Yodha

Don't raise your expectations for this recent addition to the lineup of patriotic action films. While Yodha may not soar to the heights of a Shershaah, this Sidharth Malhotra starrer manages to engage and take audiences on a ride through a predictable yet gripping hijacking scenario. The film offers a decent ride for fans of the genre, with enough action and intrigue to keep audiences engaged throughout its runtime.

The first half navigates its storyline with a fair share of exciting moments and twists. While the mid-air stunts deliver the anticipated adrenaline rush, the plot struggles to maintain the same level of engagement. One of the film's strengths lies in its editing, ensuring a tight narrative that never feels stretched despite its turbulence. The background score seamlessly complements the genre, enhancing the overall viewing experience.

Sidharth Malhotra, in his uniform-clad avatar, with his striking presence delivers a commendable performance, particularly in the action sequences. Raashii Khanna and Disha Patani, add their own flavors to the mix, with Raashii initially impressive but her character was not written well, while Disha shines brighter in the latter half of the film. Sunny Hinduja also deserves a nod for his confident portrayal, though other supporting actors deliver just passably.

Direction 3/5 Acting 3/5 Action 3.5/5 Story 2.5/5 Screenplay 3/5.

Yodha a name that in itself inspires magnetism and people fill the Hall with an expectation of an action packed drama. The film stands up on this measure, it is filled with actions scenes but the makers in their over eagerness have tried to fit all the action plot points that can happen in this amalgamation. Often viewers question the logic and rationality behind the scene. Often the villains and their goons perform stupid actions only for explosive glamour. Often Siddharth Malhotra utters a dialogue which he believes will be a sensation only for it to fall flat and forgettable. Forgettable and predictable can aptly describe the plot and though there are silver linings that account for surprise, mirth and excitement , they are too far few to engross the viewer and hush conversations in the hall. Such plots without fail entice conversations on their veracity, feasibility and practicality.

Okay so i am not a critic or anyone to judge but the movie just lacks to show any relation, As it can be like the father son that father gas created the task force which is yodha and son is working but it doesn't connect to us;and from mother son no relation is connected;same goes with the husband wife.

From my pov it can be shown that father is not dead but son does a mistake and yodha the task force is dismissed and now his father as well as others will be disappointed with him and now he have to save it and in the climax which is shown un the movie the last scene where hero comes alive should be a different climax where hero should be dead and now just imagine what will it be like.. Please it's just my pov as we have this type of cinema and we want to see something different,, so if i have hurted anyone's sentiments then I'm sorry 😐😐

Wow, did "Yodha" ever deliver! Directed by the dynamic duo of Pushkar Ojha and Sagar Ambre, this movie throws Sidharth Malhotra into a whirlwind of action sequences that are both exhilarating and surprisingly fresh for Indian cinema. The narrative might utilize some familiar genre tropes, but "Yodha" injects a whole new energy level that keeps you riveted to the screen from the opening scene.

The film thrives on a breakneck pace. Each scene throws you right into the heart of the action, eschewing lulls and propelling you forward. The directors are masters at building suspense, with each plot twist ratcheting up the tension. Even when things veer towards predictability, "Yodha" manages to surprise and keep you on the edge of your seat.

The undeniable chemistry between Malhotra and Rashi Khanna adds another layer of depth to the story. You can't help but become invested in their journey, rooting for them as they confront danger together. Their camaraderie and connection become an anchor amidst the high-octane action.

The movie's one minor stumble lies with the supporting cast. The Yodha task force, with its intriguing name, promises a compelling team dynamic. However, the film doesn't provide enough opportunities to delve into their backstories or motivations. Exploring their backgrounds could have added another layer of intrigue, but perhaps the relentless pacing simply didn't allow for it.

Despite this minor drawback, "Yodha" is a thrilling rollercoaster ride from beginning to end. The plot is tightly constructed, with the action sequences serving not just as spectacle but also as plot drivers. The over-the-top climax leaves a lasting impression, solidifying the film's place as a must-watch for pure adrenaline junkies.

After a compelling film like "Shaitaan" last week, "Yodha" marks another strong start to the cinematic calendar, promising audiences an adrenaline-fueled ride they won't soon forget.

Every country has its special forces, and I'm sure every nation on Earth likes to think that theirs are a bit more special than most. Yodha seems to be the Indian version of the SAS (whether they really are, or were made up for the film, I don't know).

Just about every film about special services centres round an inividual who's jolly good at killing bad guys, but whose disregard of protocol annoys his superiors. Then an operation goes wrong (not our hero's fault, but he's conveniently placed to take the blame). He's suspended.

Then the film moves to the main event. Our hero is drawn into something really big. Not only that, he's set up to make it look as though he's gone rogue, so that even his former comrades are out to get him. Yada, yada yada, shoot-out, big explosion, guess who saves the day and is reinstated?

It's a tried and trusted formula, which needs a certain amount of style to lift it out of the very ordinary. James Bond has this style; John Wick has this style; Arnie had it in his earlier films. Yodha doesn't.

The fight scenes are well-choreographed, but the pulse doesn't race. The twists aren't too difficult to see coming; the hero's relationship problems are a yawn.

This isn't a bad film, but it's formulaic, predictable and - for all its action sequences - pedestrian. Oh, and the villain's disappointingly short on charisma.

This is also the first film I've seen that had an actual interval in the cinema since Chitty Chitty Bang Bang.