Klondaik

New generation of people, born and raised during the occupation is one of the greatest tragedies that modern Ukraine has faced and going to face in the future.

This movie is telling the story of the origin of this trauma, without answering the question of how to cure it, and doing it in quite a brutal way.

The cinematography is beautiful. It consists of mostly static frames of soulless people and machines, whom are really busy with butchering both nature and themselves, without questioning the moral of their deeds even once, and a single human soul, terribly afraid of unknown and a savage new reality. She hides the disbelief in silence while waiting the moment of birth.

In general, it's a worthy contender for being the one of the best war movie of the modern Ukrainian cinema, it is getting really close to Atlantis, which I consider the pinnacle of this genre.

I watched this at the SIE Center in Denver. I'm not a movie buff and was invited by a friend. The nuances that the film maker is able to capture are amazing: the strong desire by the main character to simply just live, how they're stuck between two opposing sides, but don't want to be in the war...and have no choice, the lack of resources, the lack of control, etc.

I'm not usually a long take person, but I felt the confusion and lack of information that each of them had so palpable as a result. It made me realize what war would be like for me personally if it were ever to come to Denver, to my block, to my house. I love my house and leaving it would be incredibly tough. The subtleties were all captured.

The acting was amazing and I was impressed by the final scene. Without giving it away, it looked so realistic.

You know what's going to happen here yet you watch it for the strong character that leads Klondike with her family who are suddenly finding it difficult to exist. There's levity in the proceedings that make you really wonder what is all this for. With excellent performances and haunting visuals, Klondike kept me hooked and made me morose at the same time. The visuals are so stunning you almost believe you are at the Ukraine-Russia border. The worse part is that you dear for your life too. Interestingly, at the IFFK this year all I have seen so far are tragedies.

(Watched at the 2022 International Film Festival of Kerala in Trivandrum.)

.... so intensely in this film of the situation in 2014 in Donbas region. This family does not want to be part of the war but is forced to deal with the situation of factions in their small town, on their farm. The leads are all marvelous in their roles; the screenwriting, direction, cinematography, all outstanding. I saw it just today at the Alameda International Film Festival and someone said -- "can all of our political leaders be made to watch this?" The dedication was to the women of Ukraine and I definitely feel as if this was a women's war film-- contrasting with another film made also in 2022 where there were almost no women to be found.

The film, for long moments will frame its characters in front of large landscapes, the camera mostly fixed, giving the subjects lots of time to work out their conflicts while in the background ominous situations creep in. This gives a strong sense that talking about problems has its limit, and that time is running out. Our protagonist lets her husband decide her faith, when she knows he lacks understanding and control. She hopes he will provide and secure a future for their forming family, when he only sees a false image of what a man is ; to stand with the ones who subjugate. She is stuck in a standstill, unable to accept the imminent danger facing her.

This story illustrates with righteous confidence the importance of swift and crucial action for self preservation, beginning with recognizing those who want to inflict harm, then moving away towards safety. A beautiful tragedy that builds tension perfectly, and strikes its audience with an unquestionable ending.