Sugar

"Sugar" is a commendable series that skillfully incorporates elements of classic hardboiled detective stories into a contemporary setting. The show strikes a balance between paying homage to the genre's traditions and adapting them for today's audience.

The lead character, reminiscent of the archetypal private eye, brings a certain charm and authenticity to the role, making the series engaging for both aficionados of the genre and new viewers. The dialogue is sharp, and the plot is well-crafted, with enough twists to maintain interest without being overly complex.

The modern take on the genre is evident in the show's approach to character diversity and social issues, which adds depth and relevance to the narrative. The visual style nods to the noir roots while maintaining a current aesthetic that suits the show's tone.

Overall, "Sugar" is a solid series that offers a fresh take on the detective genre, and it's worth watching for its clever writing, strong performances, and thoughtful update of classic tropes.

Sugar is a new LA noir private detective show that works both as a hommage to the genre and a self serious meta parody with all the cliches imaginable. After 2 episodes it's difficult to tell where it will go but I like it for the moment.

Colin Farrell is great as usual and succeeds in giving gravitas to a character that for the moment is paper thin. We feel he has a past and relationships and traumas and an inner life.

I reserve the right to revise my note according to the evolution of the next episodes. Many shows started great and collapsed very fast (the Apple TV+ Godzilla show for example). Let's wait and see.

This show caught me totally by surprise. I am not typically overly impressed by pseudo-noir style shows, but I'm hooked. Only reason it's not a 9 or 10 is due to the cliffhanger-esque ending of episode 6 without 7 being immediately available. :p

The acting is superb, casting is perfect, and I'm eager to see exactly wth is going on. I'm usually very good at seeing things coming in shows/movies (to the point where during certain films *coughNun2cough* I am legit saying what's going to happen before it does), and several times already I've had to "wait, what?" and back up a few scenes.

Really interested to see where this show goes. Don't eff it up, Apple.

I admit I have a soft spot for private detective drama's whatever the time frame and this looks to be a good one. The genre relies on a strong male lead with some kind of vulnerability and Colin Farrell as Sugar completely embodies the requirement. All the cool you expect from the genre is on display, the car, the suits, the neon, every box ticked. The plot conforms to all the requirements, wealthy man hires private eye to find granddaughter, money is no object, all is not as it seems, dark secrets, etc. The directorial style and cinematography really lift this piece and the referencing to classic noir enhances the look. We're only two episodes in so it could go badly off the rails but as I say, if the reviewer at The Guardian hates it then it is going to be good.

Since episode 1 I've been intrigued by the mix of different styles and the wonky tone sitting within what on the surface appears to be a modern noir. What's with the mysterious bag of drugs Sugar carries around, why the utter lack of fear and the calmness throughout, the anti-violence and difficulty sleeping, there just seemed to be something else going on. What about the clandestine gathering of 'spies' and the feeling that there was something either supernatural or psychological at play. To think that it is a simple detective show would be to underestimate Colin Farrell and his willingness to take chances. I'm sure it's going to divide people, good. I for one am loving the combination of old school story with a plot twist unlike anything you may have seen before. It's great, it could go in so many directions from here, I'm hooked!