ÉVALUATION IMDb
6,5/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueFollows Suzie, an American woman living in Japan, and Sunny, a domestic robot made by her husband's company, as they uncover the dark truth of what really happened to Suzie's husband and son... Tout lireFollows Suzie, an American woman living in Japan, and Sunny, a domestic robot made by her husband's company, as they uncover the dark truth of what really happened to Suzie's husband and son, who disappeared in a mysterious plane crash.Follows Suzie, an American woman living in Japan, and Sunny, a domestic robot made by her husband's company, as they uncover the dark truth of what really happened to Suzie's husband and son, who disappeared in a mysterious plane crash.
- Prix
- 1 nomination au total
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First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
I guess Apple's strategy of releasing multiple episodes at the start of the season is a good one since it was the first couple of episodes that got me hooked. In the first 2-3 episodes, the tone was darkly funny, the mystery engaging, and the development of the relationship between Rashida Jones's character and the robot was interesting. After that, though, the show pretty much fell off of a cliff, devolving into inane subplots involving the Yakuza and spinning its wheels for several episodes with the plot going nowhere, the relationships taking a backseat, and the central mystery suddenly being ignored. It's too bad because there was a good show in here somewhere, but it seems to have gotten lost in effort to stretch things out over 10 episodes.
The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
I thought the first 3 episodes were great, lots of mystique, interesting plot line and a broad spectre of characters. It was attention grabbing. But at some point it just took a turn in to a surreal japanese game show-esq story with no clear plot. It tries to explore moral questions but it quickly becomes flat and uninteresting. It fails to keep your attention, and although it has an interesting problem : can a robot (AI) have free will, an intriguing and relevant philosophical question, it fails to connect on an intelectual level. At a point I just stop caring about the protagonists or the problem in hand. Loads of potential but it just seems like the writers had no idea how to explore the plot in an interesting way. It's as if the Matrix turned in to a Disney cartoon midway...
I love Sci fi and I love Rashida Jones but I can't figure this show out. I'm not sure what it's about after 3 episodes. The fact that 70% of it is in Japanese makes it even harder. Rashida Jones' job seems to be to stand there half slumped and speak in English to people speaking to her in Japanese. She doesn't have any drive or maybe it's the way she portrays it I get no sense of urgency or even fear or trepidation from her as she's trying to figure out what happened to her husband and son. The writing is really uneven. This makes me sad. I wanted to like it, it's just too obscure for me I guess.
Le saviez-vous
- AnecdotesThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- ConnexionsReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- Bandes originalesSukiyo Aishite
Performed by Mari Atsumi
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- Dark Manual
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- 2.35 : 1
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