Ajouter une intrigue dans votre langueIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to... Tout lireIn a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.In a not-so-distant future, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy's wild ride to parenthood in this brave new world.
- Prix
- 2 victoires et 1 nomination au total
David Beelen
- Folio Executive #6
- (as Nilson David)
Avis en vedette
In this world where mother nature is transplanted - transferred, replaced, displaced, where surrogates are grafted, you have a partner who's organic, whose whole life is quite botanic, but you take him to a place, where dreams are shafted. Incubation is the option you have chosen, allows you to pursue your work, without demotion, devolution is the way, an evolving science day, although at first, you may just lack, vital devotion. As for concerns, a trip to the all seeing eye - will resolve anxiety and clarify, that you must do as you are told, you must remain part of the fold, this is the way the human race will multiply.
Not as good as it could have been.
Not as good as it could have been.
This concept was really interesting...for the first 15 minutes. Sadly, they decided to go the super safe, PC route and have a social commentary on things like how a man carries the baby pod. The dialogue is akin to a bad podcast that questions the validity of child rearing vs pod rearing.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.
The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.
The Pod Generation isn't perfect and the responses have been pretty mediocre and low from the general public and critics but personally, I thought it was decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
Start's off strong and intriguing with dark undertones..... around halfway through the film however, it just suddenly turns silly. The behaviour of the two leads becomes juvenile and slapstick and it goes from alluding to being more of a thriller into a light hearted comedy. It also slows pace massively and the second half is just padded out with nothing really interesting happening and just more of a romance story.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.
I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.
This one kind of stumped me. I'm a fan of Emilia Clarke, I'm always down to watch any new projects of hers...and yet, something about "The Pod Generation" just seemed a little off to me. It was good enough overall, I didn't hate it. But the execution was so-so. Dialogue seemed clunkily-written and the overall pacing was too slow to fit under the traditional sci-fi genre. In fact, I'd classify this as a 'futuristic drama', more than anything. It has its quirks, but I didn't find it a romantic comedy, either. The repetitive dream sequences were thought-provoking but really went nowhere.
Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.
Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)
Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.
Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)
Le saviez-vous
- AnecdotesAt about the 1:25:44 mark, Rachel is walking through the baby store dream and you can clearly see the three dragon tattoo on Emilia Clarke's right wrist from her Game of Thrones role.
- GaffesArround minute 22, when Rachel is consulting the fees sheet, the 3rd and 4th lines from last, in the boy column, show $5,500 but the real number should be $550.
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Détails
Box-office
- Brut – États-Unis et Canada
- 31 569 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 949 $ US
- 13 août 2023
- Brut – à l'échelle mondiale
- 58 309 $ US
- Durée
- 1h 50m(110 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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