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Intruders is a horror tale of possession in which two children in two different countries are visited by the Hollow Face man who spreads fear across the globe . There's a spooky faceless monster that has been haunting the daughter of John Farrow (Clive Owen). This figure wants to steal her face as she feels he has no identity of his own . John's tried helping his daughter remedy the situation, but each night she still gets a visit from this unwelcomed friend. Things get even spookier once John sees this faceless creature. He's not sure if he's going completely crazy or not, so he installs a security camera . Though no one can see him , Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow's beloved 13-year-old daughter Mia (Ella Purnell) is assaulted in their home . The line between the real and the imaginary blurs as fissures start to open within the family unit . It seems that no security measure can keep Hollow Face out . Furthermore we're initially introduced to Juan (Izán Corchero) a young Spanish boy who, on one rainy night, is attacked by a strange spectre , known as Hollow face , being helped by his mother (Pilar Gomez Ayala) .

The picture displays mystery, suspense, shocks, grisly terror and eerie scenes when the horrific creature appears . From start to finish the terror and spooky scenes are continuous until a striking ending . The film contains horrifying and hair rising images and a sinister, mysterious atmosphere . It has a couple of twists piled on top of one central twist concerning two children in different countries who are visited nightly by a faceless being and menaced by what seems to be a supernatural presence . Good performance by Clive Owen who stars as John Farrow, a father trying to protect his 13-year-old daughter from the evil entity known as Hollow Face . The acting from Clive Owen , Carice van Houten as his wife , Daniel Bruhl as a priest , Kerry Fox as a Doctor , Hector Alterio as an old priest is much better than the script . Nicolás Casariego and Jaime Marques' screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point. Both of whom manage to create some interest with their dual storytelling style . However , the picture is hampered by a partially fleshed out story that is mostly lacking in horror. Director Fresnadillo throws all of that away in exchange for a terror film without scares, originality or a pulse . Colorful cinematography plenty of lights and shades by excellent cameraman Enrique Chediak . Creepy and thrilling music adjusted to the horror film by Roque Baños .

Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's dual structure. The film will appeal to terror buffs but gets some decent scares with the apparition of the frightening faceless being who wants to take possession of the children.

This film seems to have a very low key marketing and I haven't even seen many critics reviews for it despite it already opening.

I found this to be a pretty decent supernatural bogeyman type thriller with some intriguing psychological twists and turns. The scares are sparsely spread but are effective when they do come. The storyline is quite compelling and is told in two completely separate strands whose only apparent connection is the bogeyman. It had me very engaged and a very creepy atmosphere is maintained.

The performance from all the actors including the children were good, nothing outstanding, just played to realistic levels. There isn't a lot of emotional weight to the characters but I cared about the child protagonists, who are victimised by the "Freddie Nightmare" style dream monster.

The last act is a good one but unfortunately, it was sloppily executed. The finale should have been more dynamic with a bigger impact on its revelations. Given the storyline, its a missed opportunity for the director. Also, there is a big chance you might see some twists coming due to the film's narrative giving too many clues, again a bit sloppy. I did see the revelations coming to an extent but there was still a twist that I didn't expect. I do like the story, its a satisfying one but the execution could have been much better which is a pity. Still the journey was an intriguing one, at times scary and definitely worth a watch.

People are too uneducated these days about scary movies, they think they should all be 'horror' movies. You'll see this 'disappointment' in a lot of reviews for this movie: Oh it was the worst horror movie ever, not scary enough, blah blah. But see,.. it's a Psycho Thriller.

It's about the mind. Not blood and gore, not melting flesh. It's about how horror comes to life around us - when it is real, when it is imagined, and when it's real because it has been imagined.

Good movie. Enjoy.

This sentence is here just because IMDb thinks reviews have to be longer than they need to be, and most reviewers agree, so they spend a lot of time telling you the same thing you just read in the movie description and how pleased they were to catch it at some film festival.

Two children, one in Spain, the other in England, are experiencing terrifying visits by the same demon who wants to possess them. The only viable link is that both children are writing a story...

A joint Spanish/English language production, Intruders is the sort of frustrating picture that has big and bold ideas on the page, but sadly on the screen in unfolds laboriously as it bites off more than it can chew. It came as no surprise to myself to find that upon opening internet sites frequented by horror fans, Intruders has greatly disappointed them. It's rarely frightening, sags desperately in the middle section, the pay off is weak, and ultimately it only skirts the boundaries of being a "horror" film.

So, the lack of shocks and suspense in bona fide horror terms needs to be tempered with genre expectation levels, this is more a family drama with fantastical horror elements lurking around the edges of the frame. This of course doesn't help anyone, like myself, who has bought into plot synopsis and the marketing strategy that accompanied the picture, but if able to see past the faceless demon that appears occasionally and promises something else? There's a decent and honest adult film pulsing away here.

Clive Owen plays the troubled father of the piece and he once again, as he did in Trust, shows that given this type of material he can deliver a performance of emotional substance. He's backed up by a very strong turn from young Ella Purnell as his daughter, and with the tech credits high - most notably Roque Baños' superb musical score - there is much to enjoy here. But as thoughtful as it is, and as solid as the film makers credentials are, its reputation is unlikely to be enhanced anytime soon. 6.5/10

Ah, the twist! The "surprise ending", the "shocker", or lack there of. There is an art to surprising people at the end of the movie that is the lifeblood of films like this. This one, unfortunately, is dry. They do a good job of setting up the scenes, making you thoroughly confused before explaining everything. If you can make it that long, which you might not be able to, it is a boring show and the pay off is somewhat weak.

Now, the acting is top notch, Clive Owens does an very good job of playing father, and the supporting cast really commits to this movie. That said, it isn't enough to carry the film through the normal jumps and grabs while you just sit there saying, 'get on with it!'