Train de nuit pour Lisbonne

There were many reasons for wanting to see 'Night Train to Lisbon'. Lisbon is such a beautiful city, the premise and book are just fascinating and really wanted to see the film in full after seeing a couple of clips online. Billie August is not a favourite of mine when it comes to directors but has been responsible for some great work, evidenced by being one of very few (only eight) directors to win the Palme D'Or twice which is a big honour.

'Night Train to Lisbon's' main draw for me was the cast. A cast that includes Jeremy Irons, Tom Courtenay, Lena Olin, Bruno Ganz, Christopher Lee, Martina Gedeck and Charlotte Rampling is very difficult to resist, Irons and Lee especially are favourites of mine and like a lot of Courtenay's work too. Seeing the whole film yesterday, while it falls short of greatness to me there was much to admire about it. 'Night Train to Lisbon' is not for everybody, it may be too slow-paced and too talky for some and a fair share of critics found it to be the case. Personally find it very under-valued, despite coming across a lot of people online who did like it, thought it did its premise justice and wasn't bothered as much by what critics didn't like about it.

It's not flawless, the back and forth between timelines is at times is not always as clear or natural in flow as it should be with some of the chronology in the flashbacks jumping about a little.

Some of the events in the modern day happen too conveniently and at times the first third or so when the story was just setting up was a little sluggish and over-wordy.

Once 'Night Train to Lisbon' got going and Raimund and the audience learn more, it becomes a very thoughtful and engaging film with a good amount of emotional impact (especially towards the end), each revelation being intriguing and not too predictable. Respectfully do disagree with those that say that the flashbacks had no tension or suspense, found the latter ones when the revolution became more violent edge of the seat suspenseful. The political elements thankfully are not laid on too thick and considering the time period it was so easy to fall into that trap. Liked too the charming and gentle approach to the modern day scenes, particularly apparent in the chemistry between Raimund and Marianna.

Visually, 'Night Train to Lisbon' looks a treat. It is absolutely beautifully shot and anybody who has not been to Lisbon will find themselves to book a trip there, the film perfectly captures the beauty of it without feeling like a holiday travelogue. The music score really stuck in my mind after watching the film and is still in my head now, loved the understatement and pathos it brought. August directs solidly and the script, while too wordy in places, is very thoughtful, very layered and intelligent, wasn't confused by any of it and wasn't irked by Raimund's intriguing questioning. Some may find the ending abrupt, actually appreciated that it didn't end in a way that could potentially be too pat.

What is especially good about 'Night Train to Train' is the cast, some suspect accents aside. August did two films with Jeremy Irons, this and 'House of the Spirits' twenty years or so previous. Don't know how this opinion is going to go down with people, but found this to be the better film and despite the role here being less complex also prefer Irons' performance in this film. His performance is one of his most subtle with telling expressions and warm as chocolate delivery, but he is wholly successful in making a character meant to be "boring" very compelling and easy to identify with, and totally carries the modern day scenes which wouldn't have had as much impact without him. It is a wonderful performance and among his better recent years ones. He shares great chemistry with a charming Martina Gedeck, equally good in his scenes with Tom Courtenay and a pretty moving one with frail but still commanding as ever Christopher Lee in one of his last roles. The younger cast do just as good a job, especially Jack Huston showing that with good material he can be good and Melanie Laurent. Charlotte Rampling also gives a deeply felt performance in a small but important role.

Concluding, well worth your time. 7/10

In Bern, Switzerland, the teacher Raimund Gregorius (Jeremy Irons) saves a young woman from committing suicide jumping off a bridge and brings her to the school where he works. During his class, she leaves the building and Raimund unsuccessfully runs after her to give her coat back. He finds a book, "Um Ourives das Palavras" (A Goldsmith of the Words) written by the Portuguese Amadeu de Almeida Prado (Jack Huston) in the pocket and he goes to the bookstore stamped on the first page and discovers that the book was sold on the previous day to the woman. He finds a train ticket to Lisbon that will departure in fifteen minutes inside the book and he goes to the Central Station expecting to find the woman. He embarks in the train to Lisbon and reads the book, becoming fascinated with the story. When he arrives in Lisbon, Raimund decides to stay in the city to meet Amadeu. He finds his house, where his sister Adriana (Charlotte Rampling) lives, and soon he discovers that Amadeu is dead. Raimund decides to research the life of Amadeu, who was a doctor and writer that belonged to the resistance against the dictator Salazar, and his discoveries affect his own boring life.

"Night Train to Lisbon" is a movie with a tedious beginning, when the lead character leaves his students in their classroom and travels to Lisbon in a senseless situation. Then there is serendipity, when he has an accident and breaks his glasses, and the doctor introduces him to her uncle that was a friend of Amadeu. But the development of the plot like a puzzle and the open conclusion are excellent and makes worthwhile watching this movie. The excellent European cast is another great attraction. My vote is seven.

Title (Brazil): "Trem Noturno para Lisboa" ("Night Train to Lisbon")

I should start by saying if you're older (say 45 or more) you should definitely check out this movie. It has some lines in it that are extraordinary and it's worth seeing just for those nuggets. This is one of those movies that talks to you at a personal level. I don't want to describe too much of it because that would ruin the whole point.

But, I will say...

The director moves you along at such a perfect pace that you almost feel like you're floating. The topics aren't casual but he hovers over them at just the right height.

The acting is right on the money, it suits the movie perfectly, no one is out of step.

The story moves seamlessly between past and present, you won't feel a bump anywhere. It's true, the movie is multi-layered, but the straight up story is more than enough.

And the ending is perfect for this type of movie.

It really is worth the watch, but as I mentioned you might need to be a little older to really...

This is an Europudding co-produced by Germany/Switzerland/Portugal , it deals with Raimund Gregorius (Jeremy Irons) , a Swiss Professor, abandons his lectures and buttoned-down life to embark on a thrilling adventure that will take him on a journey to the very heart of himself . Having saved an enticing Portuguese girl from leaping to her death, Gregorius stumbles upon an attractive novel by a Portuguese author, as he figures out the destination of a certain writer named Amadeu (Jack Huston) , a doctor and poet who fought against Portuguese dictator Antonio de Oliveira Salazar. When he arrived in Lisboa , he was welcomed by the writer's sister (Charlotte Rampling) and learned that Amadeu was a medic . Then , he was hit by a man riding a bicycle and smashed . On the day he took his new glasses, the optician (Martina Gedeck) told him that her uncle knew Amadeu well and would like to talk to him . Her uncle, João Eça, (Tom Courtenay) was in the resistance against Salazar dictatorship together with Amadeu . Gregorius acts as an investigator, pulling together pieces of a puzzle that involves suspense , twists and the highest possible stakes to lead unexpected consequences .

It is a correct adaptation based on the international best selling novel written by Pascal Mercier from the award winning director Billie August . This moving film contains suspense , plot twists , a love story , thrills , emotional intrigue and political events . This is a thought-provoking film proceeded in real sense and high sensibility . Though rather existential and thinky, it is ultimately charming . Director Billie August brings out the story through a series of flashbacks . Each flashback is a piece of the puzzle, framing the story and slowly filling in the center until the final piece unsatisfyingly drops into place to resolve the whole . The flashback technique has been used and re-used from ¨Citizen Kane¨ (1941), known by some as the best movie of all time, it gave the world the first plot device by means of flashbacks , following to ¨The Godfather¨ and recently ¨The hours¨ until today we are faced with ¨Night Train to Lisbon¨ (2013), a film destined for repeated use as schedule filling on inventory-building, loved by some attracted by the name of Jeremy Irons and ignored by everyone else . Very good acting from Jeremy Irons as an aging Swiss professor of classical languages , Jack Huston a young Amadeu , gorgeous Melanie Laurent as a mysterious revolutionary girl , Martina Gedeck as Mariana and August Diehl as Young Jorge O'Kelly . Furthermore , the veterans Tom Courtenay , Lena Olin and Bruno Ganz . And special mention to Charlotte Rampling , though Vanessa Redgrave was originally cast for the role of Adriana De Prado, however Rampling replaced her.

The motion picture was well directed by Billie August who repeats similar formula to ¨House of the spirits¨ as German production , Lisboa filming , international cast and Jeremy Irons as main starring . Twice winner of the Palme d'Or at the Cannes Film Festival for Pelle the conqueror (1987) and The best intentions (1992) , Billie August is an expert on literary adaptations such as ¨Les Miserables¨, ¨Smilla's Sense of Snow¨ , ¨House of the spirits¨, ¨Marie Kroyer¨, ¨Jerusalem¨ and this ¨Night Train to Lisbon¨ . Rating : Better than average , worthwhile watching . The picture will appeal to Jeremy Irons fans .

"Night Train to Lisbon," an especially engrossing 2013 film now appearing on Netflix, may not be everyone's cup of tea, but for those hungry for a movie without flying cars that instead pulls you in with an unusual plot and thoughtful, incisive performances by an exceptionally capable cast, this one's for you.

The film was nominated for six Sophia Awards _ the national film awards of Portugal _ including best picture, and won three, for best supporting actress (Beatrice Bartarda), best art direction and best make-up.

Directed by Bille August ("Pelle the Conqueror"), "Night Train to Lisbon" was adapted from a philosophical novel by Swiss author Pascal Mercier.

Mercier's quotations are spoken in voice-over by the film's protagonist, Raimund Gregorius, played by Oscar winner Jeremy Irons, a quiet, lonely classical studies professor working in Bern, Switzerland, who rescues a young woman about to leap off a bridge and after she disappears, finds himself on a quest to Lisbon, not only to find her but to fully understand the story of a doctor-turned-poet whose book he discovers in the pocket of the coat she leaves behind.

The story isn't as dense or contrived as it sounds, thanks to the deft screenplay by Greg Latter and Ulrich Herrmann, and the uniform commitment to character and plot by Irons and a cast that includes veterans Tom Courtenay, Charlotte Rampling, Christpher Lee and Lena Olin.

It's the kind of story that sucks us in because it's a kind of "getaway" piece: Who doesn't daydream in a Walter Mittyish way of getting away from it all and taking off on an historical detective story, which is what this is.

Once in Portugal, Irons' Gregorius sets about on a quest for the author but instead finds his sister, Adriana (Rampling as the mature version, Batarda as the younger), and learns that Amadeu died in 1974 and that only 100 copies of his book were printed. The sister has six of the books and, wondering what happened to the rest, is delighted to find that her late brother's limited edition work found an audience beyond her country's borders. Thus, a tenuous but all-important bond is formed between the soft-spoken, insightful professor and the poet's sibling.

The movie intersperses Raimund's investigation with flashbacks to a past in which we meet the young Amadeu (a superb Jack Huston), a member of the resistance to the dictatorship of António Salazar.

Through Adriana, Raimund meets the priest (Lee) who taught Amadeu, Amadeu's best friend, Jorge (Bruno Ganz in the older version, August Diehl in the younger), and learns of Estefania (the fiery Mélanie Laurent), a resistance fighter who was Jorge's girlfriend until she met and fell instantly in love with the handsome Amadeu.

After Raimund breaks his spectacles, he meets a sympathetic optician Mariana (Martina Gedeck) who by happenstance has an uncle named Joao (Courtenay as the elder version, Marco D'Almeida as the youthful one) who was also a member of the resistance and fills in the story. Late in the film, the strings of the plot are pulled together when Raimund finally meets the mature Estefania (a stunningly beautiful and completely believable Olin).

As I said, "Night Train to Lisbon" isn't for everyone, especially for those accustomed to tons of action and instant gratification via computer wizardry and slam bang eye-for-an-eye retribution, but it did it for me. It's extraordinarily literate and sumptuously photographed to boot, and it's not a stretch to say it contains threads of David Lean's wonderful 1965 film version of "Doctor Zhivago," albeit on a much smaller scale.

I was especially drawn to Irons' professor, a sensationally muted performance that holds the whole thing together.

Since you'll probably be watching this in your living room, "Night Train to Lisbon" is rated R (under 17 requires accompanying parent or adult guardian) for a scene of violence and brief sexuality (which really aren't all that bad).