ÉVALUATION IMDb
5,6/10
6,7 k
MA NOTE
Ajouter une intrigue dans votre langueIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to... Tout lireIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.In a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.
- Prix
- 2 victoires et 1 nomination au total
David Beelen
- Folio Executive #6
- (as Nilson David)
Avis en vedette
This one kind of stumped me. I'm a fan of Emilia Clarke, I'm always down to watch any new projects of hers...and yet, something about "The Pod Generation" just seemed a little off to me. It was good enough overall, I didn't hate it. But the execution was so-so. Dialogue seemed clunkily-written and the overall pacing was too slow to fit under the traditional sci-fi genre. In fact, I'd classify this as a 'futuristic drama', more than anything. It has its quirks, but I didn't find it a romantic comedy, either. The repetitive dream sequences were thought-provoking but really went nowhere.
Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.
Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)
Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.
Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)
"The Pod Genetation" is a sci fi movie that critisizes the evolution of AI and how that can overtake even nature.
The story has a smooth start and it is obvious from the begining that something is off. The big eyes of the AI assistants, the wierd Pod company, the creepy 'psychologist', even the office environment along with the AI home assistant who was trying to be helpful but ended up dictating her owners' lives, everything lean in to a more horror genre, which the movie never lived up to. Rather, the story took a turn towards the more optimistic side, opting for a message where the human relationships and nature prevails. And, honestly, that was a nice touch.
However, the story did get stuffy towards the ending and there were some boring scenes as well. In addition, the humour was subtle and, sometimes, difficult to detect.
Finally, the performances were enjoyable.
The story has a smooth start and it is obvious from the begining that something is off. The big eyes of the AI assistants, the wierd Pod company, the creepy 'psychologist', even the office environment along with the AI home assistant who was trying to be helpful but ended up dictating her owners' lives, everything lean in to a more horror genre, which the movie never lived up to. Rather, the story took a turn towards the more optimistic side, opting for a message where the human relationships and nature prevails. And, honestly, that was a nice touch.
However, the story did get stuffy towards the ending and there were some boring scenes as well. In addition, the humour was subtle and, sometimes, difficult to detect.
Finally, the performances were enjoyable.
It's late 21st century New York City. Humanity is slowly divorcing itself from nature. Alvy Novy (Chiwetel Ejiofor) is studying the unusual field of horticulture. His wife Rachel Novy (Emilia Clarke) is more normal. She gets an opportunity to have a child through the latest version of the pod. It's an artificial form of gestating their baby.
Initially, I'm 50-50 with this premise. Sci-fi often does these big swings and they don't always make sense. I don't completely buy this world. Slowly, the movie gets a bit more quirky and ridiculous. It starts injecting a comedic tone. It's funny but not laugh out loud funny. It's a small sci-fi which is likely to be lost in the mix unless one is searching for some Ejiofor or Emilia Clarke.
Initially, I'm 50-50 with this premise. Sci-fi often does these big swings and they don't always make sense. I don't completely buy this world. Slowly, the movie gets a bit more quirky and ridiculous. It starts injecting a comedic tone. It's funny but not laugh out loud funny. It's a small sci-fi which is likely to be lost in the mix unless one is searching for some Ejiofor or Emilia Clarke.
I can't remember the last time I watched a movie with as little conflict or drama as 'The Pod Generation'. Did they just think that their concept was so original and interesting that they didn't even need to add a hook of any sort to the script? It's really bizarre to watch. There is nothing at stake in the film. Nothing to look forward to or anticipate or even think about. The film just plods along for 100 minutes of nothingness.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
"The Pod Generation" had the potential to shine as a gripping Black Mirror episode, with a compact runtime of just one hour. However, it seemed to have been needlessly stretched to 111 minutes, weakening its impact and leaving the narrative feeling rather hollow. Throughout the film, there were several scenes (dream scenes, therapy sessions, ...) that felt exuberant and ultimately failed to contribute significantly to the story, resulting in a sense of dragging and stagnation.
Even with the extended runtime, "The Pod Generation" left viewers with a lingering sense of incompleteness, as though there were unresolved threads that needed further exploration. I would have loved further world building or an extension of the conspiracies that were teased. Without any of that, the story could have been tighter, focusing on its core themes and plot points, and it would have benefitted from a more concise approach to storytelling, akin to the thought-provoking brevity that Black Mirror is known for.
Even with the extended runtime, "The Pod Generation" left viewers with a lingering sense of incompleteness, as though there were unresolved threads that needed further exploration. I would have loved further world building or an extension of the conspiracies that were teased. Without any of that, the story could have been tighter, focusing on its core themes and plot points, and it would have benefitted from a more concise approach to storytelling, akin to the thought-provoking brevity that Black Mirror is known for.
Le saviez-vous
- AnecdotesAt about the 1:25:44 mark, Rachel is walking through the baby store dream and you can clearly see the three dragon tattoo on Emilia Clarke's right wrist from her Game of Thrones role.
- GaffesArround minute 22, when Rachel is consulting the fees sheet, the 3rd and 4th lines from last, in the boy column, show $5,500 but the real number should be $550.
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Détails
Box-office
- Brut – États-Unis et Canada
- 31 569 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 949 $ US
- 13 août 2023
- Brut – à l'échelle mondiale
- 58 309 $ US
- Durée1 heure 50 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Canadian French language plot outline for La génération Pod (2023)?
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