Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.
- Director
- Writer
- Stars
- Prix
- 1 victoire et 6 nominations au total
Avis en vedette
Sometimes it is good to go out on a date, and watch a movie that will not change the course of the night. It is neither hilarious or boring, just an interesting story that can happen to all of us, when we try to please our partner.
The cast is good, Julia Louis-Dreyfus can be funny without forcing it, so the movie flows well. The movie is flat, but not in a bad way, it is a good entertainment and goes fast, but you probably won't cry or burst out laughing. It is just a good movie, where you probably arrive and leave in a same state of mind, in peace.
There are some clever jokes, and some reflection about our own behavior, but nothing too deep.
Enjoy, without big expectations, just a good entertainment.
The cast is good, Julia Louis-Dreyfus can be funny without forcing it, so the movie flows well. The movie is flat, but not in a bad way, it is a good entertainment and goes fast, but you probably won't cry or burst out laughing. It is just a good movie, where you probably arrive and leave in a same state of mind, in peace.
There are some clever jokes, and some reflection about our own behavior, but nothing too deep.
Enjoy, without big expectations, just a good entertainment.
You seem to so often see in reviews a statement along the lines of "don't believe the low scores" when there is a generalised trashing of a film. You watch the film based on the fairly sane sounding good reviews and find indeed it wasn't really bad at all.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
This is a simple concept but carried out very well. Don (Tobias Menzies) and Beth (Julia Louis-Dreyfus) are a long-time, loving couple. They live in Manhattan. He is a Psychiatrist with what appears to be a thriving practice. She is a published writer who also teaches writing to small groups. They have a 23-yr-old son who works at a smoke shop and wonders what better might be in store for him.
Most of the first half hour of the movie establishes the setting and interactions between the couple, her mother, the son, some patients. Beth is writing her second book, her first novel, and seems to be having difficulty getting it published. Don always reads her drafts and tells her how good they are. He encourages her. Their relationship appears ideal.
Then it happens, Beth and her sister come upon Don in a shop, as they approach hear him tell his B. I. L. That he doesn't really think Beth's book is good but he praises it for her encouragement. Beth is devastated, she leaves without Don ever knowing that she overheard. Until days later, after Beth has been acting cold towards him.
And the rest of the movie is the real story, how they sort this out, how they develop an understanding of lying vs not hurting the others' feelings. In the process Don also learns how he might become a more effective Psychiatrist.
Good, interesting relationship movie. My wife and I watched it at home on DVD from our public library.
Most of the first half hour of the movie establishes the setting and interactions between the couple, her mother, the son, some patients. Beth is writing her second book, her first novel, and seems to be having difficulty getting it published. Don always reads her drafts and tells her how good they are. He encourages her. Their relationship appears ideal.
Then it happens, Beth and her sister come upon Don in a shop, as they approach hear him tell his B. I. L. That he doesn't really think Beth's book is good but he praises it for her encouragement. Beth is devastated, she leaves without Don ever knowing that she overheard. Until days later, after Beth has been acting cold towards him.
And the rest of the movie is the real story, how they sort this out, how they develop an understanding of lying vs not hurting the others' feelings. In the process Don also learns how he might become a more effective Psychiatrist.
Good, interesting relationship movie. My wife and I watched it at home on DVD from our public library.
If you like Julia Louis-Dreyfus or Tobias Menzies, you may find this enjoyable to watch, as both do a fine job with their roles. Otherwise, this will seem like a slow way to spend a couple hours. The plot wanders around searching for a dramatic climax or a storyline that leads somewhere. However, it doesn't get anywhere in particular. It's much like a comedy routine that just wanders from one story to another. Not too surprising, as Julia Louis-Dreyfus helped make "Seinfeld" the somewhat chaotic program it was. Funny, often, but as a movie, it leaves me wanting a more structured story.
A better title would have helped too. Something more like, "How we offend people when trying to be supportive" would have been illustrative, albeit not as pithy. The one theme that did seem to be reinforced was scenery of New York, especially as experienced by privileged people. That was interesting for about 30 minutes, but then the movie needed to deliver more message, if it had hopes of being satisfying. I rate it a 5 for the fine acting of the leading characters, but no higher for lacking a better script and story development. The result looked like it needed refining to clearly communicate a message.
A better title would have helped too. Something more like, "How we offend people when trying to be supportive" would have been illustrative, albeit not as pithy. The one theme that did seem to be reinforced was scenery of New York, especially as experienced by privileged people. That was interesting for about 30 minutes, but then the movie needed to deliver more message, if it had hopes of being satisfying. I rate it a 5 for the fine acting of the leading characters, but no higher for lacking a better script and story development. The result looked like it needed refining to clearly communicate a message.
It was hard to figure out what exactly the takeaways were from this casually paced 2023 comedy, but director/screenwriter Nicole Holofcener appears to prefer it that way because she has a uniquely ramshackle way of depicting the messiness of life through her comically flawed characters. The meandering plot focuses on a tightly knit group of upscale Manhattan narcissists basking in a culture of positivity only to fall apart when each is confronted with honesty. That's what happened to the central couple when Beth, a marginally successful novelist, finds out her failing therapist husband Don hates her latest book draft but doesn't have the temerity to tell her. Julia Louis-Dreyfus starred in Holofcener's superior "Enough Said" and plays the novelist here with her trademark wit intact. The rest of the expert cast perform in a typical Woody Allen-like deadpan manner including Jeannie Berlin as Beth's irascible mother and Michaela Watkins (she reminds me of Kathryn Hahn) as Beth's acerbically evasive decorator sister.
Le saviez-vous
- AnecdotesAmber Tamblyn and David Cross are married in real life; this is the first film in which they both appear.
- GaffesIn the first scene when Julia Dryfus visits her son in a weed shop he takes a donut and seconds later his donut has a good chunk bitten out of it, but 11 seconds later it's whole again.
- Bandes originalesTattoo
Performed & Written by Henry Hall
Courtesy of Henry Hall Music
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Détails
Box-office
- Brut – États-Unis et Canada
- 4 830 788 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 396 448 $ US
- 28 mai 2023
- Brut – à l'échelle mondiale
- 5 742 597 $ US
- Durée
- 1h 33m(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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