Little Birds

Most movies usually aren't realistic. They might be to a point but lots have a happy ending and everything is okay. Little Birds is not like this at all. It doesn't have the happy bright movie feeling. Little birds is realistic and every single event in it could easily happen. This movie also teaches a great lesson and has its shocking surprises. We learn in this movie sometimes trying new things is good, but going too far can end with terrible results. Little Birds isn't just an independent movie, it's the hard cold truth to life and proves bad things do actually happen. Always trying to impress people isn't going to get you anywhere in life except possibly leading up to terrible consequences.

Little Birds (2011)

A harrowing movie, a slice of very believable and scary life for two fifteen year olds looking to escape their awkward or dysfunctional families. What they get into, moving from the Salton Sea to L.A. in a stolen truck, is a nightmare for any parent. Yet for the girls there is a mixture of adventure and discomfort.

All of this depends a lot on a great ensemble cast, which is pretty much here. The two girls are terrific--I had just seen Juno Temple in another excellent indie and sought this out. The boys they run into and hook up with are a little wild at first (and then more wild later) and weave into the story with surprising ease.

This is a low budget movie but it makes the most of a series of scenes inside and out that keep it from feeling constrained. The Salton Sea parts are both beautiful an so impoverished they are sad. When the edge of L.A. comes in it's rougher and yet filled with energy. The girls are divided on how the city works on them. Temple's character is exudes confidence, and sometimes has it, too, and so she gets in deeper. The other girl, played by Kay Panabaker, is more morally solid and yet more scared, and she plays a perfect counterbalance to her friend.

Writer and director Elgin James is just starting out here (that's part of what Indie films are all about) and the movie might not soar or show particular originality, but it does hold up pretty well in normal dramatic terms. The sets are very real--gritty and rough, for sure--and the acting matches. It's quite well shot, too, if nothing special is going on--give the editors some of the credit for keeping it fluid.

You wonder by the end what the larger point might be, beyond a very distracting entertainment. There might be a little (a little) sense of "there's no place like home" at work. And there's a kind of buddy movie at work--the two girls being the pals on the road. Mostly it's about how tough some teens have it, and how they want to find ways to survive that surprise their parents (usually singular, parent). It's also a tale of how kids want a lot from everyone and everything--life seems so fertile and large--and how they know so little about how to get it.

So, with vulnerability on their sleeves, these girls are a little bit of all of us. No, we aren't all so fully stupid or careless, but maybe in small ways we are all the same.

The good thing about this movie is Juno Temple. She is just incredible in her role. That being said her character is the bad thing about this movie. Your lead character should have something that despite his bad choices and behaviour makes him relateable and likeable. That is not the case here. She is angry at everything and the whole movie she either yelling at her supposedly best friend or insulting her or lauging when other people insult her. If they had a established why she feels so empty early in the movie we could be more on her site. Too bad.

Lily Hobart (Juno Temple) is a restless damaged teen desperate to leave her Salton Sea trailer park. Alison Hoffman (Kay Panabaker) is her more reserved best friend. They run away to LA and follow Jesse (Kyle Gallner) and his boys. They get further and further into trouble as their friendship is put to the test.

This is written/directed by first time Elgin James. It's a very solid debut. Juno Temple has carved out a nice niche in the damaged teenager roles. She is probably one of the best at that role right now. Kay Panabaker is one of the smarter actresses, and she fits this role. She's great at the friend role, and she's great as the wet blanket in LA. Leslie Mann has a great maternal feel. Kyle Gallner is the perfect companion to Juno Temple. Overall, the acting fits perfectly in a fairly lightly written movie. It's a well worn genre. It's not new, but it's well done.

First time director Elgin James infuses an admirable look to his debut project, Little Birds, by giving the screen a hazy, cloudy look which at times dims or flushes out the color of the picture, providing one with the idea that they are seeing a film that is far, far away from the mainstream breed. I imagine those poor lonely misfits that will be able to identify with Little Birds and connect with it on a much more personal level than I did will feel treated with wonderful cinematography in a film that so perfectly "describes them." All I can hope for is that the same lonely, ostracized misfits discover a film like Larry Clark's Kids or even his other film Bully and then truly get a deep understanding at how unexplainable and cruel adolescents can be to themselves and to others. Those two films offer more insights and reality and truly play more like horror films than a potboiler drama. To be fair, Little Birds achieves at what it sets out to be and for that one must admire it, but in the grand sea of films focusing on young teens rebelling against societal conventions, its, how hipsters say, somewhat uncool? Our story concerns Lily (Juno Temple), a rebellious adolescent who just can't seem to stay in line, living in a trailer park with her tramp of a mother (Leslie Mann) and only able to connect with her longtime friend Alison (Kay Panabaker). Her town is on the coast of the undesirable Salton Sea, which is literally, rapidly decaying because of pollution and other chemicals on the sand. One day, Lily and Alison meets some Los Angeles teens, one of them named Jesse (Kyle Gallner), who takes a liking to Lily. Alison is impassive with these teens, who prove to be nothing but hoodlums and degenerates. The only reason they ventured out to spend the day in Salton Sea was so that they could skate in empty pools.

Later on, Lily pesters Alison to steal her step-dad's pickup truck and head out to Los Angeles to meet the boys and have another day of fun. Reluctantly adhering to Lily's demand, the two girls spend the day getting into trouble, shoplifting, and going down the path of sheer ugliness before they get the brilliant idea to provoke sex-crazed strangers over the internet, which leads to rather frightening results. Yet during these scenes, which are equal parts tense and predictable, I was reminded at how captivated and cold I was during the key murder scene in Clark's Bully, which was so tense that it was hard to swallow. The idea of young teenagers being forced to commit senseless acts that offer no explanation solely because they're in the company of others who enjoy causing such acts made the experience all the more tense because of the fact that it shows how frighteningly far the boundaries of peer pressure can be pushed.

Little Birds, sadly, doesn't offer that same level of depth and substance that one should anticipate walking in. The performers are all capable, as my eyes never left the charismatic Juno Temple, and was delighted to see Kay Panabaker assume a challenging role in a confident fashion. Also good here in an unfortunately toned-down role is Kyle Gallner, who was fun to watch in Kevin Smith's Red State and poignant in the brief scenes in Shawn Ku's Beautiful Boy. And it's fair to say that Elgin James' direction always feel attentive on characters and mood and never feels sterile or anemic.

Little Birds is a solid and stable genre-exercise but nothing more. It undermines its true potential, and too often allows its characters to stew in just average material. I would've liked to see more scenes involving the teens attempting to make conversation with their parents and vice-versa. Shouting matches can get tedious, especially when you've seen a handful of films centered on rebellion.

It's also interesting to note that this makes young Juno Temple three for three in the game of "how many poor, listless trailer park characters can I play in films?" with the two home-runs Dirty Girl and Killer Joe already under her belt. I love Temple as an actress and feel she has attitude and charm that could stretch a mile wide, but perhaps in order to test her abilities more she should move up the social class food chain to either comfortably poor or low middle class. Even the most skilled and reliable typecast actors need a breath of fresh air.

Starring: Juno Temple, Kay Panabaker, Kyle Gallner, and Leslie Man. Directed by: Elgin James.