Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utili... Tout lireUn magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.
- Prix
- 6 victoires et 31 nominations au total
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Avis en vedette
Oz the Great and Powerful tells the story of how the great wizard Oz from the Wizard of Oz came to be. It follows the young Oz (James Franco) as he is swept away to an enchanted land ending up in the middle of a power struggle between three witches. The young Oz is a trickster who deceives those he wants and/or needs for his own ends. This attitude has consequences and those consequences are what drives the story forward.
James Franco plays the young Oz brilliantly. The character is a shallow small time magician and the story shows how he comes full circle to be the Great and Powerful Oz from the Wizard of Oz. Unfortunately, his change happens after taking a grievous toll. The three witches who Oz comes to affect are Theodora (Mila Kunis), Rachel Weisz (Evanora), and Glinda (Michelle Williams). The three play their parts and give great performances to add to their resumes.
For those who watched and loved the Wizard of Oz in their childhood, this movie is the perfect prequel. Watching it as an adult was a treat. The writers did well to adapt the script to make it a worthy prequel. In addition, the movie does well to entertain both children and adults. It slots in perfectly as the precursor to the Wizard of Oz.
The film didn't have the best reception but I encourage you to ignore this. The directing is probably the weakest link in this movie, but the story and actors more than makeup for this. The character development is amazing and shows exactly why things were they way they are in the Wizard of Oz. Simply stated Oz the Great and Powerful is truly a prefect prequel.
James Franco plays the young Oz brilliantly. The character is a shallow small time magician and the story shows how he comes full circle to be the Great and Powerful Oz from the Wizard of Oz. Unfortunately, his change happens after taking a grievous toll. The three witches who Oz comes to affect are Theodora (Mila Kunis), Rachel Weisz (Evanora), and Glinda (Michelle Williams). The three play their parts and give great performances to add to their resumes.
For those who watched and loved the Wizard of Oz in their childhood, this movie is the perfect prequel. Watching it as an adult was a treat. The writers did well to adapt the script to make it a worthy prequel. In addition, the movie does well to entertain both children and adults. It slots in perfectly as the precursor to the Wizard of Oz.
The film didn't have the best reception but I encourage you to ignore this. The directing is probably the weakest link in this movie, but the story and actors more than makeup for this. The character development is amazing and shows exactly why things were they way they are in the Wizard of Oz. Simply stated Oz the Great and Powerful is truly a prefect prequel.
Oz the Great and Powerful is, although admittedly very imperfect, a grand, colourful and often immersive adventure.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
Oz the Great and Powerful .. or maybe not so great, but still highly watchable.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
if You didn't Know that this Movie was Directed by Sam Raimi, You wouldn't Know that it was Directed by Sam Raimi. All of the Style is in the CGI. It has a Certain Eye Candy Appeal that also Lacks Warmth, Depth, and Anything Resembling a Soul.
But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.
James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.
The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).
Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.
But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.
James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.
The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).
Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.
Well, let's start with...
The Good:
The visual effects are 2nd to none. Raimi and his team have given their audience a bright and colorful world of wonder in a much more 'wowing' Land of Oz than that of the original film, and possibly even one that's more visually attractive than any other film to date. A very fun and crafty Rachel Weisz takes the role of Evanora and grips the audience with charm and viciousness in all the right doses. The supporting cast also performs pretty well, sometimes capturing that original 'Wizard of Oz' magic.
The Bad:
Going into this film with high expectations for the dialogue, & acting is going to leave you very disappointed. Two of the most featured roles of the film, Oz (played by James Franco) & Theodora, (played by Mila Kunis) are surprisingly and inexcusably portrayed very poorly. Franco's Oz is written to be about how you would expect him to be - complete with charm, wit, & deceit. However, the depth that you would expect to come with such an anticipated resurgence of a character is missing, & you can tell that Franco is having trouble buying into the role himself. The character quickly becomes stale at about 45 minutes in, and doesn't ever fully recover. Kunis feels the same - bored & devoid of passion for the lackluster lines given to her. Her character also has an issue with development, and is rushed from high to low so quickly that the audience doesn't have the opportunity to invest in her. The performances aren't the worst thing you'll ever see, but the lifeless script & awkward dialogue make it hard to stay focused. Even with a great script though, I feel as though Franco & Kunis weren't the best choices for their respective roles.
The Ugly:
The worst part of this movie is the story. It leaves you waiting for some kind of clever & unexpected plot twist, a little divulgence of the characters motivations, or even just some depth for the main focal points of the story. It's also somewhat obnoxious that this film takes elements of the original film that should have been left alone because the original film portrays Dorothy's entire journey as a dream in the end. (Such as transferring characters of "the real world" into characters of The Land of Oz) Without saying too much, I can tell you that this film is stuck somewhere between being a fun and family friendly revitalization of the original story and being a serious and intriguing fantasy film for a wide movie-going audience - and the formula just doesn't work.
Having said all of that, I do not regret having gone to see Oz: The Great and Powerful, as the visuals do a great job of making up for everything that didn't work. I will warn you though, that the films run time of just over two hours can be difficult to sit through at times. Don't be afraid to take a bathroom break when it gets dry, you probably won't miss too much.
The Good:
The visual effects are 2nd to none. Raimi and his team have given their audience a bright and colorful world of wonder in a much more 'wowing' Land of Oz than that of the original film, and possibly even one that's more visually attractive than any other film to date. A very fun and crafty Rachel Weisz takes the role of Evanora and grips the audience with charm and viciousness in all the right doses. The supporting cast also performs pretty well, sometimes capturing that original 'Wizard of Oz' magic.
The Bad:
Going into this film with high expectations for the dialogue, & acting is going to leave you very disappointed. Two of the most featured roles of the film, Oz (played by James Franco) & Theodora, (played by Mila Kunis) are surprisingly and inexcusably portrayed very poorly. Franco's Oz is written to be about how you would expect him to be - complete with charm, wit, & deceit. However, the depth that you would expect to come with such an anticipated resurgence of a character is missing, & you can tell that Franco is having trouble buying into the role himself. The character quickly becomes stale at about 45 minutes in, and doesn't ever fully recover. Kunis feels the same - bored & devoid of passion for the lackluster lines given to her. Her character also has an issue with development, and is rushed from high to low so quickly that the audience doesn't have the opportunity to invest in her. The performances aren't the worst thing you'll ever see, but the lifeless script & awkward dialogue make it hard to stay focused. Even with a great script though, I feel as though Franco & Kunis weren't the best choices for their respective roles.
The Ugly:
The worst part of this movie is the story. It leaves you waiting for some kind of clever & unexpected plot twist, a little divulgence of the characters motivations, or even just some depth for the main focal points of the story. It's also somewhat obnoxious that this film takes elements of the original film that should have been left alone because the original film portrays Dorothy's entire journey as a dream in the end. (Such as transferring characters of "the real world" into characters of The Land of Oz) Without saying too much, I can tell you that this film is stuck somewhere between being a fun and family friendly revitalization of the original story and being a serious and intriguing fantasy film for a wide movie-going audience - and the formula just doesn't work.
Having said all of that, I do not regret having gone to see Oz: The Great and Powerful, as the visuals do a great job of making up for everything that didn't work. I will warn you though, that the films run time of just over two hours can be difficult to sit through at times. Don't be afraid to take a bathroom break when it gets dry, you probably won't miss too much.
Le saviez-vous
- AnecdotesThe Tin Man is the only one of Dorothy's three companions in Le magicien d'Oz (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- GaffesWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Générique farfeluThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Autres versionsThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- ConnexionsFeatured in Fantástico: Episode dated 17 February 2013 (2013)
- Bandes originalesAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen, Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oz the Great and Powerful
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 215 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 234 911 825 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 79 110 453 $ US
- 10 mars 2013
- Brut – à l'échelle mondiale
- 493 311 825 $ US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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