Le Refuge

It's an interesting albeit predictable action flick that's nothing special but delivers enough to make it worthwhile. It does feature what has to be the dumbest CIA operatives/handlers ever put on film. What transpires, especially early, will make most viewers say "why in the world didn't they just…" but getting past that means enjoying a film where Denzel Washington perfectly menaces and charms his way through every scene. Put just about anyone else in this role and the film would lose a lot. Ryan Reynolds was good enough and the rest of the stellar supporting cast is absolutely wasted. Again, I found it interesting despite it being three repetitive acts of mindless turns highlighting that the government is pure evil and they apparently keeping hiring the same set of mindless goons who race around guns blazing everywhere with little effect or competence whatsoever. Also, the camera work was AWFUL in terms of the overuse of the shaky cam.

I'll be honest. When I saw the trailer, I was madly excited. It looked fantastic. But then, after a while, I remembered, that the main point of a trailer is to do just that. Hype the film, while revealing literally all the main plot scenes and parts. I didn't know if it was the case with 'Safe House', since, hey, it's Denzel Washington. That man doesn't just do any role.

I just got back from the movie theater, and am I glad that I was wrong. The movie is fantastic, electrifying. Do know that I don't just 'get off' on any action flick. In most cases, I just watch and forget. This was actually, fantastic. I don't have a single bad word to say about it, the way it was directed, acted or anything else. Everything was simply fantastic.

I realize my words sound absurd, and the score looks the same, but it really is worth it. I didn't see an action movie this well written, and this well acted in a really, really long time. Of course, by the end of the movie, any experienced watcher will figure out the ending by himself, but even though you 'get it', it's still extremely fun to sit through and see how the pieces connect.

I really hate long reviews, so I'm trying to make this one as short and sweet as possible. Lastly, have in mind that not one cast member failed his role. Ryan was fantastic, even better then I could've imagined (a nice showing of his acting skills after Green Lantern and Change-Up), and Denzel, what to say that hasn't been already said about that man's acting. Phenomenal doesn't cut it.

Go and see it. It's much better then anything else thats currently 'showing'.

It is so very difficult to find new material when you piece together a governmental conspiracy movie. Safe House is able to do it to a point. The greatest success of this movie is the usage of modern film techniques. Too often the bulging budget and ability to edit in effects makes action/thriller movies extremely unrealistic. Safe House does the opposite. It takes all of these techniques and uses them to make the movie raw and real.

The actors were hand-picked perfectly for their roles. Ryan Reynolds is the actor you have to use when you want to put a likable, relatable family man in a difficult situation. As a CIA operative caught up in something far outside his experience, he fits in perfectly. As for Denzel Washington, there is little that he can't do. For the unique character of Tobin Frost, there is no better man to fill the role. Together they form a storyline that merely needs to be able to stand on its own two feet. The storyline does stand on its own. That being said, it is the weakest part of the movie. The twists have all been seen before. This movie doesn't offer new plot points to the old conspiracy theory movie. It merely adds new characters. The new characters are great, but it is not enough. In order for the movie to be great, it needed to give something new to the story.

I must say that the end was beautiful. Without giving anything away, it was gracefully preformed. It wrapped up the loose ends that too many other movies simply leave hanging. It adds a whole other dimension to Ryan Reynolds' character. It will, without a doubt, leave you wanting more but somehow completely satisfied.

Safe House is worth a trip to the theatre. With thrillers such as this one, the action is better on the big screen. Between the action and the actors, you will not be disappointed. Next to Liam Neeson's The Grey, this is one of the best action movies so far this year. The thing is, it could have been even better. Too bad.

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SAFE HOUSE is a South Africa-filmed action flick that inevitably finds itself heavily indebted to the whole Paul Greengrass BOURNE style in the tale of a cop and a crim who have to team up when they find themselves pursued by a ruthless and murderous gang.

What we have here is an entirely familiar film that nevertheless manages to score a few points along the way, mostly in the action stakes. For SAFE HOUSE is a fast paced, action-oriented movie that features a handful of breakneck shoot-outs, and a film that's held together for the most part by another assured role for Denzel Washington.

Washington can do these kinds of roles in his sleep by now, and it's fair to say that the character of Tobin Frost is hardly a stretch. Nevertheless, he's the best thing in the film by far, delivering a kind of laconic toughness that really works in its favour. Ryan Reynolds is, inevitably, less impressive as the forgettable younger lead, but there are a handful of decent supporting parts for the likes of Liam Cunningham, Brendan Gleeson, Vera Farmiga, and Robert Patrick.

While the plot is routine to say the least, SAFE HOUSE at least looks good and the cinematography is strong. The plot has its share of twists and turns to keep viewers engaged, and I thought the violent but inevitable climax was particularly decent. Not a great film then, but a solid one nonetheless.

"Safe House" is an action packed thriller about a lone rookie CIA agent attempting to 'escort' his high profile prisoner back to CIA headquarters. If this brings to mind the classic films "The Gauntlet" (Clint Eastwood), "Midnight Run" (Di Nero) or even "Silence of the Lambs" (Anthony Hopkins), then you know what I'm talking about when I say "great story". Similarly the acting is fantastic; you can't go wrong with Denzel Washington who has a way of raising the bar for all actors on a production. My one big problem, as a couple other reviewers mentioned, was the jarring, unnecessarily shaky camera and rapid fire edits that upstage the power of this film.

Ryan Reynolds plays the rookie "Matt" who's basically just a housekeeper at a CIA safe house in Cape Town, South Africa. One day they bring in "Frost" (Denzel Washington) who is basically James Bond with a bad attitude. One thing leads to another, bodies pile up, and Matt finds himself attempting to bring in Frost all by himself, despite a few armies of thugs & spies hot on their trail.

What makes this film work, much like in "Silence of the Lambs" is the dynamic between the fresh faced rookie and the wise Mr. Miagi prisoner. As events unfold, we see a pupil/teacher relationship develop even though the teacher is supposedly the bad guy. Ryan Reynolds, just like Jodie Foster in Lambs, pulls this off perfectly by seeming young & inexperienced without seeming stupid. On the teacher side we have the excellent Denzel Washington who, just like Anthony Hopkins, conveys a magnetic aura of authority and control, even though he's the one in handcuffs (or in Lambs, a restraining hockey mask). Of course "Safe House" is more of a fast paced action flick than the slow psychological "Silence of the Lambs", and that leads me to my criticism.

This is just a personal opinion, but I feel like the hyper chaotic camera work and ADD edits killed a great opportunity for a powerful presentation. Note to directors: when you have a colossus like Denzel Washington in front of the camera, just tell your camera man to chill. Tell the gang in the editing room to put down the scissors. Just let the talent speak for itself.

Instead--I'm not exaggerating here--I started counting at least 1 cut every 2 seconds. And even when the camera was given more time, it would be constantly shaking, zooming in & out, darting about the room like a paranoid crack addict looking for a Starbucks caffè latte. I realize that this was a conscious stylistic choice, and definitely this chaotic style works to elevate bad productions to passable. But when your underlying material is GOOD, then why distract the audience with camera theatrics?

Ok I'm done with my opinion. Back to the facts. This is a good movie. It has a great story. These are great actors. Regardless of how you prefer your cameras & edits, it's worth checking out.