Prise de contrôle

I've tried so hard lately to find good movies on Netflix or Hulu and most stuff I've seen is just crap, especially nearly all action movies. For The Takeover I thought the plot and story were good, the pace was good, and it stayed interesting from beginning to end. The acting was fine and did not distract. This was an entertaining movie with a great central actress.

The criticisms I'm skimming through are uninteresting to me. I don't care about the authenticity of "the hacking scenes." I was expecting something cringe-worthy but it never came.

It's not winning any Oscars but I found this interesting and entertaining for what it is. As long as you don't come in expecting Mad Max Fury Road you can have a nice 85 minutes. I liked it.

Since it was a Dutch movie newly released on Netflix we were curious to see this movie. But it turned out to be disappointing. The storyline is straight out of fairytale and has nothing to do with reality and therefore makes it totally unbelievable. Acting is mediocre at best and there is a lot of running and saying "f#@k" all the time.

It makes the movie one dimensional and more like a (bad) cartoon.

Sadly this movie fits in a long row of Netflix productions we're quantity trumps quality.

To end with a positive note: the city of Rotterdam gets a great promotion with all its highlights, so if this movie inspires you with inspiration to vist this citty something good came out of this production.

The Take Over (2022) presents a riveting techno-thriller centered around an ethical hacker who finds herself framed for murder after uncovering a privacy scandal. As she becomes a target of both law enforcement and the criminals blackmailing her, the hacker must navigate a treacherous landscape, evading the authorities while striving to uncover the truth and bring the perpetrators to justice.

The plot weaves a compelling tale of suspense, intrigue, and high-stakes cat-and-mouse games, keeping audiences on the edge of their seats throughout. The protagonist's portrayal, brought to life by the talented lead actress, captures the character's resilience and determination as she grapples with the daunting challenges thrust upon her. The supporting cast delivers strong performances, adding depth and tension to the narrative as the protagonist races against time to clear her name and confront the shadowy forces working against her.

Visually striking, The Take Over captivates with its portrayal of the hacker's digital world, seamlessly blending sleek cinematography with a pulsating musical score that heightens the film's tension and urgency.

Director Simon Kinberg adeptly crafts a narrative that delves into the ethical dilemmas inherent in the digital age, skillfully combining elements of suspense, action, and psychological thriller. The film's well-paced storytelling and seamless editing maintain an electrifying momentum, ensuring that viewers are fully immersed in the protagonist's harrowing journey.

In conclusion, The Take Over is a captivating exploration of technology, power, and the resilience of the human spirit in the face of overwhelming odds. With its compelling characters, intense thrills, and a plot teeming with unexpected twists, The Take Over is a must-see for fans of gripping, high-tech thrillers.

90 hackes movie is way better than this.

They name Villain company name as Xiao Min. It's like company name is Mcdonald in states. All the hacking scene are like 80 movies. Some people just bashing on the keyboard and some random text running on the screen.

Police saw the evidence, but they still think it's fake. Her hacker group always wear the same cloths and headphone even tough it's a different day. Never show what's the connection with the bus company and china company.

Too little research on the hacking behavior. They just inspire on Hollywood movie and try to put together in the movie but it's fail.

I always find it amusing, when US "critics" write about "realism" in a European production, whereas approx. 75 per cent of Hollywood productions are everything BUT realistic. This goes also time and again and often enough for poor acting and directing.

The pace in this flick from the Netherlands ist OK, the acting maybe average, direction is OK, the storyline could be worse, agreed.

And, so? It's not a Hollywood-blockbuster (whatever THAT is supposed to be) and we do not have the humongous budgets over here to pull a flick like TOP GUN MAVERICK.

Nuthin' personal though, so chill.

Greetings from good 'ole Europe.