Le serrurier

The Locksmith is directed by first time director Nicholas Harvard and stars Ryan Phillipe, Kate Bosworth and Ving Rhames.

The story follows Miller a safecracker where in a job gone bad his partner and friend, Kevin Reyes gets murdered by a dirty cop and he is forced to take the fall. 10 years later he gets out and his friend Frank (Ving Rhames) urges him to make things up to his ex finance (Kate Bosworth) and his young daughter. Unfortunately things get more complicated for Miller when April Reyes shows up asking for his help. Feeling like he owes her for what he let happen to her brother he soon finds himself back in the world he thought he left behind. To make matters worse the dirty cop who got him sent to prison in the first place is still out there looking to make Miller's life a living hell.

Let's start with the good. For a first time feature by Nicholas Harvard this is pretty competently directed and actually looks like a real movie which isn't something I can't say about other DTV movies. The core cast here consisting of Ryan Phillipe, Kate Bosworth and Ving Rhames all do a good job and are beleievable in their roles. Unfortunately what holds this movie back is the script and generic story. A case of "too many cooks in the kitchen" working together to create a project somehow simultaneously convoluted and playing things a little too safe to really amount to much. Maybe not as totally devoid of charm as you'd expect, but still really only ever vaguely competent at best and mediocre at worst.

In the end The Locksmith is just bland all around despite committed lead performances from both Ryan Phillipe and Kate Bosworth.

Yes, but its the kind of thriller that the primetime tv channels hallmark and lifetime wants to do but doesnt dare to do in danger of loosing faithful viewers, due to the fact that there are gunslinging and devilish decieft and blood connected to them, and that scares at least half of the subscribers over to a cleaner network...

what im trying to say is that this crimeprime of a lifetime was just like a flat tv production, well known acting names and a decent done cameraskills, it gives nothing more than a meehh and a moehh storywise and with a lack of a DA that knows the law breaking code, everything stays just as they were after shooting 3 cops and a half.

So what i mean to say is , its not the acts ... and well there are loads of plotholes in the story that a sherlock nose would hate, so therefore do not put expectations too high, cause youll be hunting low too like the grumpy old man.just a small wink for this one.

I almost have to attribute many low scores on good little movies these days on the fact that the vast majority of people are just not properly educated about what makes a quality production. Before cell phones and internet, people watched a LOT more movies. Thusly, their attention spans were forced to actually stay and think about what they were watching, or had just watched after it was over. Because of the vast amount of constant entertainment choices at everyone's finger tips these days, people are constantly trying to find something better the minute something ends. I believe it's a very solid 6.5 movie. Everyone did an excellent job all-around here. It also has a very intelligently written script. Gutzy, tense, not overly mellow-dramatic, and never gets preachy. It definitely delivers.

What is it these days? Aren't there enough good writers in Hollywood who can write a BELIEVABLE script? I guess not, because this movie fails to impress because of a huge lack in credibility of several plot turns.

The bad: this movie wasnt original to begin with, but that shouldnt have been a problem, IF ONLY they had written a story that one could believe in and would make some sense. But they didnt.

They must take us viewers for morons. Just to name 1 example: a locksmith (Ryan Phillipe) is going to rob a pokergame for half a million dollars. Without any preparation he just barges in and then expects to walk out unharmed. And he miracuslously succeeds! Then he goes to return the money with a ski mask on. Ha ha ha, completely laughable script!!!

It's such a pity of the ridiculous script, because this movie had the potential to be at least an okay gangster movie. Now it's cringeworthy to watch at.

It starts out okay though, THAT's the problem. I got suckered in watching this movie and only realising half way through what a ridiculous story it is...

Locksmith Miller Graham is released from prison after a ten year stretch. He is taken in hand by friend and Mentor Frank, who gives him a job and an opportunity, but Miller is persuaded to do one final job.

After the first fifteen or twenty minutes, I was calling the low score and poor reviews into question, as the movie gets to the hour mark, you'll understand why, after a strong start, it nosedives.

It's definitely polished, it's a very good looking film, a great location, nice camera work, it moves by at a satisfying pace.

The initial story is really good, I liked the idea of Graham coming out with a grudge, but sadly that isn't the way if plays out, the main body of the film, the actual plot is pretty lame, there are just too many holes, too many wtaf moments, the added touches of melodrama really don't work.

The acting is good, Ryan Phillipe does a good job, as do the supporting cast, but they are up against it with the script.

If you can switch your brain off it's watchable, try and take it seriously, or apply logic, and you'll want to throw your remote control.

5/10.