Mr Loverman

The storyline is good. Interesting. But the colouring and the style of the show makes it look like eastenders. Its poor and cheap. It has great potential for moving drama but it doesnt fly. The voiceover ia also not great. Overall it feels like mrs.marple from 1996 and not a show shoot in 2024. Wasted resources as you can see the show has not generated a lot of interest and imdb has only 200+ reviews. Which is a fail. I would say hire better young, creative directors BBC and just because dude who directed this has whole library of gay doesnt mean he has any talent. Whoever did the research failed to notice all his moves are with score of 5 LOL.

Wow. Just wow. I accidentally stumbled upon this magnificent gem and how delighted I am. Beautifully shot with excellent performances by all, I was truly surprised how much story was tightly packed into each 30 minute episodes (I didn't score a 10 simply because of my selfish desire to see these characters for 60 minutes).

The story authentically captures the essence of West Indian life (the music, the accent and nuances of speech, slang words, the cultural sensitivities, food, and the deep influence of religion) as well as the immigrant experience (prohibition on speaking patois by youngsters, youngsters struggling to straddle both worlds - that of their family and that of their adopted home). The emotions are raw and runs deep.

When people are prohibited from living as their true authentic selves due to fear of ostracism or death, they are more inclined to enter into relationships for cover which creates more hurt and deceit. This series is a gift of remembrance to the many unknown men and women who suffered in silence and forced to live inauthentic lives.

Not read the book but recognise an impressive piece of literary fiction portrayed beautifully by some great acting.

The homosexual sex scenes are maybe at times too heavy. The weaving in and out of the past can also occasionally be difficult to follow but is mainly very pertinent and intensely moving adding nicely into the running story line. The subject of homosexuality is still today although better than yesterday often difficult for many people to come to terms with and hopefully viewing this engaging film will bring more understanding into the public arena. The drama of youth going along tracks not necessarily, in line with parental aspirations is also nicely woven into the story. I found it moving and believable.

The delicate storyline was handled brilliantly ... the acting was superb and camera angles and filming spot on to create the right mood and intrigue. I loved every minute of this series and was bereft when it ended as wanted to find out how the characters continued their story. Must see.

It's a tricky storyline that could challenge certain cultures and generations but was beautifully handled. It had me both crying and laughing. The flash backs to the past were so believable using a strong cast, clever make up and costume. This series should win awards in my opinion - never seen anything quite like it

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Mr. Loverman is a heartfelt, character-driven drama that masterfully explores love, identity, and the deep regrets of living a life in secrecy. Lennie James delivers a standout performance as Barry Walker, a 74-year-old gay Black man torn between his long-time marriage and his true love, Morris, played by Ariyon Bakare. Sharon D. Clarke shines as Barry's wife, Carmel, bringing depth to a woman who has silently endured years of betrayal. The series is a rare portrayal of elderly Black gay love, delving into the emotional and societal costs of inauthenticity.

Set against the vibrant backdrop of Hackney, London, the show immerses us in the complexity of Barry's life, touching on themes of homophobia, misogyny, and intergenerational conflict. The flashbacks, showing Barry's and Morris's painful past in both Antigua and the UK, underscore the heavy trauma they carry. While updated to reflect modern-day issues like gentrification and same-sex marriage, the series stays true to its roots in examining the difficulties of coming out, especially within the Black community.

Despite some clunky dialogue and underdeveloped supporting characters, Mr. Loverman excels in capturing the emotional tension between Barry, Morris, and Carmel. The chemistry between James and Bakare is palpable, making their hidden relationship all the more poignant. Meanwhile, the strained dynamic between Barry and Carmel is both heartbreaking and raw, showcasing the bitter toll of deception.

The show bravely addresses the struggles of being an old, gay Black man, particularly through scenes where Barry grapples with violent memories and societal rejection. It highlights not only the personal cost of living inauthentically but also the enduring resilience of love.

Series is a necessary, timely exploration of Black queer love, and its sincere, thought-provoking approach will resonate with viewers seeking a more nuanced story of love, self-acceptance, and the courage to live truthfully.