Coyote

Thoroughly enjoyed this movie. It provides commentary on issues which are sadly becoming more relevant all of the time and the plight faced by a great number of real people. By using teleportation as the basis for the plot the film does feel somewhat like an extended Black Mirror episode, albeit perhaps one with less humour than we'd expect from Charlie Brooker. The acting is good and the relatively small number of locations are used to good effect with some gorgeous visuals. The soundtrack fitted well and the sparingly used visual effects did not distract from the action. Please do see this, it's a sombre look at a world we could easily become.

Do not let the low average rating deter you. The film is the victim of bot attacks online, as most of the negative reviews, at this point, come from countries where the film isn't even available yet. These days, any film that deals sympathetically with the LGBTQ+ community, in any way, is likely to become a target of this nonsense. The best way to fight this kind of stuff, is to SEE THE FILM!

And, if you do, you will not be disappointed. This is a great little sci-fi film that shows what we all learned in the 1950s: you can make a great sci-fi film without BILLIONS of bucks! Yes, it's obvious that there wasn't that much money here. But, the concept and the execution are what carries this off. I kept thinking, over and over, "Cronenberg. Cronenberg. Cronenberg". Not that there's a lot of body horror, there's not. But the icy-cold delivery, and the off-kilter concept behind it all, definitely owe something to The Master.

Just go watch it. The acting is spot-on, the direction is perfect, the script is based on a concept that is unique and intriguing. If you're a sci-fi fan, I can't see how you wouldn't enjoy this.

"Coyote" throws you into a future where love's got some serious obstacles. Ekaterina and Anya, refugees escaping a grim situation, take a teleportation gamble that tears them apart. Things get messy when they stumble into a dark human trafficking scene involving corrupt politicians.

The lead duo brings a raw, believable connection that makes you root for them in the middle of all the chaos. Visually, it's a stunner with teleportation scenes and a dystopian world that's both eerie and fascinating.

"Coyote" isn't just a love story; it dives into society's darker corners with corrupt politicians and human trafficking. It's this intense journey that keeps you hooked from start to finish.

This film isn't your usual flick, but if you're into stories that mess with your emotions and make you believe in the power of love, "Coyote" is a solid pick.

In an age where we deal with an ongoing refugee crisis around the planet, films with massive budgets and marketing machines flood our screens with flashy glossy soulless 'entertainment'.

Coyote may lack the budget, but for what it lacks in money, it makes up in heart. The central relationship between the two girls is beautifully written and executed by the two leads. The world building around them, especially the first half, almost makes you forget this is a super Indy film!

For the past few years, I have become increasingly concerned about the lack of quality cinema. It is clear this director is a lover of the medium. He has heart, and asks the audience to think about the world in which we live. Not escape it for entertainments sake. This vocational approach to the work is shining through in every frame. And when there is a moment that makes the movie seem like it could have done with a few more bucks, it just makes me even more excited to see what the future for Dustin holds as he builds his career. What a triumphant start!

I would urge anyone to make up their own mind, you can't do that by reading reviews. Watch the film!

Watched as part of the Romford Film Festival.

Great example of a smaller film playing to its strengths. After a compelling opening sequence, the story is largely contained to a single location. But it's a great one at that. The grand scale of the house compliments the underlying story themes of class and status well.

As with all good sci-fi, the central story feels lifted from todays news, albeit with a dystopian lens that gives it a genre twist.

Therica Wilson-Reed does a good job of holding focus in an ensemble of female leading roles, balancing strength and vulnerability.

An intriguing script that works around the classic investigation, 'all is not what it seems,' plot thread kept me second guessing exactly where it was going.

All in all I think this is a really thought provoking debut effort from Dustin Curtis Murphy and I'd be interested to see what comes next.