Contagion

As I watch this film many months into COVID and at the end of my infectious disease/immunology unit in medical school, I'm in awe of how accurate of a portrayal this is of a pandemic. It's truly incredible how many things in this movie come to fruition nearly a decade later. It's a testament to the writer, director, and most of all the scientists who were consulted for this movie.

The film itself is fascinating and fast-moving. Bolstered by an all-star cast, the movie is brutally realistic and unflinching in its bleak view of how quickly a virus can spread throughout populations. Matt Damon anchors the cast and keeps the human drama at the forefront. All of the science used in the film is very accurate and also very easy for anyone to understand. Contagion is a tense, brilliant thriller which isn't the typical three act movie, but a more focused look at the scary potential of a global pandemic.

Stephen Soderbergh's latest direction, "Contagion" (2011), even though bringing less than expected excitement, is an absorbing movie to watch, efficient as a social and behavioural study, but no less as an accomplished collection of individual case studies, offering sufficiently thought-provoking arguments, such as the fact that--despite all the scientific advances and exhaustive efforts of the thousands of specialists--humankind still stands pretty helpless in the prevention of new viral outbreaks and their many strains occurring globally, when even seemingly well organised societies easily slip into chaos, leaving all individuals to fend for themselves in the ultimate fight for survival, all further fuelled by unstoppable leaks (however, lucrative sensationalism, as well) on an almost inevitable, mutually supportive (money and power shouldn't mix, but mostly they do) corporal and governmental cover-ups. Surely it is a disturbing reminder that even at the most difficult of times, humanity's good traits still get so easily overpowered by the seed of all evil--selfishness and greed.

Many good actors partake in the movie: Kate Winslet, Matt Damon, Jude Law, Jennifer Ehle, Marion Cotillard, Laurence Fishburne, Elliott Gould, to name a few, though one cannot expect remarkable character development when action is dispersed and story spread on so many leads. Nevertheless, Soderbergh knows how to make people count and, albeit somewhat shy about it, he's sufficiently confident in decisive difference their increasingly frequent, self-sacrificing actions could make, having faith in ultimately predominant selflessness and benevolence, kindness and compassion, whether among pre-organised, or ad hoc gathered communities, down to the last individual, rediscovering--now under extreme conditions--their altruism and, as implied in a reserved hope raised towards the end, having--this way or another--humanism in humankind still prevail.

Ian Lipkin, the university professor and epidemiologist, who serves as the director of Columbia University's Center for Infection and Immunity, agreed to assist as medical consultant in the making of "Contagion" because the film was "an effort to accurately represent the science and to make a movie that would entertain as well as educate."

A deep dive into the eventually of a pandemic. We get the story from the main point of veiw of several characters. A few of the side story's seem unnecessary but on the most part it all fits together like a jigsaw. The film is fast paced and at times can be hard to follow however it show cases its themes well and will keep you interested until the very end. The film does't really end, you just step into 2020.

Now go and wash your hands! That's what you'll be doing after you see this film. Contagion is a frightening realistic procedural thriller about the spread of an airborne pandemic virus, its impact on an ensemble cast of characters played by a veritable 'Who's Who' of Hollywood and the subsequent race to find a cure.

Like his earlier work 'Traffic', Soderbergh skilfully interweaves the various story lines into a bigger picture that breathlessly tracks and encircles the globe. The cast do not let him down. It's impossible to see a bad performance from Matt Damon and once again his role as a grieving father is sensitively and painfully played. We really feel his sense of sudden and unexpected loss as he struggles to internalise the news of his wife's death, disbelieving, dazed and confused. Marion Cotillard adds an international hue to her role as a World Health Organisation investigator whilst Jude Law plays the role of an insidious Australian blogger, who dangerously undermines the medical establishment's attempts to find a cure for his own conspiratorial and financial gains, to perfection. I could go on; Laurence Fishburne, Kate Winslet, Jennifer Ehle and John Hawkes all provide solid support in a starry cast.

What makes this film so compelling is the way Soderbergh is able to show how unhygienic human beings are and how easy it is to create a pandemic. In hundreds of different absent minded ways we touch our faces on a daily basis and in doing so, transfer and spread dangerous viruses amongst ourselves. Next time you're in the supermarket look out for the number of people who pick their noses, wipe their mouths and cough, sneeze and splutter their way past you without any attempts to cover their mouths. They're picking up (and putting back) the fruit and vegetables, handling groceries and even touching your hand when supermarket staff are giving back your card or change! Worse still, a recent survey showed that although 95% of people say they wash their hands, only 12% actually do so and consequently 1 in 6 mobile phones have faecal bacterial on them and 30% of all handbags. I could go on.

Despite a slightly preposterous storyline when Cotillard is kidnapped in Hong Kong, Soderbergh does portray the breakdown of society in an uncomfortably truthful way when people are suddenly and unexpectedly faced with their own extinction and the instincts of self preservation take over. This could have been explored a little further around the world although at all times the story is grounded in reality. Even the death toll of 27 million worldwide in four months has the ring of truth about it and this is due in no small part to the film's chief scientific adviser, Dr. W. Ian Lipkin, the John Snow Professor of Epidemiology at Columbia University. The televised national lottery in the film is something that I could see happening in the interests of fairness and impartiality when the supply of vaccines is unable to keep up with demand when life and death is only one injection away.

At the film's closing credits one thing stands out and that is the unheralded and heroic work of the thousands of doctors, microbiologists, virologists and vaccine researchers around the world who labour night and day to minimise the effects of such a pandemic occurring which might wipe out the human race. If you're a pessimist like me in this age of global warming, massive deforestation, the depletion of the earth's natural resources, the extinction of wildlife habitats, overpopulation and overcrowding, go figure...a pandemic like the one portrayed in Contagion is inevitable (and long overdue according to the scientific world). The only question that remains is how many people will it kill? Anyway, go and see the film – it's a thought provoking and scary chiller that taps into the current zeitgeist.

Not much to say that hasn't been already… the critics are right, it is an effective slick movie that may be a bit slight as far as character development but doesn't suffer too badly for it. This is a movie far more about ideas than people and that is not necessarily a bad thing.

Excellent direction from Soderbergh, masterful cinematography, and while there are a few logical mis-steps, the writing more than makes up for that by confounding expectations more than once in truly creative and credible ways.

Unfortunately trailers have many seeking an action thrill-ride, when what it delivers for the most part is a slow boiling suspenseful drama. When will Hollywood learn that setting expectations that don't match the product may sell a few extra tickets in the beginning, but hurts word of mouth and user reviews which are needed for the success of a film beyond the opening weekend.