Wallace et Gromit : La palme de la vengeance
Titre original : Wallace & Gromit: Vengeance Most Fowl
Ajouter une intrigue dans votre langueTop dog Gromit springs into action to save his master when Wallace's high-tech invention goes rogue and he is framed for a series of suspicious crimes.Top dog Gromit springs into action to save his master when Wallace's high-tech invention goes rogue and he is framed for a series of suspicious crimes.Top dog Gromit springs into action to save his master when Wallace's high-tech invention goes rogue and he is framed for a series of suspicious crimes.
- Nommé pour 1 oscar
- 7 victoires et 48 nominations au total
Ben Whitehead
- Wallace
- (voice)
Lauren Patel
- P.C. Mukherjee
- (voice)
Reece Shearsmith
- Norbot
- (voice)
Diane Morgan
- Onya Doorstep
- (voice)
Adjoa Andoh
- Judge
- (voice)
Muzz Khan
- Anton Deck
- (voice)
Lenny Henry
- Mr. Convenience
- (voice)
Jon Glover
- Additional Voices
- (voice)
Tom Doggart
- Additional Voices
- (voice)
David Holt
- Additional Voices
- (voice)
Avis en vedette
Over 30 years has passed since the release of the Wrong Trousers so people might be forgiven for thinking that Wallace and Gromit are getting a bit dated. Yet this completely destroys that notion!! The Yorkshire humour, the cute relatable characters combined with an interesting plot makes for a lovely family movie! They've definitely not lost their touch! My kids loved it and so did I. Would recommend to anyone regardless of whether you've seen previous instalments as can be seen as a stand alone movie. A personal favourite villain Feathers McGraw shows what can be done with a lump of plasticine that doesn't even speak. When you consider how much stop start animation is required to fill the 80 minutes then you realise just what a work of art this really is. Bravo!
I recommend the movie. The villains were well done, but the human characters aside from Wallace weren't given much to do or say and the climax seemed a little too fast and forced. I do like the story, surprises (aside from a few forced scenes in the last 10 or so minutes) and the comedy. If the climax was better written and the pacing was better with the brief human supporting characters (who should've had more to do), I would've like it more. The Curse of the Were-Rabbit had a better pace and climax and better written side characters, but both had enjoyable stories, main characters and laughs.
Wallace & Gromit are back... and so is Feathers McGraw. That's probably enough for any viewer. Many might wonder is this going to be as good as The Wrong Trousers. The answer is no, but it's not far off and really only falls short because it's a sequel. It's near impossible to capture the magic of anything as much loved as The Wrong Trousers, even though that was a sequel of sorts. The pairs house has had some upgrades. Wallace's new wake up routine is genius. Not that long suffering Gromit is impressed. He's happy with the simple life. The Pat-o-Matic for instance isn't to his taste. He'd much rather have a nice pat on the head from Wallace. Wallace's latest invention though is for Gromit, to help him in the garden. A smart gnome called Norbot, who instead of helping, ruins Gromit's garden, invading his only sanctuary. The neighbours though are impressed and this kicks off Wallaces scheme to solve their money troubles, Gnome Improvements. What about the penguin you may ask? Well he's doing time at the zoo, but upon hearing of his foe's latest invention. He finds a way to hack Norbot, change his settings to 'Evil' and have him create an army of evil gnome clones. They first terrorise the neighbourhood, besmirch Wallace's good name, help Feathers break out of the zoo and steal the blue diamond that alludes him in The Wring Trousers. The details are delightful. The animation is beautiful. The story first class and the action both gripping and wonderfully cinematic. So no it's not as jaw dropping and perfect as The Wrong Trousers, but it doesn't need to be. It's just as much fun and it's a joy to have a new adventure to enjoy over and over again.
Wallace seems to have nailed it, having created, the Nifty odd jobbing robot, Norbot, the problems begin when Feathers McGraw breaks out of prison, and the happy go lucky robot turns rogue.
Glorious, magical viewing from start to finish, with this and Gavin and Stacey, it seems like The BBC will own Christmas day viewing.
Bags of fun, massively entertaining, full of gags and jokes, truly a show for the whole family to watch and love. With any luck we'll be treated to more in the future.
You have to give huge credit to Ben Whitehead, I honestly had to check that AI wasn't used to recreate the voice of Peter Sallis, it was seamless, what an incredible vocal performance.
Credit to Peter Kay and Reece Shearsmith, both, along with the whole cast, did a spectacular job.
I loved it so much, I've ordered myself a Feathers McGraw t-shirt.
10/10.
Glorious, magical viewing from start to finish, with this and Gavin and Stacey, it seems like The BBC will own Christmas day viewing.
Bags of fun, massively entertaining, full of gags and jokes, truly a show for the whole family to watch and love. With any luck we'll be treated to more in the future.
You have to give huge credit to Ben Whitehead, I honestly had to check that AI wasn't used to recreate the voice of Peter Sallis, it was seamless, what an incredible vocal performance.
Credit to Peter Kay and Reece Shearsmith, both, along with the whole cast, did a spectacular job.
I loved it so much, I've ordered myself a Feathers McGraw t-shirt.
10/10.
In a world that's become increasingly scary and divided throughout the year, Nick Park and the team at Aardman deliver unto us two shining beacons of hope when they're needed most, to remind us of the joyous charm and wonders in life. Those beacons take the familiar plasticine form of a dimwitted but kind-hearted inventor, and his silently judgemental but ever-loyal dog.
The Wrong Trousers and The Curse of the Were-Rabbit, both Academy Award-winners, set the bar staggeringly high for stop-motion storytelling, and were always going to be tough acts to follow. Thankfully, Vengeance Most Fowl combines the best parts of both to deliver yet again, while also seemingly drawing great inspiration from Paddington and Mission: Impossible. The pair remain as aloof and comedic as ever, the animation is the best its ever been, and the jokes-per-minute ratio is impressively unrivalled.
Since the pair's last outing in A Matter of Loaf and Death the world has lost the great Peter Sallis. I thought we'd never see Wallace's return, but I'm happy to report that two minutes in I breathed a sigh of relief. Ben Whitehead does an excellent job in the titular role, capturing the same whimsy as Sallis while being just as entertaining and charming. Equally charming is the wonderful score, with Lorne Balfe taking the reins from Julian Nott and once again proving that, to me, few things in life are as instantly mood-lifting as the W&G theme.
Knowing how long it takes to fully realise a stop-motion project (Were-Rabbit took five years to create), it's also remarkable how timely the story is for today. In a year that's seen a concerning rise in the use of AI in film projects, it's delightful to see a strong stance against it come from a film crafted in almost exactly the opposite manner; not only does the film itself portray machine minds as the death of imagination and creativity, but Aardman's immaculately hand-crafted stop-motion and stylised adventures stand as a testament to the power of human artistry, and will forever remain timelessly appealing as they have for 35 years and counting.
Wallace & Gromit: Vengeance Most Fowl is a film moulded with love. Thank you Nick Park, for the years of endless joy you've given the world with Wallace & Gromit. Everyone should do themselves a favour and have a grand day out with these two old friends.
The Wrong Trousers and The Curse of the Were-Rabbit, both Academy Award-winners, set the bar staggeringly high for stop-motion storytelling, and were always going to be tough acts to follow. Thankfully, Vengeance Most Fowl combines the best parts of both to deliver yet again, while also seemingly drawing great inspiration from Paddington and Mission: Impossible. The pair remain as aloof and comedic as ever, the animation is the best its ever been, and the jokes-per-minute ratio is impressively unrivalled.
Since the pair's last outing in A Matter of Loaf and Death the world has lost the great Peter Sallis. I thought we'd never see Wallace's return, but I'm happy to report that two minutes in I breathed a sigh of relief. Ben Whitehead does an excellent job in the titular role, capturing the same whimsy as Sallis while being just as entertaining and charming. Equally charming is the wonderful score, with Lorne Balfe taking the reins from Julian Nott and once again proving that, to me, few things in life are as instantly mood-lifting as the W&G theme.
Knowing how long it takes to fully realise a stop-motion project (Were-Rabbit took five years to create), it's also remarkable how timely the story is for today. In a year that's seen a concerning rise in the use of AI in film projects, it's delightful to see a strong stance against it come from a film crafted in almost exactly the opposite manner; not only does the film itself portray machine minds as the death of imagination and creativity, but Aardman's immaculately hand-crafted stop-motion and stylised adventures stand as a testament to the power of human artistry, and will forever remain timelessly appealing as they have for 35 years and counting.
Wallace & Gromit: Vengeance Most Fowl is a film moulded with love. Thank you Nick Park, for the years of endless joy you've given the world with Wallace & Gromit. Everyone should do themselves a favour and have a grand day out with these two old friends.
Le saviez-vous
- AnecdotesWhen Wallace answers the door, a flap cap and blue gray raincoat are seen hanging up next to Gromit's yellow raincoat & hat; this is a tribute to Wallace's original voice actor, Peter Sallis, who wore the flap cap and raincoat in his role as Norman Clegg in Last of the Summer Wine (1973), a series which would last until Sallis retired from acting in 2010, seven years before his death in 2017.
- GaffesAt 44 min Gromit lifts the car hood to reveal a wire sparking and a missing battery. With the battery missing there would be nothing to generate an electrical spark.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: It's Time for a Double-Down (2022)
- Bandes originalesNews Flash
Written by James Seymour Brett (as James Brett)
Licensed courtesy of Audio Network Rights Limited
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Wallace & Gromit: Vengeance Most Fowl?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Wallace & Gromit: Vengeance Most Fowl
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 191 452 $ US
- Durée1 heure 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Canadian French language plot outline for Wallace et Gromit : La palme de la vengeance (2024)?
Répondre