Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.Le mariage de longue date d'une romancière est soudainement bouleversé lorsqu'elle surprend son mari en train de donner sa réaction sincère à son dernier livre.
- Director
- Writer
- Stars
- Prix
- 1 victoire et 6 nominations au total
Avis en vedette
Well, I sat down for this one trusting A24, and it delivered more than what I asked for. It's a pretty simple drama alright, with conflicts not carrying the greatest of stakes. There's a sense of softness to the leads here, and they are, by nature, "good people". While it wouldn't have worked if that aspect was shoved down our throats, but the writing is careful when it comes to its subtleties. The lead performances are also great; the relationship equations between Beth and Don, Beth and Sarah, Mark and Sarah, the daughters' relationship with their mother, the couple's relationship with their young son - each of these were adequately portrayed. I loved the few scenes featuring the feisty, opinionated, and encouraging mother (Jeannie Berlin).
The other beautiful scene is the one where the couple resolve their key issue, and the dialogues are especially well-written in this portion. It's a realization that shared journeys (of life) mean a lot more than individual journeys. It's natural for spouses to think that they're unconditionally supporting each other in their efforts, but sometimes, it's difficult to convey your opinion without even hurting them in the slightest. All that said, there were a few elements that didn't exactly work, such as the badly sketched robbery scene and the one where Don randomly suggests a solution to a patient's family issue. But that shouldn't stop you from checking the film out. It has Julia LD reuniting with writer-director Nicole Holofcener after Enough Said, in a very candid role.
The other beautiful scene is the one where the couple resolve their key issue, and the dialogues are especially well-written in this portion. It's a realization that shared journeys (of life) mean a lot more than individual journeys. It's natural for spouses to think that they're unconditionally supporting each other in their efforts, but sometimes, it's difficult to convey your opinion without even hurting them in the slightest. All that said, there were a few elements that didn't exactly work, such as the badly sketched robbery scene and the one where Don randomly suggests a solution to a patient's family issue. But that shouldn't stop you from checking the film out. It has Julia LD reuniting with writer-director Nicole Holofcener after Enough Said, in a very candid role.
This is indeed a movie about feelings - the small stuff that feels huge, the little insecurities that loom large, the daily omissions that's pile up into dishonesty. And the thing is: every moment feels real enough to be recognizable and hilarious (and uncomfortable) all at once. And that's not just because I'm a middle aged guy who wants to be a writer and is scared to death his story/stories suck. This film felt relatable less because the circumstances mirrored my own and more because I'm a self conscious human. And my guess is we all are. This may not be a laugh at loud comedy, but it is about as relatable add it gets.
You seem to so often see in reviews a statement along the lines of "don't believe the low scores" when there is a generalised trashing of a film. You watch the film based on the fairly sane sounding good reviews and find indeed it wasn't really bad at all.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
Everyone's taste is their own and I wouldn't want to watch films like this everyday but it's a delightful, slow-paced, droll, witty and warm delight.
There's no killer plot but it's not saccharin either. The characters are warm and quirky, the humour wry and knowing. People had fun, me included, no-one was hurt.
Really good effort, like a good evening with friends.
Recommended.
It was hard to figure out what exactly the takeaways were from this casually paced 2023 comedy, but director/screenwriter Nicole Holofcener appears to prefer it that way because she has a uniquely ramshackle way of depicting the messiness of life through her comically flawed characters. The meandering plot focuses on a tightly knit group of upscale Manhattan narcissists basking in a culture of positivity only to fall apart when each is confronted with honesty. That's what happened to the central couple when Beth, a marginally successful novelist, finds out her failing therapist husband Don hates her latest book draft but doesn't have the temerity to tell her. Julia Louis-Dreyfus starred in Holofcener's superior "Enough Said" and plays the novelist here with her trademark wit intact. The rest of the expert cast perform in a typical Woody Allen-like deadpan manner including Jeannie Berlin as Beth's irascible mother and Michaela Watkins (she reminds me of Kathryn Hahn) as Beth's acerbically evasive decorator sister.
This is a simple concept but carried out very well. Don (Tobias Menzies) and Beth (Julia Louis-Dreyfus) are a long-time, loving couple. They live in Manhattan. He is a Psychiatrist with what appears to be a thriving practice. She is a published writer who also teaches writing to small groups. They have a 23-yr-old son who works at a smoke shop and wonders what better might be in store for him.
Most of the first half hour of the movie establishes the setting and interactions between the couple, her mother, the son, some patients. Beth is writing her second book, her first novel, and seems to be having difficulty getting it published. Don always reads her drafts and tells her how good they are. He encourages her. Their relationship appears ideal.
Then it happens, Beth and her sister come upon Don in a shop, as they approach hear him tell his B. I. L. That he doesn't really think Beth's book is good but he praises it for her encouragement. Beth is devastated, she leaves without Don ever knowing that she overheard. Until days later, after Beth has been acting cold towards him.
And the rest of the movie is the real story, how they sort this out, how they develop an understanding of lying vs not hurting the others' feelings. In the process Don also learns how he might become a more effective Psychiatrist.
Good, interesting relationship movie. My wife and I watched it at home on DVD from our public library.
Most of the first half hour of the movie establishes the setting and interactions between the couple, her mother, the son, some patients. Beth is writing her second book, her first novel, and seems to be having difficulty getting it published. Don always reads her drafts and tells her how good they are. He encourages her. Their relationship appears ideal.
Then it happens, Beth and her sister come upon Don in a shop, as they approach hear him tell his B. I. L. That he doesn't really think Beth's book is good but he praises it for her encouragement. Beth is devastated, she leaves without Don ever knowing that she overheard. Until days later, after Beth has been acting cold towards him.
And the rest of the movie is the real story, how they sort this out, how they develop an understanding of lying vs not hurting the others' feelings. In the process Don also learns how he might become a more effective Psychiatrist.
Good, interesting relationship movie. My wife and I watched it at home on DVD from our public library.
Le saviez-vous
- AnecdotesIn a 2023 interview with Filmmaker magazine, Nicole Holofcener spoke about the personal thoughts and feelings that inspired the film: "A lifetime of wondering if people are lying to me inspired the idea. And when they don't lie, can I cope with that? I guess my experience of being vulnerable to other people's opinions about me and my work, and the fact that my work is so autobiographical. My movies feel like they're me. I really feel like they are so close to my personality and values and the things I think and worry about. And the characters-at least one usually-are so clearly based on me. And if they don't get it, can they get me? Can I also live with the possibility that they don't get it, or like it, and still love me? But yeah, sometimes I can cope with it well, and sometimes I can't. I still want approval, of course. Don't we all?"
- GaffesIn the first scene when Julia Dryfus visits her son in a weed shop he takes a donut and seconds later his donut has a good chunk bitten out of it, but 11 seconds later it's whole again.
- Bandes originalesTattoo
Performed & Written by Henry Hall
Courtesy of Henry Hall Music
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Détails
Box-office
- Brut – États-Unis et Canada
- 4 830 788 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 396 448 $ US
- 28 mai 2023
- Brut – à l'échelle mondiale
- 5 742 597 $ US
- Durée
- 1h 33m(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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