4 journalistes traversent la côte Est des État-Unis, qui est déchiré par une guerre civil, pour réaliser l'une des plus grandes entre-vues.4 journalistes traversent la côte Est des État-Unis, qui est déchiré par une guerre civil, pour réaliser l'une des plus grandes entre-vues.4 journalistes traversent la côte Est des État-Unis, qui est déchiré par une guerre civil, pour réaliser l'une des plus grandes entre-vues.
- Prix
- 8 victoires et 58 nominations au total
Sommaire
Reviewers say 'Civil War' delves into war journalism, conflict brutality, and societal impact, though it faces criticism for lacking context, underdeveloped characters, and political neutrality. Praise is given for cinematography, sound design, and performances, yet some find it slow-paced and shallow. The portrayal of journalists sparks debate, with appreciation for their perspective but critique of their ethics and motivations.
Avis en vedette
A truly immersive experience into what a civil war in an America could "feel" like. I was fortunate enough to enjoy an IMAX screening and a particular stand out of the film was the sound design. Civil War uses its surround sound space as I viral part of its story telling. The gunshots truly rock you and surround you, even the sound track has explosive moments that jar you and remind you that you are in a place of chaos and instability. The story is simple but profound, using the 3rd eye or journalism, doing its best to tell an unbiased perspective of the what the world looks like at its most biased... a civil war. See it on the biggest screen and the best sound system you can. Its not a call of duty campaign, its not saving private Ryan, its its own thing so clear your head of expectation and just take the ride.
I think many people have missed the real message of the movie. Could it have been better, of course. However, my rating isn't about the movies political implications, but rather about how it shows the possibility of our country heading in that direction. The film effectively illustrates potential realities we could face. It highlights how extremists on both sides, driven solely by their own beliefs, can overlook the impact on others. One of the early scenes brought me to tears, reflecting on the possibility of such actions happening among us. By the end, I was overwhelmed with a sense of dread. I encourage you to watch this film with an open mind, rather than expecting polarizing content, so you can grasp how quickly our relatively young nation could shift towards such a daunting new normal.
Civil War isn't science fiction-it's speculative reality drawn from the headlines we scroll past every day. Alex Garland has crafted something rare: a war film without glorification, a dystopia without excess. What unfolds is a portrait of America not as it might be, but as it nearly is-fractured by polarization, eroded by propaganda, and abandoned by leadership more concerned with loyalty than legitimacy.
Through the lens of war journalists (played with haunting restraint by Kirsten Dunst and Cailee Spaeny), we traverse a country in pieces-some cities crumbling, others clinging to an eerie normalcy. The genius lies in the nuance: this isn't red vs. Blue, good vs. Evil. It's chaos as governance, ideology as identity, and cruelty as currency.
For those watching recent history with a furrowed brow, Civil War lands like a flare in the darkness. It doesn't tell us what to think-it forces us to ask how close we already are. And in doing so, it becomes not just a film, but a quiet, urgent warning.
Watch it while it's still fiction.
B. Mitchell / J. Vail.
Through the lens of war journalists (played with haunting restraint by Kirsten Dunst and Cailee Spaeny), we traverse a country in pieces-some cities crumbling, others clinging to an eerie normalcy. The genius lies in the nuance: this isn't red vs. Blue, good vs. Evil. It's chaos as governance, ideology as identity, and cruelty as currency.
For those watching recent history with a furrowed brow, Civil War lands like a flare in the darkness. It doesn't tell us what to think-it forces us to ask how close we already are. And in doing so, it becomes not just a film, but a quiet, urgent warning.
Watch it while it's still fiction.
B. Mitchell / J. Vail.
There tend to be two groups of people who dislike this movie:
This movie isn't about war or politics at all, it's an adventure story about a group of war photographers. Very little is ever discussed or explained about the war itself, how it started, nor the political affiliations of those involved. The story is mostly about the photographers and how the journey affects them as people.
Through various misadventures the viewer begins to piece together a rough picture of how the conflict is going, but it's never really the focus of the story. If you go in expecting every question to be answered, you've missed the point of the movie. If you were bored by (or entirely ignored) the characters' conversations, and only paid attention when there was killing going on, you REALLY missed the point of the movie.
Overall, I found this to be a very moving film, with compelling performances by all the leads and a superb script. This movie succeeds at what it sets out to accomplish, though what it accomplishes might not be to every viewer's taste.
- Those who were expecting a movie about war.
- Those who were expecting a movie about politics.
This movie isn't about war or politics at all, it's an adventure story about a group of war photographers. Very little is ever discussed or explained about the war itself, how it started, nor the political affiliations of those involved. The story is mostly about the photographers and how the journey affects them as people.
Through various misadventures the viewer begins to piece together a rough picture of how the conflict is going, but it's never really the focus of the story. If you go in expecting every question to be answered, you've missed the point of the movie. If you were bored by (or entirely ignored) the characters' conversations, and only paid attention when there was killing going on, you REALLY missed the point of the movie.
Overall, I found this to be a very moving film, with compelling performances by all the leads and a superb script. This movie succeeds at what it sets out to accomplish, though what it accomplishes might not be to every viewer's taste.
I've watched this Film four times and every time I seem to like it more. Most everyone I know felt let down with It and I almost skipped it. But I am so glad I didn't because I find more of the message each time I do. The soundtrack for me sets the mood with not being mainstream and actually creates an unfamiliar terrifying world. The dark shadows in the photography also set the tone of what the Country is experiencing. Is there action? Sure there is and I feel too much would have ruined the message and the mission of the characters. The action and violence is unsettling, but appropriately placed. I don't think the filmmaker intended to make an action film. Forget what others have said and give it a watch.
Le saviez-vous
- AnecdotesIn an interview with The New York Times, director Alex Garland revealed that the "Christmas Wonderland" decorations in the sniper scene were not designed for the movie. Someone had built it as an attraction and decided to leave it up after the attraction was a financial failure. Alex decided to incorporate it into the movie to symbolize the chaos in the country. "If you haven't put away the Christmas decorations, clearly something isn't right."
- GaffesA military helicopter will not turn on its navigation lights during combat.
- Citations
Joel: There has to be some mistake. We're American, right?
Unnamed Soldier: Okay. What kind of American are you? You don't know?
- Générique farfeluThe opening A24 and DNA logos are accompanied by static from a pink noise calibration test.
- Bandes originalesLovefingers
Written by Simeon Coxe & Stanley Warren
Performed by Silver Apples
Courtesy of MCA Records Inc.
Under license from Universal Music Operations Ltd.
Published by Rough Trade Publishing Ltd.
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Détails
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 68 756 072 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 537 368 $ US
- 14 avr. 2024
- Brut – à l'échelle mondiale
- 127 268 065 $ US
- Durée
- 1h 49m(109 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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