Un magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de ... Tout lireUn magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de l'aide.Un magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de l'aide.
- Prix
- 4 victoires et 6 nominations au total
Avis en vedette
cheating and trying to cover terrible things and shows many different characters, such as hard-working cops, an immaculate daughter, ruthless business partners, as well as a suffering wife. There are holes in the plot but the audience doesn't mind too much, because of the perfect tension and the detailed script. Gere is perfect, he gets to show real desperation, anger and discomfort at the same time. Arbitrage is special and different from other similar movies due to its refusal to condemn this world.
Robert Miller is a hedge fund magnate with it all, money, beautiful wife (Sarandon) who dabbles in charity work and a son and daughter (Marling) who both work for him, to differing levels of competency.
Miller has decided to sell his firm to a financial company desperate to plug a gap in their suite of services and products. Talking of gaps, Miller is desperately trying to paper over some financial cracks of his own, borrowing the odd $400 million to ensure pre-sale audits go well.
When presented with the first few images and sentiments, those with a healthy dose of cynicism are just waiting to be introduced to Miller's other life. Enter stage left, the struggling beautiful art dealer, who is being kindly helped by Miller to negotiate her way through the perils of small business ownership. Such assistance being mainly bedroom based will come as no surprise.
Of course modern thrillers are like buses, there is always another one around the corner. What sets this apart is the supporting cast, including Tim Roth as Detective Bryer, desperate to nail at least one bad guy protected behind expensive lawyers. Nate Parker as Jimmy, the person Miller calls when he really needs help and of course his wife played by Susan Sarandon, supportive, self aware and enjoying the fruits of his labour.
Central to the film is Gere, who has not always chosen parts wisely in the past but here plays a character he can really sell to the audience. Morally ambiguous, ruthless yet loyal, he manages to make a character we really should not like, somehow likable. Arguably encouraging questionable and morally perplexing empathy from the viewer, as his choices dwindle to rock and hard place territory.
Gere can act and does so here, Roth manages to convey the woes of the world and is especially good in the first scene with Gere. Not so much a modern fable but a story that evokes that feeling afterwards, how far would you go to protect what you have. Also rather curiously, why would you end up rooting for the bad guy?
Not perfect, Britt Marling perhaps not making the most of her emotional scenes. At times the film lacks a harder edge, would Jimmy ever really be that reasonable. However overall, a cut above the mainstream and well worth two hours of your time.
Summary
A smart, deliciously amoral tale with a strong turn from Gere, choosing a role that suits his talents. Ignored at the box office but hopefully finding a well deserved following at home.
Good script, pacing and an interesting ending to this financial based thriller that does not require you to know that Arbitrage means to 'take advantage of a price difference between two or more markets'.
http://julesmoviereviews.blogspot.co.nz/
No matter how much we would prefer it to be otherwise, there is something to the charisma and emotional power of the few who seize control as politicians, CEO's and cult leaders ... all subjects of recent films. During this film, we never once doubt that Gere's Miller is a scam artist with power. He is not a good guy, despite his warm smile as he says all the right things to his family and close circle of advisors. We are sickened that he is able to fool so many. Yet, the reason this story is so familiar is that it rings so true.
Watching Miller's house of cards slowly crumble is both fascinating and nerve-racking. We aren't rooting for him, but we still get caught up in his web of deceit. His demented sense of "responsibilities" guide him down the path of betrayal ... a path that stomps on his all-knowing wife, his ultra-trusting daughter, his sensitive mistress, and a young guy just trying to get his life in order.
The supporting cast is strong led by Susan Sarandon as the wife, Brit Marling (Another Earth) as the daughter, and Tim Roth as the crusty NY Detective trying to catch the big fish. However, this is Gere's film and he delivers his best in years. It's also great to see Stuart Margolin, who was so entertaining as Angel in The Rockford Files back in the 70's. Another interesting casting choice has long time "Vanity Fair" editor Graydon Carter as the head of the financial institution looking to purchase Miller's company.
Again, the individual pieces of the story are all quite familiar, but filmmaker Jarecki does a nice job of assembling the pieces in a manner that keep us engaged. It's a nice example of how the rules are different for the rich, and show how the worst of them even think they can get away with murder! (www.MovieReviewsFromTheDark.wordpress.com)
But everything goes wrong when Julie dies in car accident when Robert was driving and Brooke finds his father in fraudulence.
Now Robert Miller has to struggle against two people: detective Michael Bryer (Tim Roth) and his own daughter and none of them is going to step back.
I am not going to tell how well Gere's character manages this but I can definitely tell you that Richard, as an actor, did a great job. Possibly it's the best performance of his career. Anyone can name his memorable roles but this one is no doubt the best. He delivers an emotional, stressed and very precise acting and looks very natural which makes his work really brilliant.
But the best part of this movie is Nicolas Jarecki. It's not easy to write and direct the film at the same time, especially when it is your first time. He wrote a beautifully crafted script and transferred it professionally on the screen. The more you watch bigger the tension gets and you want to know whether it will end up in a good way. The writer has intelligently stuck surprising details throughout the story and that made whole movie more dynamic.
So, I found Arbitrage to be an attractive, smart and well produced movie and believe that it could be a perfect star for Nicolas's directing or writing career.
Le saviez-vous
- AnecdotesRittenband, the judge's name in the film, is also the name of an actual judge who sat on a number of high profile celebrity court cases, including Roman Polanski's trial in the late seventies.
- GaffesWhen Ellen is adjusting Robert's tie before the business dinner, the position of the knot in his tie changes repeatedly between shots.
- Citations
[first lines]
Maria Bartiromo: But you took a huge bet on the housing crisis in the middle of the biggest boom in housing anybody has ever seen. Why?
Robert Miller: I'm a child of the '50s. My father welded steel for the Navy, and my mother worked at the V.A. They lived through the Depression, Pearl Harbor, and the bomb. They didn't think that bad things might happen. They knew that bad things would happen.
Maria Bartiromo: Is that what's happening now?
Robert Miller: When I was a kid, my favorite teacher was Mr. James. Mr. James said world events all revolve around five things. M - O - N - E - Y.
- Générique farfeluVan Cleef & Arpels, the French jewelry, watch, and perfume company is incorrectly shown as "Van Cleef & Aprels" in the credits roll.
- ConnexionsFeatured in Maltin on Movies: Arbitrage (2012)
- Bandes originalesSo Soft
Written and performed by Gary Anderson (ASCAP)
Published by Teretone Productions LLC
Courtesy of Teretone Music Productions
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Mentiras mortales
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 919 574 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 002 165 $ US
- 16 sept. 2012
- Brut – à l'échelle mondiale
- 35 485 056 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1