D'après des événements vrais. Jamie, 16 ans, fait la connaissance du nouveau petit ami de sa mère et de sa bande de vigiles autoproclamés du quartier, une relation qui mène à une frénésie de... Tout lireD'après des événements vrais. Jamie, 16 ans, fait la connaissance du nouveau petit ami de sa mère et de sa bande de vigiles autoproclamés du quartier, une relation qui mène à une frénésie de tortures et de meurtres.D'après des événements vrais. Jamie, 16 ans, fait la connaissance du nouveau petit ami de sa mère et de sa bande de vigiles autoproclamés du quartier, une relation qui mène à une frénésie de tortures et de meurtres.
- Prix
- 23 victoires et 23 nominations au total
Avis en vedette
This is an Australian film based on true events. This is a highly disturbing movie. To say that they are white trash is to insult white trash. The rampant homophobia is shocking, but then it gets much much worst. I feel that I have to warn that it dives head first into pedophilia and serial torture murders. It is truly soul grindingly gruesome. It gets really tiring to one's being. I do like the atmosphere in the movie although it does drag at times. It is a tough watch, and good only for people who are willing.
The acting is so credible that I feel like I am really in the home of these working class Australians that I have known in my childhood in the 1990s. This is a dark, dark film, but so it should be. It sticks in my mind when I think of the deepest, most nihilistic chasms of this world, and whatever we do in life, that place is always there. The crimes begin with a grain of righteous intent and spiral down into that deepest sea trench. Recommended if you can face it.
Snowtown is an excellent example of the genre of gritty Australian realism which includes films like The Boys and Idiot Box.
This reminded me a lot of The Boys in building tension slowly and I think the rhythm of the film was spot on. It was also similar in the sense that it suggested that poverty and a lack of opportunity lead to violence (not necessarily for Bunting but probably for the other characters). But I think this just reinforces prejudices about poverty that middle class people have.
I think that Jamie was a very good choice as a main character because he clearly had the most complex relationship with Bunting and what he was doing. As the audience we were also invited to have that relationship then
I was pretty surprised that the film only had an MA rating rather than R, particularly given the nature of the violence portrayed.
I don't think it will be a very accessible film for most cinema goers, as the style and tone are very depressing. It is a very simple plot on the surface but the way it presents the characters is sometimes quite confusing, and i found it quite hard to follow who all the characters were and how they were related. It is appropriately photographed, the production design is correctly sparse and bleak and the soundtrack is very effective.
Le saviez-vous
- AnecdotesDirector Justin Kurzel told Lucas Pittaway not to talk much to any of the actors on set, to help the emotional state of his character.
- Citations
John Bunting: Do you like bein' fucked? Do you like bein' fucked? So why not do somethin' about it? 'Cause all I ever see you do is sook, mate. No? What didjah do about Jeffrey? Fuckin' nothin'. You see me and Robert mopin' about? Hmm? No you don't because you do that they fuck you forever. You don't want that, do you? When are you gonna grow some balls, mate?
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2011 (2011)
Meilleurs choix
- How long is Snowtown?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Les Crimes de Snowtown
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 8 452 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 273 $ US
- 4 mars 2012
- Brut – à l'échelle mondiale
- 1 349 387 $ US
- Durée
- 1h 59m(119 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1