Krigsseileren

I'm partial to films based on historic events and facts. The dramatizations give us a glimpse into how those events affected individual lives, lending a better understanding of the past and the present.

The high quality production values of this series include a delicately understated script (always a favorite), compelling performances, and sensitive direction. The friendship between the two main characters struggling to follow their better angels is a haunting backdrop to the horrors of war.

The heartbreaking denouement is a reminder of the persistent scars and lifelong consequences for veterans and the society at large. The film is not an indictment of war, but rather the aggressor.

One of the best war movies I've seen. I thought I'd seen so many war and catastrophe movies I'd become numb to the emotional drama and could only be stimulated by history lessons and battlefield action but this one gripped me. The storytelling and cinematography was oddly neutral and engaging at the same time, avoiding over the top melodrama and anticlimatically predictable climaxes, sticking to the point over a nonlinear plotline for three hours. The lack of cliche and subtelty made the movie seem lifelike and relevant unlike so many other historical dramas. For instance the way you learned of the sinking of the first crew or the reaction to being dropped in shallow water from the oily survivor. The life and the sadness in every scene made this movie worth watching.

Structured like a sweeping epic, Krigsseileren tells about the efforts of Norwegian commercial sailors in the Atlantic theatre during WWII. Two of Norwegian cinema's best actors over the past 10 to 20 years, Kristoffer Joner and Pål Sverre Hagen, play Alfred and Sigbjørn, two friends and conflicting personalities who deal with the pressures of the war operations and their ensuing effects on their personal lives after the war in each their own way. Left behind in Norway are Alfred's wife and children - and a whole nation with a lacking understanding of the war sailors' efforts and experiences. Writer/director Gunnar Vikene (Himmelfall) clearly has made it his personal agenda to tell the story of this oft-forgotten group of people, and although such passionate drive sometimes leads to indulgence, the film's strong sense of humanity and compassion elevates it and carries it through even in parts where the narrative staggers. A combination of authenticity, technical brilliance, and a clear artistic framework makes this into an all-encompassing viewing experience. That's Joner's own daughter Téa Grønner Joner playing his character's oldest child after the war.

The story is amazing, the cinematography is great, and the deapth of each look really leaves a mark.

The lead actors are really good, and probably norway's best ones. But the thing about norwegian movies is that the dialog seams sooo forced. I don't know if it is just me that is too stricht, but both Kristoffer Joner and Pål Sverre Hagen are such good actors when it comes to body language, facial expression and overrall feeling, that I expect the dialogs to be better. The way the manuscript is written probably shoud take a lot of the blame, and is, in my opinion, what stops a lot of norwegian produced films from being great. On the other hand, all the acting in other forms then spreach leaves me speachless! The looks, the feelings, the body language, the details, the entire mood of the movie is worth admiring.

The love and care that is shown between these caracters breaks my heart, it is delivered in such a delicate, vulnerable way.

Overall I enjoyed the movie, it enlightens a part of history that I really have not given much thought.

How is it that the recognised luminaries in Hollywood can't do delivery like this anymore ? War and its brutality in full technicolour. Very reminiscent of Das Boot ( and feel deliberately so ), warts and all. I think the main thrust of the production is to highlight the lack of recognition most of these merchant seamen went through to keep the allies ahead of the fascists. More so, the country itself, whilst under occupation. The scene with young Aksel is particularly poignant and makes its point very succinctly. At times the pace is slow, but don't let that put you off, as overall it's particularly well done.