Joan Rivers: A Piece of Work

I just saw this film about an hour ago, and liked what I saw. I'm not a big Joan River's fan. In fact, I'm not one of her fans at all, but this film gave me a slice of her life at what for some is considered elderly.

Not for Joan. For her 75 is the new 40. Tell any active person of years and they'll tell you just that.

I don't have a whole lot to say about this movie. It was interesting, funny, and just kind of a pleasant watch. Joan works hard, has her causes, and does her best to remind the world that she's still alive and spewing some pretty risqué humor.

It's not a film I'd see again, but it's a film I'm glad I saw. It reminded me of a clique of show businesses that I think a lot of former production types would just assume avoid or watch from a distance as we setup lights and cameras. There's some infighting, some exposition of personal problems, all the usual "life of a star" kind of stuff that gets covered in these kinds of films.

Is her life inspirational? Sure. But it's also got a bit of the dramatic, and by that I don't mean in either her act or in this film. What I mean is that we have a huge variety of media outlets. The super-stardom of yesteryear where major outlets were fawned over and coveted are gone. Your local TV station and network affiliates are still there as well as the local movie houses, but the kind of controlled stardom that used to be governed by studio heads is no longer the simple exposure process that it once was.

But Joan hangs in there like a champ. In some ways she's still fighting for attention using classic tried and true practices. It seems to work for her, and her battle continues. But, in my opinion, it may be for naught as social media continues to diversify and allow more individuals to come in and create their own "stardom", so to speak.

Still, Joan plays the game by hitting the show circuit, including play houses, clubs, cruise liners, and even guest television appearances. She's alive and still entertaining, and will more than likely do so for many years to come.

Check it out.

Joan Rivers is asked, "Don't we want to be loved for our real self?" To which she tellingly replies, "What's the real self?"

Joan Rivers: A Piece of Work is not funny even though you'd expect a year in the life of one of the world's funniest ladies to be so. But it is as documentaries go one of the best ever: It is uncompromising in depicting how a 75 year-old icon is working every minute of her day, not to sharpen her craft necessarily, but rather to make money to keep up a lavish lifestyle best exemplified by her Versailles-like apartment in New York.

Truth is, however, that she likes what she does better than anything else, a workaholic who makes people laugh. In the process she is ribald, abrasive, bitchy, and irreverent, attributes she displayed almost 50 years ago, when highly educated ladies just didn't do that kind of thing. But from the Tonight show with Johnny Carson through Celebrity Apprentice, she has done it all in comedy while taking gigs from Wisconsin to Juno, all to stay alive in a profession that eats its young and discards its seniors every day.

When she says, "Let me show you what fear is" and explicates by revealing a blank appointment page, she is speaking for every worker in show business—most of whom face periods of inactivity regularly and bravely. Her fear of bombing with her act is almost as palpable and never more apparent than when she painfully puts down a heckler but suffers remorse for what it did to him, her audience, and of course her self confidence.

Yet the two most devastating events of her life, the suicide of husband Edgar and the ultimate rejection by Johnny Carson may have affected her most in 75 years. This doc is much more about suffering than laughter.

Rivers holds her acting talent above her comedic, a telling admission about the calculating, opportunistic foundation of her career, with comedy a mere avocation. Directors Riki Stern and Anne Sundberg skillfully keep the tension of uncertainty on Joan, as if the camera should be as close as possible to Joan's face to capture that actress's honesty.

"Actress" and "honesty" don't always go together, and they are in question here. How honest is any portrayal by a comic who keeps thousands of jokes on file and surgically alters her face as many times as she may change jewelry? On this topic, I remain skeptical; on the matter of this doc being successful deconstruction of show business's vagaries, it's a powerful work in progress.

I wouldn't call myself a fan per se, but I've always admired Joan Rivers for just saying what she feels. This documentary chronicles a year in her life, her 75th year, and is not a laugh riot by design. She goes into the relationship with her daughter Melissa, her late husband Edgar and her long time manager whom she has increasingly been unable to trust to be available for her. The poignancy is from the various parts of this film of her life as a working performer. There are times that she is not in demand and more than once states she will "take anything". Also, there is a failed play and a scene at a Wisconsin nightclub where she has a shouting match with a person who objects to one of her jokes. You don't go to a Joan Rivers show to hear sweetness, she has always been pointed and sometimes outrageous. Anyone who doesn't know her well can get some insight into her from this film, but this film is more for people who know about her and like/love her. I like her for being bold and for being a pioneer. I would recommend it to everyone who is even vaguely interested but just know it is not a full concert performance. It held my interest throughout.

After seeing the trailer, my expectations were moderately high. The movie far exceeds them. It is screamingly funny (Joan Rivers is screamingly funny) and poignant as well. I am partial to people who have a passion and work their hearts out; Joan Rivers exemplifies this. As a writer who's seen ups and downs, I found her up-and-down trajectory inspirational. The humor is often raunchy and always hilarious. Because she cannot do her best jokes on television, I found the movie broadened my perspective on what she is able to do (a lot!). If you've ever liked her jokes, definitely go see this movie. While it's true that the film maker could have dug a bit deeper into some of the darker subjects, I think that would have drastically changed the amazing balance between comedy and seriousness for the worse. A lot is conveyed without belaboring the difficult issues. Although Joan Rivers was virtually in every frame (a few exceptions where some people spoke about her), I never tired of seeing and, especially, hearing her. She has a store of funny and the ability to tap into it, whatever else is happening.

There are two laughs in this documentary about funny-girl Joan Rivers. The Michelle Obama joke and I can't remember the other. Somewhere between self absorbed pity fuel-ling a license to insult and a need to please is this quite wonderful witty woman who can't spell vagina but makes jokes about them. At 75 an looking like Barbie's grandma, Rivers verbal avalanche of scattergun jokes makes you yearn for the days of Harpo Marx and maybe then Groucho if you need to hear a joke later. She is like the unofficial rat pack gal sidekick of the 50s and 60s who hasn't yet realized the rat pack days and the Las Vegas laminex table comedy they thought was luxury showbiz is all sooooo last Century. She lives well as displayed in a hilarious tacky Manhattan apartment that looks like an explosion on the set of the 1936 ROMEO AND JULIET set at MGM, she signs a dozen checks with which she buys an image of generosity, she does meals on wheels and in the film's one truly moving moment pays tribute to Florence Fox, an innovative NY photographer now almost destitute. Maybe Joan could also slip her a few checks. I'd like to have seen Joan meet Mimi Weddell the NY fashionista who died in 2009 aged 94 and still going to auditions. Rivers really is not funny. She knows too that yelling obscenities is as passé as Don Rickles doing stand up at 88. Somehow she is interesting no matter how hard she tries to prove how awful-funny she can be. A PIECE OF WORK is getting a good National release in Australia and the audience at a session I went to laughed occasionally. As we filed out most muttered how glad it wasn't one of her shows we are at since she really would have been in front of us. It was better she was just an image on a screen. I feel mean for writing some unpleasant reactions about her.. but it could be worse, I could make fun of her. Or is that what she prefers since it is what she does to everyone else including herself.....Basically it makes you yearn for Carol Channing or Lily Tomlin who really are funny and probably can spell vagina but do not need to.