Cirque du Soleil - Le voyage imaginaire

I have seen at least 8 of the Cirque shows - (the most fun are those in the circus tent) - and I look forward to the shows coming to my home each year. Watching the 3D movie was a treat. Since they were able to have cameras in so many different locations - above, below- the effects are really great. I liked the fact that you could hear the smacking of the acrobats shoes on the big wheels - really got the feel and the danger of that act.

I loved the beginning from "O" - the water adds to the acts. You are able to really see the actors - and appreciate the talent they have. I would go again - I will buy this DVD - and I will continue to go to the live performances. Even though I am not an Elvis or Beatles fan - I liked the music. Would like to have seen some of Michael Jackson in it - that was a fantastic live show.

Thank you for bringing this to the theaters - many people cannot afford the price of the live shows and this brings it to more people. I am glad that others will be able to see it. And I will again.

Cirque Du Soleil: Worlds Away is a beautiful piece of eye-candy that encapsulates a story that I'll be damned if I can make clear to you. From what I can tell, the film is about an aerialist, who is smitten with the mysterious and enchanting world of "Cirque Du Soleil," and decides to perform with them and explore many different worlds. That's the extent of what I can provide.

Even if you can only extract that, this film is a ravishing piece of eclectic, artful fun, if a bit too wrapped up in its love for visual flair. This was a special released right in time for Christmas (which I would have seen on the big screen, had I not been stricken with a paralyzing flu-bug), and was guaranteed to provide its attendees a bountiful time with lovely visuals, incredible style, and sensory-stimulating excitement. It succeeds at that and for it, it should be commended. I've never had the pleasure to see a "Cirque Du Soleil" show in person, but I question if the story lines are as vague as the one given here. I'm all for stunning visuals, but there needs to be an extractable emotion, idea, or story that is found inside of them.

Take Ron Fricke's Samsara for example, a picture with some of the best visuals I have ever seen on film. There are no words in the entire ninety+ minutes in it, but so many morals, meanings, subtleties, and ideas can be pulled from its amazing long-shots that multiple viewings are an obligation. I have seen it twice now and have yet to grasp everything behind it. I've sort of assumed the idea that I simply will never be able to see everything in that film. I didn't expect Cirque Du Soleil: Worlds Away to perplex and amaze me in an experience germane to Samsara, but with all that being said, I would've liked some story of some encapsulating message. Should I just assume I'll never be able to see anything here? But I am starting to think, who goes to "Cirque Du Soleil" to get silly things such as morals or to get the benefit of a great story? It's all about the visuals, clearly, and for that alone, this film excels in them. Director Andrew Adamson, who previously worked with visuals on a macro-scope on The Chronicles of Narnia film series and the Shrek franchise, captures the unfolding talent and gravity-defying acrobatics with marvelous clarity and framing. I was stunned by the presence of wider shots, showing the "Cirque Du Soleil" sets in full-form rather than close-ups centering in on a piece of the action. Adamson employs a directorial style similar to that of Steven Soderbergh's in Magic Mike; he wants his audience to see a bigger picture, rather than a condensed, minimized one.

Cirque Du Soleil: Worlds Away is made for three kinds of people; the kind that have indulged in a "Cirque Du Soleil" show and relish the thought , those who crave to experience it at one point, and the latter category being the curious parties, like myself. It was a pleasant experience - one that zips along at about eighty-two minutes minus credits - and provides viewers with an incorruptible sense of wonder and zest. Seeing these brilliant aerialists , acrobats, and performers commit remarkably talented and precise body-movements made me almost reach for the Bengay. I can't imagine the debates among the artists on who is more sore the following day.

Starring: Erica Linz, Igor Zaripov, and John Clarke. Directed by: Andrew Adamson.

Contrary to what Shankru_Spam_Begone has written (dude, you have not seen the film!), there are no "audeicen reaction shots" because everything was photographed when the respective theatres were empty.. There is little CG work — this is all straight, through-the- lens work, and it is freaking incredible. They have chosen the best from eight or nine of Cirque's shows, lovingly photographed them, and stitched them together in such a way that you don't care how thin the story is, you're just enthralled by the sheer magic of the visuals.

And there are so many to by enthralled by: Cirque has this amazing capability of taking the most disparate things, putting them together in a single scene, and making it work. The scenes from O underscore this best, although the ones from Ka come close. (BTW: again, contrary to what Shankru_Spam_Begone writes, there are no scenes from Dralion). It is a visually lovely film that, at times, makes you wonder at the kind of people who can put something this enchanting together.

See it. You will not regret it. Even the 3D work is awesome: perhaps the very best the genre has given us because Cameron wisely takes us *into* the scene instead of pushing it out at us.

Put this on your must-see list.

This movie is all about a girl named Mia who meets a guy called The Aerialist and they go on a huge adventure, but will never give up until they find each other. It is really nice how they care about each other throughout the movie. I think they should have more talking to each other or other people. I really like the movie because it is in 3D. It makes it look so real that I would want to reach out and touch it. There were also so many acrobats that were doing things that seemed like they are going to kick you in the face. It is really cool and I hope you like it too. The main characters in the movie are Mia and The Aerialist. They are both my favorite characters because they don't care what they come up against each time because they love each other and will not rest until they find each other. My favorite part of the movie is when they are doing one of the shows and they are falling off walls on to trampolines and got back on the wall. They must be really brave to do all of those stunts. The cast was amazing and I wish I could do that too. I would recommend this movie for ages 8 and up because younger kids would probably think it's boring. In fact, it is kind of boring at the beginning, but I keep an open mind and they do acrobat things that catch my attention. I hope you like the movie as much as I did. Anthony Aranda, age 10, KIDS FIRST! Film Critic.

If you have never seen a Cirque Du Soleil then the movie Cirque Du Soleil: World Away will be a chance to check out what the fuss is all about. If you have seen a Cirque show before then you will experience a collection of the highlights from some of the shows. This tale begins when a young woman Mia (Erica Linz) walks into a circus only to be whisk away to a magical circus. There she checks out the star attraction aerialist (Igor Zaripov) and becomes enamored with his skills of flight. Through a series of passages they end out in another dimension only to discover the multiple tents of the Cirque Du Soleil crew. I have seen my fair share of Cirque Du Soleil shows and recognized some of the bits taken from seven of the shows that were running in Las Vegas in 2011: O, Mystére, Ká, Love, Zumanity, Viva Elvis, and Criss Angel Believe. This movie is like experience the highlights of this type of circus that pushes the boundaries of human capability that defies the laws of gravity and physics. With the 3D projection it is the next best thing to actually being at a Cirque Du Soleil show. Be wowed and check it out.

By Dr. Wilson Trivino