Clock

Clock is a film that could have been good. It has a solid premise and set-up, although some of the dialogue is a bit heavy handed. The acting is solid - Agron is a great lead. However, the plot is completely scattershot and by the end the film has lost sight of whatever point it was trying to make. It constantly shifts gears, and in the second half piles on plot developments that really amount to nothing. Which is a shame because I think if it picked a lane and fleshed that out it could've been a really tight and engaging film. It's also devoid of any scares - though one scene at a birthday produced some solid tension.

A movie where time is the enemy? Why not? And not just biological clock but time itself, where an actual clock is the devil himself A movie rich with symbolism and ideas, at times to many ideas at once which sometimes takes the movie off the rails.

There are many aspects to the story: A satire dressed as horror. A black comedy dressed in blackest of black. Or a psychological thriller. That's the strength of the story, it's multifaceted aspects.

As mentioned the director wants to tell a lot. Above all about pregnancy and why choosing to not wanting children is taboo even today. Is that really what our society is about? Are you really a woman if you choose to not have children?

But it also tells about heritage and legacy. What is a legacy worth if you choose to go without children? But there is also something to say about time itself..

Where the movie ultimately fails is that there is not enough plot to warrant a feature film. The middle of the film basically feels like one giant filler story, only there to transport you to the ending. You can only so much with body horror scenes.

Had it been a short film the themes and execution would have worked much better. But it is not a bad movie at all, at least it will make you think..

Despite what some of the reviewers say...yes. There are some very insightful things that are addressed in the story. But it doesn't pay off in the end, in my opinion. It's a bit confused, i think...part of it a commentary on child bearing/rearing and part of it a horror story. But i don't feel the two blended well...maybe in two or three rewrites, but it felt like it was still a work in progress and found itself needing an ending which wasn't at all satisfying. Just a 'let's do this and get it over with' type last act...the first two acts were enjoyable, though. And endings are difficult. But important.

Would not recommend it if you are looking for a good old horror movie. The movie had a decent setup, a few scary scenes, and the potential to be a great horror movie. However, halfway through, it seemed like the filmmakers decided to abandon the ghost/horror stuff and instead opted for a Disney fairy tale-like storyline with the usual message about how everyone is perfect, and there's nothing to fix. . Most people, including myself, expect a horror movie to be scary. Instead, this movie goes for social and political commentary that may be important, but not whats expected of a horror movie. If anything It was more cringeworthy than horror.

I adore horror movies that are still finding ways to be different this day and age. Alexis writes and directs a love poem metaphor to women everywhere who don't want to have children in a society where they are made to feel like outsiders.

The lead actress's performance is absolutely stellar, the writing is great, and the body horror is apt (albeit of a narrow stripe, that will likely go over the head of those who don't enjoy cerebral horrors).

If you like your horror movies to be intellectual, Feminist, well-acted, off the beaten path, and just plain interesting as compared to the usual fare, Clock will work for you. I very much look forward to seeing more of Alexis' work in future.