performance, displaying all the angst and personality quirks of an overworked policeman with conviction. Sudhi Koppa and Jude Anthany Joseph put in convincing portrayals in the supporting roles, playing no small part in building up the tension, which reaches fever pitch by the interval block and then moves at breakneck pace towards a crunching climax.
It was heartening to see the capable actor in Soubin back on full display after a long time, with Shahi Kabir leveraging his captivating, hypnotic eyes and natural quirkiness to full effect. "Ela Veezha Poonchira" is his finest performance since the State Award winning "Sudani From Nigeria (2018)" and a grand return to form for one of Malayalam's most promising character actors who was having a pretty mediocre run in 2022 so far. Shahi Kabir's debut directorial is an engaging watch and highly recommended!
We follow the journey of "Madhu" (Soubin) a seemingly disenchanted, frustrated policeman serving at a police wireless station in the picturesque but treacherous hilltop of "Ela Veezha Poonchira". Located at about 3,200 ft above sea level, this real-life location is prone to lightning strikes and the filmmakers bring that to screen with chilling effect, sending shivers down your spine with the sound design. How the lives of the policemen at this desolate outpost change when the body parts of a murder victim start popping up in their vicinity forms the rest of the story.
Shahi Kabir has proved himself to be the master of the police drama sub-genre, first with his affecting, realistic writing in modern classics like the groundbreaking "Joseph (2018)" and the internationally acclaimed "Nayattu (2021)". In "Ela Veezha Poonchira", he abandons the writer's chair to direct for the first time and translates the nuance, grit and passion we have seen in his screenplays to his direction style, focusing on the trials and tribulations of his protagonists and painting a vivid canvas of realistic police work amongst harsh conditions.
The disquieting surroundings and the enchanting environment suck you in from the word go, with Soubin leading from the front with an assured performance, displaying all the angst and personality quirks of an overworked policeman with conviction. Sudhi Koppa and Jude Anthany Joseph put in convincing portrayals in the supporting roles, playing no small part in building up the tension, which reaches fever pitch by the interval block and then moves at breakneck pace towards a crunching climax.
It was heartening to see the capable actor in Soubin back on full display after a long time, with Shahi Kabir leveraging his captivating, hypnotic eyes and natural quirkiness to full effect. "Ela Veezha Poonchira" is his finest performance since the State Award winning "Sudani From Nigeria (2018)" and a grand return to form for one of Malayalam's most promising character actors who was having a pretty mediocre run in 2022 so far. Shahi Kabir's debut directorial is an engaging watch and highly recommended!
At first, you will be puzzled, doubtful as to where this story might be leading you to; the more time passes, the more scepticism will accrue; but you have to keep patience because once it reaches its halfway point, the storytelling takes a slight turn and breaks away from its previous course and jumps onto an entirely new route, and the course of events is now set into motion; from there on, there's no turning back as the story seemed to have a bag full of trickeries reserved specifically for the climactic portions and believe me when I say, not only do they deliver, but they also make up for the sluggishness upfront. You will be in for a shock!
It's essentially a ⭐⭐⭐ movie but an extra ½ to the makers (especially, director Shahi Kabir) for creating a fascinatingly little but intense atmosphere. The wireless station where the story takes place is said to be at an altitude of over 3,200 feet. Writers (Shaji Marad, Nidhish G) place the two leads (Soubin Shahir & Sudhi Koppa) at the top of a hill that's notorious for its deaths by lightning strikes. The first half is leisurely paced, giving us some incredible views of the surroundings, a few visitors, and the two cops' daily routines (that include eating, drinking, playing cards, and updating statuses through a wireless system).
I'm a big fan of minimalist setups and fewer characters in stories, especially because they often prove to be intricate character studies from a psychological perspective. At 100 minutes, the writing is also tasked with the responsibility of including a murder investigation which begins as a sub-plot but slowly turns into an integral component. Therefore, the latter half is focused around making the twists, turns, and mind games work. They largely do, and credit for that should go to the performances from both Soubin and Sudhi. Once the uneasiness sets in, the film tightly holds onto it all the way to the finish. The weather elements (sudden winds, fogging, rains, lightning) also add an essential layer.
The sound design (Ajayan Adat), cinematography (Manesh Madhavan), and background score (Anil Johnson) truly make the experience unmissable. The only issue I felt is that some of the dialogues in the climactic portion get drowned out by the score/noise. Nonetheless, the film is a triumph in the storytelling, performances, and atmosphere-building departments.
I'm a big fan of minimalist setups and fewer characters in stories, especially because they often prove to be intricate character studies from a psychological perspective. At 100 minutes, the writing is also tasked with the responsibility of including a murder investigation which begins as a sub-plot but slowly turns into an integral component. Therefore, the latter half is focused around making the twists, turns, and mind games work. They largely do, and credit for that should go to the performances from both Soubin and Sudhi. Once the uneasiness sets in, the film tightly holds onto it all the way to the finish. The weather elements (sudden winds, fogging, rains, lightning) also add an essential layer.
The sound design (Ajayan Adat), cinematography (Manesh Madhavan), and background score (Anil Johnson) truly make the experience unmissable. The only issue I felt is that some of the dialogues in the climactic portion get drowned out by the score/noise. Nonetheless, the film is a triumph in the storytelling, performances, and atmosphere-building departments.
A good movie. A Well balanced execution, the plot, eventhough lacks steam, is all that of a suspense thriller, with an extra twist, That will keep you engaged enough throughout the film. What steals the show is the geography/location. Kudos to the camera crew and sound team. There are few movies those have taken bold naration using geographical space, this will be the best of that kind in Malayalam film industry. Soubhin Shahir and Sudhi Koppa performed extremely well. Anil Johnson on music scores again just rocked, we will surely see more of him.
A good watch film and, best to be recommended.
A good watch film and, best to be recommended.
First and foremost, great work soubin.
The movie has done great work in all its technical departments especially the sound design of the movie was extraordinary they didn't even miss a minuscule detail. The first half of the movie moves at a slow pace and builds up the characters and encloses us to that area by its visuals and by the end of the first half the movie switches to a thriller mood with some good moments of thrill and suspense.
Overall this movie should be watched in the theatre because the technicality of the movie demands it. Moreover, ILA VEEZHA POONCHIRA deserves it.
The movie has done great work in all its technical departments especially the sound design of the movie was extraordinary they didn't even miss a minuscule detail. The first half of the movie moves at a slow pace and builds up the characters and encloses us to that area by its visuals and by the end of the first half the movie switches to a thriller mood with some good moments of thrill and suspense.
Overall this movie should be watched in the theatre because the technicality of the movie demands it. Moreover, ILA VEEZHA POONCHIRA deserves it.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 46 315 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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